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  • Moving Modern

    New York | Dates: 23 Jul, 2014

    When: 6:00 PM - 8:00 PM WEDNESDAY, JULY 23

    Where: At The Center   

    When the iconic Farnsworth House by Mies van der Rohe was put on the auction block in 2003 in New York City to be sold to the highest bidder, it had an unusual caveat- the winning bidder would have the option of moving the house to a location of their choosing. The publicity surrounding the auction for the first time presented Mid-Century modern architecture in a new light as a moveable and collectable commodity. In the years that followed, several more iconic houses were moved- or proposed for moving- both as the only option to save the building and for private collection.

    The "Moving Modern" program will examine four recent case studies with their contemporary architects and advocates: the Aluminaire House (1931) by Kocher & Frey; Maison Tropicale (1951) by Jean Prouve; the Pearlroth House (1959) by Andrew Geller; and the Lieb House (1969) by Robert Venturi and Denise Scott Brown.

    Join us for documentary film excerpts and a panel discussion that will consider what are the nuanced implications if Modern architecture becomes a collectible commodity like art work or is treated as "moveable" heritage? Can a Modern building's significance be maintained if it is taken from its original site? Does a Modern building's design significance stand independent from its original site, as does a work of art or sculpture?

    Luca Baraldo, Associate, COOKFOX Architects
    Jon Michael Schwarting, AIA,
    Andre Tchelistcheff, AIA, Founder, Andre Tchelistcheff Architects 
    James Venturi, Filmmaker

    Moderator: Mary Kay Judy

    Mary Kay Judy is an architectural conservator and preservation consultant based in Brooklyn, New York. She has been a consulting architectural conservator on several significant Modern properties including the Painting Gallery and Brick House at the Philip Johnson’s Glass House in Connecticut, Philip Johnson's 9 Ash Street House (Thesis House) in Cambridge and the Mies van der Rohe Farnsworth House in Plano, Illinois. Judy has also consulted on the conservation of Modern architecture in Tallinn, Estonia, Tbilisi, Georgia and Lucknow, India. In New York City, her practice focuses on architectural conservation support services and project representation for New York City's current- and future- Landmarks. Judy's article, "Moving Modern" Modern Architecture as Moveable Heritage, was published in the National Trust for Historic Preservation's Forum Journal in Fall 2011.

    Luca Baraldo, Associate at COOKFOX Architects, graduated with a Master in Architecture, Summa Cum Laude from Istituto Universitario d’Architettura di Venezia; Venice, Italy. He began his professional career at S. Russell Groves. After joining COOKFOX Architects, Luca brought his architectural and interior expertise to projects like the Tahari Showroom at One Bryant Park, City Point, a 1.8 million square foot mix-complex in Downtown Brooklyn, and 130 West 12th St, a 43 unit high end boutique re-development in the West Village. Once promoted associate, Luca focused on the COOKFOX residential portfolio, leading the interior design of 301 East 50th St, a 57 condominium luxury building in Midtown East, and CityTower, a 380 unit building in Downtown Brooklyn. For the past four years Luca followed all phases of 615 Dune Road in Westhampton Beach, from design to construction of a new single family home and the restoration of Andrew Geller’s iconic “Double Diamond” house.

    Michael Schwarting is an architect, urban designer and professor. He has a B. Arch. and M. Arch in Urban Design from Cornell University and received a Rome Prize Fellowship from the American Academy in Rome. He was an Associate in Richard Meier and Associates and has practiced as Jon Michael Schwarting Architect and been a Partner in Design Collaborative with Piero Sartogo, Karahan and Schwarting Architecture Company, and presently Campani and Schwarting Architects. Work has been exhibited and published internationally in journals and books. Projects have received a PA Citation and LI AIA ARCHI awards. He has been recognized and placed in several competitions. He has directed the restoration of the 1931 Aluminaire House since 1987 and founded the Aluminaire House Foundation. He is a Professor of Architecture and has served as Chair in the undergraduate program and as Director of the graduate program in Urban and Regional Design at New York Institute of Technology. He also taught at Columbia, Yale, Penn, Cornell, Cooper Union, Syracuse and the Institute for Architecture and Urban Studies.

    Andre Tchelistcheff was born in San Francisco, California to Russian émigré parents and raised in the Middle East and Southeast Asia. He received a Bachelor of Arts in Architecture from the University of California, Berkley in 1984, and a Master of Architecture from the Massachusetts Institute of Technology in 1992. He is a Registered Architect in the State of New York and a member of the American Institute of Architects and the Institute of Classical Architecture. Established in 1998, the office of Andre Tchelistcheff Architects bases its practice on conceptual refinement, attention to craftsmanship and detail, and stylistic fluency. The work of the practice spans a wide range of commissions including new homes, townhouse renovations and additions, offices, showrooms, hotels, and institutional buildings.

    James Venturi is the producer of and a character in the film SAVING LIEB HOUSE. He and Frederic Schwartz were partners in the move of the house. He is presently working on a feature film on his parents, the architects Robert Venturi and Denise Scott Brown.

    Organized by: AIANY Historic Buildings Committee
    Price: Free for AIA members; $10 for non-members

  • 2014 Preservation Maryland Summer School

    Westminster | Dates: 23 Jul, 2014
    Mark your calendar so you don't miss Preservation Maryland's annual one-day, one topic conference on Wednesday, July 23 at McDaniel College in Westminster.  The title of the 2014 Preservation Summer School is "Uncovering the Untold Stories."  As the demographics in Maryland continue to shift, preservationists and historians must be sure they are telling the stories that people are interested in hearing.  Come discover and learn how to communicate effectively the stories of underrepresented groups in your community.

  • Grand Central Terminal: 100 Years of a New York Landmark

    Stone Ridge | Dates: 23 Jul, 2014

    On February 1st, 1913, the brand-new Grand Central Terminal opened its doors to an admiring public. On February 1st, 2013, the beautifully restored Terminal - rescued from destruction by a seminal 1978 Supreme Court decision - celebrates its Centennial, accompanied by exhibitions, events, and a new book: Grand Central Terminal: 100 Years of a New York Landmark.

    The Terminal's creation combined engineering bravado (sinking two train yards below ground), technological wizardry (electrifying the trains to eliminate steam and enable their underground functioning), and real-estate savvy (replacing the original street-level train yard with 16 blocks of newly prime Midtown Manhattan real-estate, whose development paid for it all) with innovative planning (interior ramps and looping tracks) and Paris-inspired Beaux-Arts design.

    This illustrated lecture by Anthony W. Robins, author of the new book, brings the Terminal to life - its remarkable history, stunning architecture, and central role in creating midtown Manhattan.

    New York Council for the Humanities funded program.  New York Council for the Humanities distributes federal funds from the National Endowment for the Humanities in Washington D.C.

    Time: 7:00 pm

  • Architecture 101: Bio-architecture

    Washington | Dates: 23 Jul, 2014

    Though modern Western buildings are often designed in geometric forms, bio-architecture demonstrates the growing influence of nature through the predominance of organic, nature-inspired patterns and shapes. Learn about this unusual style of architecture, which is exemplified by the work of architects like Antoni Gaudí and Santiago Calatrava.

    1.5 LU (AIA)

    $12 Member | $10 Student | $20 Non-member.
    Special Series Pricing for all three lectures: $30 Member | $25 Student | $50 Non-member.

    Prepaid registration required. Walk-in registration based on availability.

    Tickets are non-refundable and non-transferable. Registration is for event planning purposes only and does not guarantee a seat. Online registration for Museum programs closes at midnight the day before the scheduled program.

    Date: Saturday, July 26, 2014 
    Time: 11:00 AM - 12:30 PM