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  • CONF: Ephemeral Architecture (28-29 Nov 13)

    Budapest | Dates: 28 – 29 Nov, 2013
    The Research Centre for the Humanities, Institute of Art History, Hungarian Academy of Sciences, in cooperation with CentrArt Association - New Workshop for Art Historians, is organizing an international symposium entitled Ephemeral Architecture in Central-Eastern Europe in the 19th and 20th centuries.

    PROGRAM

    1st Day - Thursday, 28th November 2013

    8:00-9:00 Registration
    9:00 Welcome speaches Dr. Miklós Székely PhD (Organizer of the Conference), Dr. István Kenyeres PhD (Director General of the Budapest City Archives), Dr. József Sisa DSc (Director of the Institute of Art History, Research Centre for the Humanities, Hungarian Academy of Sciences)

    9:30-10.00 Keynote Speech Anna Korndorf, Ekaterina Viazova (Department of Russian Art and Architecture, State Institute of Art History, Moscow) Utopia of Transparency: 19th-Century Exhibition Pavilion Architecture as Mythological Project

    10.00-11.00 Section 1. Architecture, origins, materials Chair: Dr. József Sisa DSc Dr. Gianenrico Bernasconi (Institut für Populäre Kulturen, Universität Zürich) The tent room Magdalena Żakowska (Central and Eastern Europe Department, Faculty of International and Political Studies, University of Łódź) Austrian and Russian National Pavilions as Mediums of National Self-Representations at the Vienna World Exposition 1873

    11.00-11.30 Coffee Break

    11.30-12.50 Section 2. The Hungarian Millennium at the Crossroad of Nation Buildings

    Chair: Dr. Pál Lővei DSc (Institute of Art History, Research Centre for the Humanities, Hungarian Academy of Sciences)

    Paolo Cornaglia PhD (Turin Polytechnic, Department of Architecture and Design)

    Franczia étterem: the French restaurant by Karman & Ullmann in the National Hungarian Exhibition of 1896

    Dragan Damjanović PhD, doc. (Art History Department, Faculty of Humanities and Social Sciences, Zagreb University) Croatian Pavilions at the 1896 Millennium Exhibition in Budapest

    Miklós Székely PhD (Institute of Art History, Research Centre for the Humanities, Hungarian Academy of Sciences) Representation reduced and exported: The re-setting of the Main Historical group of the Millennium Exhibition at the 1900 Paris Universal Exhibition

    12.50-13.50 Lunch break

    13:50-15.30 Section 3. "Western Venues, Eastern Nations"
    Chair: Miklós Székely

    Cosmin Tudor Minea MA (Central European University, Budapest) Creating a National Architecture : the Pavilions of the Balkan Countries at Two 19th Century Universal Exhibitions

    Dr. Aleksandar Ignjatovi? (University of Belgrade) Competing Byzantinisms: Architectural Imagination of the Balkan Nations at the Paris World Exhibition in 1900

    Ágnes Sebestyén (University of Bern, Institute of Art History) The Pavilion of Bosnia and Herzegovina at the Universal Exposition of 1900 in Paris: a Case Study

    Cristiana Volpi PhD (University of Trento, Department of Civil, Environmental and Mechanical Engineering) The Hungarian Pavilion at the Venice Biennale. Tradition and modernity during one century

    15.30-16.00 Coffee break

    16.00-17.20 Section 4. "Eastern Venues, Eastern Nations"
    Chair: Dr. Aleksandar Ignjatović

    Deniz Türker PhD candidate (Harvard University, Center for Middle Eastern Studies and the History of Art and Architecture Department & Dumbarton Oaks Tyler Fellow) The 'Ottoman' Pavilions at the Turn-of-the-Century

    Silvija Grosa, Dr. art (Art Academy of Latvia) Between National Romanticism, Modernist Tendencies and Traditionalism - Two Exhibitions in Riga at the Turn of the 20th Century

    Weronika Grzesiak, MA (Art History Institute, Jagiellonian University in Cracow) National Representations on the General Provincial Exhibition (Lviv 1894)

    2nd Day - Friday 29th November 2013

    9:00-9.30 Keynote Speech: Ágnes Anna Sebestyén (Archaeolingua Foundation, Budapest) Shaping Ephemeral Architecture by the Media

    9.30-9.50. Tamás Csáki (Budapest City Archives) Ephemeral architecture of the Metropolis: plans for urban pavilions by Bertalan Árkay from the 1920s

    9.50-10.20 Coffee break

    10.20-11.40 Section 6. Rise, Fall and Shift of Ideologies Chair: Ágnes Anna Sebestyén

    Marta Filipová, PhD (University of Wolverhampton) From the national village house to the international expo pavilion: ephemeral ideologies?

    Mgr. Petra Nováková (Palacký University of Olomouc, Czech Republic, Department of the History of Art) State propaganda at the background of the Czechoslovak temporary exhibition installations at La Triennale di Milano, 1923-1968

    Aleksandra Stamenković MA (Faculty of Philosophy, University of Belgrade, Department for Art History) Ephemeral Structure of National Pavilions on World Fairs 1918-1941

    11.40-12.40 Lunch break

    12:40-14.00 Section 7. Bridges over the Iron Curtain I
    Chair: Pál Ritoók (Hungarian Museum of Architecture)

    Nikolas Drosos (Graduate Center, City University of New York, 2013-15 Chester Dale Fellow, Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington) Modernism with a Human Face: Communist Europe at the 1958 World Fair

    Péter Haba (Lecturer at Department of Design and Art History, Institute of Theoretical Studies, Moholy-Nagy University of Art and Design, Budapest) The rise of aluminium, Pavilions by ALUTERV in the Budapest City Park trade fair centre

    Mirna Meštrović, DipArch MS, Aleksander Laslo DipArch (Development Department of Zagreb City Administration) Fairground as Geopolitical Playground: Zagreb International Trade Fair and Cold War Circumstances

    14.00-14.30 Coffee break - Meanwhile: Optional guided visit in the storage of Budapest City Archive exclusively for conference speakers by Tamás Csáki.

    14.30-15.50 Section 8. Bridges over the Iron Curtain II Chair. Marta Filipová

    Katarzyna Cytlak, PhD (Universidad Nacional de San Martin, Centro de Estudios sobre los Mundos Eslavos y Chinos, Buenos Aires) The American Pavilion for the International Fair Trade in Poznan, 1957: Richard Buckminster Fuller's Legacy in Central Europe

    Doc. ing. arch. Radomíra Sedláková, CSc. (National Gallery in Prague, curator of the collection of Architecture, Prague technical University, Faculty of Civil Ingeneering, department of Architecture) Two czecoslovaks pavilons / two different ideological fates

    Lara Slivnik PhD (University of Ljubljana, Faculty of Architecture, Ljubljana) Architecture, Competition, Pavilon: Yugoslav Pavilion at Montreal Expo 67

    15.50-16.20 Coffee break

    16:20-18:00 Section 9. Contemporary Reception of Ephemerity
    Chair: Hajnalka Somogyi (freelance curator)

    Helena Postawka-Lech, M.A. (International Cultural Centre in Krakow, Institute of Art History, Jagiellonian University (Krakow) Papier-mâché hammer and sickle. Decorations and temporary architecture of official gatherings, parades and festivals in Krakow between 1968 and 1989

    Dr. Ayse Nur Erek (Yeditepe University, Humboldt University) The Afterlife of Ephemeral Architecture: The Pavilion in the Context of a Contemporary Art Exhibition

    Dr. Bahar Beslioglu (Faculty of Architecture at M.S.G.S.U, Istanbul) The Pavilion in the Context of a Contemporary Art Exhibition

    Dr. Roula Matar-Perret PhD (Université Rennes 2 / ENSA Paris La Villette)

    David Maljkovic's attempt to reanimate Sambito's pavilion in Zagreb

    18:00 Closing remarques

    Location: Conference hall of Budapest City Archives (H-1139 Budapest, Teve str. 3-5.)
  • CONF: Fashioning Taste: Social Hierarchies and Architecture, Design & Fashion (28 Nov 13)

    London | Dates: 28 Nov, 2013
    Conference: Fashioning Taste (London, 28 Nov 13)

    Thursday 28th November 2013

    10.00-10.15 Coffee and registration

    10.15 Welcome and introduction to IF Graeme Brooker, Head of Fashion and Interiors, Middlesex University

    10.30 Framing the Day: The last taboo: social class and cultural hierarchies Anne Massey, Professor of Design, Middlesex University

    10.45 ‘Tropics of Taste: Curating The Silver Studio’ Zoe Hendon, Head of Museum Collections, Museum of Domestic Design & Architecture (MoDA) Middlesex University

    11.15 Class, Modernity and Design in inter-war London Elizabeth Darling, Reader in Architectural History, Oxford Brookes University

    11.45 The Forgetting of Arthur Wragg Damon Taylor, Senior Lecturer in Design, Design Futures, Brighton University

    12.15 Questions

    12.30 Lunch

    14.00 ‘Utterly meretricious furniture’ for ‘vulgar people’: The interwar home and suburban modernity in England Deborah Sugg Ryan, Associate Professor of History and Theory of Design Falmouth University

    14.30 ‘Dispelling the Myth: the influence of cinema on the fashion of young working-class women in the 1930's' Cheryl Roberts, Senior Lecturer in Fashion History, Middlesex University

    15.00 Tea

    15.15 ‘ “The Intelligent and Not So Well Informed”: the media, social class and the cultivation of public audiences for modern architecture’. Jessica Kelly, Lecturer in Critical and Theoretical Studies at University for the Creative Arts

    16.15 ‘Coals in the Bath: Taste, Anxiety and the Dirty Aesthetics of the Working Class Home’ Christine Atha, Tutor in Department of Critical and Historical Studies, RCA

    16.45 Questions 17.00 Closing Remarks Dana Arnold, Professor of Architectural History and Theory, Middlesex University

    17.30 Book Launch, The Grove, Middlesex University Graeme Brooker, Key Interiors, IB Tauris and Anne Massey, Out of the Ivory Tower: The Independent Group and Popular Culture