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  • Guastavino from the Depths to the Heights: A Walking Tour

    New York | Dates: 29 Jun, 2014
    Sunday, June 29, 12:30 to 2:30pm

    Take a tour of Guastavino projects in upper Manhattan with historian John Simko, who will highlight those developed in collaboration with architects Heins and LaFarge, engineer William Barclay Parsons, and subway developer August Belmont Jr. The tour begins in the 116th Street subway station, continues across Columbia University’s campus, and ends inside the Cathedral of St. John the Divine.

    $25 for Museum members; $35 general public.

    For more information, or to order tickets by phone, please call 917.492.3395.

  • Green Roof Tutorial

    Somerville | Dates: 30 May, 2014
    • 05/30/2014

    • 10:30 AM - 12:30 PM

    • Green Roof Recovery
      9 Olive Square, Somerville, MA 02143

    • pce@the-bac.edu

    • Free and Open to the Public


    This tutorial will meet at a specialty green roof company, Green Roof Recovery, in Somerville, MA. Gain insight into planting media, construction materials and products. Get answers to questions that have been perplexing you. Co-Founder, Mark Winterer will give a tour of his facility during the seminar at Fringe in Union Square.
  • Conference: Baroque and Neobaroque (Einsiedeln, 16-19 Jun 14)

    Einsiedeln | Dates: 16 – 19 Jun, 2014

    CONFERENCE: Baroque and Neobaroque (Einsiedeln, 16-19 Jun 14) 15th International Baroque Summer Course Werner Oechslin Library Foundation, Einsiedeln, Switzerland Baroque and Neobaroque in the Spanish and Portuguese World

    TOPICS:

    TRANSFORMATION, INTER- AND TRANSCULTURALITY VISUAL POWER AND AGENCY THEORY, METHODOLOGY, AND HISTORIOGRAPHY GLOBAL/LOCAL EXCHANGE AND RECEPTION NEOBAROQUE CONTEMPORARY IDENTITIES

    2014 Program Directors: Jens Baumgarten, Felix Vogel, Tristan Weddigen

    Die Veranstaltung ist öffentlich. Gasthörer sind herzlich willkommen.

    Aus organisatorischen Gründen wird um Anmeldung gebeten an:

    anja.buschow@bibliothek-oechslin.ch

    The 15th Baroque Summer Course is generously supported by the Getty Foundation in the framework of the Connecting Art Histories initiative, the Swiss Academy of Humanities and Social Sciences (SAGW) and the Swiss National Science Foundation (SNF).

    Stiftung Bibliothek Werner Oechslin

    Luegetenstrasse 11

    CH 8840 Einsiedeln

    http://www.bibliothek-oechslin.ch

  • CFP: 19th Century Studies Association (Boston, 26-28 Mar 15)

    Boston | Dates: 30 – 30 Sep, 2014

    CFP: 19th Century Studies Association (Boston, 26-28 Mar 15)

    Boston, MA, March 26 - 28, 2015

    Deadline: Sep 30, 2014

    Call for Papers

    36th Annual Conference of the Nineteenth Century Studies Association March 26-28, 2015 – Boston, MA

    Material Cultures/Material Worlds

    We seek papers and panels that investigate elements of the material world belonging to the long nineteenth century. Topics may include collecting, possession(s), things and thing theories, realism, hoarding, bric-a-brac, souvenirs, historic houses (interiors and rooms), buildings and “truth to materials,” collecting folklore and songs, Atlantic trade, colonial objects, commodity fetishism, animals as things (taxidermy, zoos, taxonomies), people as things (slavery, human zoos, relics, death masks), cabinets of curiosity, closets, antiquities, museum displays, theatrical stages and sets, textures, books and manuscripts as objects, the materiality of texts, art materials, food, fraudulent items or the luxury trade. We invite alternate interpretations of the theme as well.

    Please email 250-word abstracts for 20-minute papers along with one-page CVs to the program chairs by September 30, 2014 to ncsaboston2015@gmail.com. Paper abstracts should include author's name, institutional affiliation, and paper title in the heading. We welcome panel proposals with three panelists and a moderator or alternative formats with pre-circulated papers and discussion.

    Please note that submission of a proposal constitutes a commitment to attend the conference if the proposal is accepted. All proposals received will be acknowledged, and presenters will be notified in November 2014. Graduate students whose proposals are accepted may, at that point, submit complete papers in competition for a travel grant to help cover transportation and lodging expenses. Scholars who live outside the North American continent, whose proposals have been accepted, may submit a full paper to be considered for the International Scholar Travel Grant (see NCSA website for additional requirements http://www.ncsaweb.net).

  • Guastavino and the Art of Structural Tile: Gallery Tour

    New York | Dates: 22 Jun, 2014
    Sunday, June 22, 1:30pm

    Many of New York's grandest interior spaces of the early 20th century feature elegant structural tile vaults and domes built by the Guastavino Fireproof Construction Company—including the Municipal Building, St John the Divine, Temple Emmanuel, and Grand Central Terminal. Learn what makes this marriage of artistic beauty and engineering innovation so remarkable from guest curator Martin Moeller.

    Free, but registration is required.

  • New York Transformed: The Architecture of Cross & Cross

    New York | Dates: 03 Jun, 2014
    June 3, 2014 at 6:30pm

    Architect Peter Pennoyer and architectural historian Anne Walker, authors of New York Transformed (The Monacelli Press, 2014), will speak about two of the 20th century’s most important, yet largely forgotten, architects, brothers John and Eliot Cross, in a conversation moderated by Donald Albrecht. Cross & Cross’s work included such iconic buildings as the General Electric Building, Tiffany’s, and luxurious apartment buildings 720 Park Avenue and One Sutton Place South—these latter two in collaboration with Rosario Candela. Pennoyer and Walker, who will sign books, will also discuss the Cross brothers’ real estate ventures, including the development of Sutton Place.

    Co-sponsored by the Institute of Classical Art & Architecture and The Monacelli Press.

    Reservations recommended.
    Free for Museum members; $12 for students/seniors; $16 for general public.

    For more information, or to purchase tickets by phone, please call 917.492.3395.

  • Innovators: The Uses of Tiles Today

    New York | Dates: 07 Jul, 2014

    Time: 6:30 pm

    Please note this event was rescheduled from Tuesday April 29th.

    Suzanne Stephens, writer, critic, and deputy editor of Architectural Record, will moderate a conversation about the latest innovations in the use, design, and manufacture of ceramics and tiles. Panelists include: Architect Daniel Libeskind, who is currently partnering with Italian tile manufacturer Casalgrande Padana on two projects—Fiera Milano and Pinnacle Installation; Ingeborg Rocker, Associate Professor of Architecture at Harvard University’s Graduate School of Design and co-founder and co-director of Rocker-Lange Architects; and Matthew Karlin, third-generation president of the Nemo Tile Company.

    Co-sponsored by the AIA New York Chapter and presented in conjunction with the Palaces for the People exhibition.

    Free for Museum members; $10 general public, students, and seniors. To purchase tickets by phone, please call 917.492.3395

    For more info, click here.

  • MUJI Meets Southern California

    Los Angeles | Dates: 28 May, 2014

    On Wednesday, May 28, MUJI will hold an open talk event between its president Masaaki Kanai and UCLA professor Hitoshi Abe at Venice Arts in Los Angeles.

    The talk will be a chance to hear the thoughts of two speakers who were raised in the context of Japanese aesthetics but who are currently operating on the international stage: Abe, an architect active for many years in Los Angeles, and MUJI (represented by Kanai), which has been active globally for many years but is a recent arrival to southern California.

    Kanai is president of Ryohin Keikaku (MUJI). He has worked there since its founding. His work primarily involved product development and merchandising in the company’s housewares division, one of MUJI’s three main product divisions. He entered Ryohin Keikaku in 1993 but was involved with the brand earlier through his work at Seiyu Stores, as MUJI was originally a private label company of Seiyu. He was appointed president in 2008.

    Abe is chair of UCLA’s Department of Architecture and Urban Design. As an architect, he worked at the Los Angeles office of Coop Himmelblau from 1988 and founded his own firm in 1992. His projects span small homes, bars and restaurants to museums and stadiums. He was the subject of two monographs, published by Toto in 2005 and Phaidon in 2009. As an educator he was appointed professor and chair of the UCLA Department of Architecture and Urban Design in 2007. In 2010, he was appointed the Paul I. and Hisako Terasaki Chair in the Study of Contemporary Japan as well as Director of the UCLA Paul I. and Hisako Terasaki Center for Japanese Studies.

    Attendees will receive a Santa Monica-themed “my bag” tote and travel mug with specially designed graphic insert.

    Talk: MUJI Meets Southern California
    A Talk with MUJI President Masaaki Kanai and UCLA Professor Hitoshi Abe
    Moderator: Brooke Hodge, Director of Exhibitions and Publications, Hammer Museum
    Date: May 28, 2014 (Wednesday)
    6:30 - 8:00pm (doors open at 6:00)
    Location: Venice Arts, 1702 Lincoln Boulevard
    Tickets: Free, advance reservation required
    Reservations can be at: http://mujitalk.eventbrite.com

  • Existing High-Rise Buildings – Refurbish, Repurpose or Replace?

    Chicago | Dates: 12 Jun, 2014

    Existing High-Rise Buildings – Refurbish, Repurpose or Replace?

    Thursday, June 12, 7:15 am-  12:00 pm

    Millions of square feet of high rise residential and commercial office buildings were built in Chicago during the post war boom. Most of these buildings were built with single-glazed curtain walls and provided with building services systems that were sized to compensate for their inefficient thermal envelopes. Designed in an era when energy resources were cheap and plentiful, these first-generation glass buildings were optimized to the standards and ideals of their day, however that day is now long gone. 

    We are now more sensitive to the demands buildings place on energy infrastructure, as well as their impacts on the environment. Additionally, many of these early curtain-walled commercial buildings in Chicago are no longer desirable as modern Class A office space. They tend to have lower floor-to-floor heights, tighter column spacing and shorter lease spans. Many still have their original, highly inefficient mechanical systems that provide sub-par regulation of temperature and outside air. Even basic code requirements for handicap accessibility, life safety measures and wind loads are difficult to rectify. This segment of Chicago’s building stock needs to be overhauled. The question is how best to approach the task, and at what cost and speed. 

    The strategy of retrofitting existing buildings with more efficient lighting, mechanical systems, and even façade upgrades will play a critical role in meeting the sustainability challenges facing the 21st century American city. For their fourth annual spring seminar, the Chicago Committee on High Rise Buildings is organizing a half day of presentations to help focus attention on the issue. 

    Speakers: 

    • Jamie Ponce, Chicago City Director, C40 – Clinton Climate Initiative
    • Gordon Gill, FAIA, Adrian Smith + Gordon Gill Architecture
    • Craig Burton, PE, PositivEnergy Practice
    • Matthew Herman, Buro Happold
    • Panav Seth, AIA, Gensler
    • Leah B. Guzowski, Argonne National Laboratory
    • Scott Mellema, PE, SE, Permasteelisa North America

    Check-in and continental breakfast begins at 7:15am; the program begins at 8am. Please bring a photo I.D. and allow adequate time to pass through building security. Members of sponsoring organizations receive a discount on registration. Firm discount of five tickets for the price of four is available.

    Click here for registration and information about the CCHRB.

    This event is sponsored by Chicago Committee on High Rise Buildings; co-sponsors: AIA Chicago, ALA, ASHRAE, BOMA Chicago, CSI Chicago, CTBUH, USGBC Illinois, SEAOI, ULI

    Learning units: 4 LU/HSW

    Location: Harris Bank Auditorium, 115 South LaSalle Street, 3rd Floor, Chicago

    Member price: $125.00   Non-member price: $150.00

  • Laterite Monuments of Malabar, Western India

    Chicago | Dates: 21 May, 2014

    Laterite Monuments of Malabar, Western India

    Wednesday, May 21, 12 pm-  12:45 pm

    Despite the wide use of laterite in the monumental architecture of India, very little is known about its engineering properties and protection strategies. Historical monuments of international and national value listed by Archaeological Survey of India along the west coast of India include forts, temples, palaces, churches, mosques and civic buildings were made using laterite ashlars. A study of these archaeological monuments and traditional construction practices will help to understand the potentials and problems of this material. The weathering of laterite stone in different environment was studied to evolve appropriate strategies for the conservation of valuable architectural heritage.

    PRESENTING:
    Dr. Kasthurba A K
    Associate Professor, Department of Architecture, National Institute of Technology, Calicut, India
    Visiting Research Fellow, UIC, Chicago

    Bring your lunch; beverages provided. Click here to learn more about APT WGL.

    This event is sponsored by Association for Preservation Technology, Western Great Lakes chapter, and Historic Resources KC

    Learning units: Not Available

    Location: AIA Chicago, 35 East Wacker Drive, #250

    Member price: 0   Non-member price: 0

  • Howell & James of London - Retailing the Aesthetic Movement

    Chicago | Dates: 22 Jun, 2014

    Lecture:  Howell & James of London - Retailing the Aesthetic Movement
    Sunday June 22, 2014 at 2:00pm

    Glessner House Museum coach house

    $10 per person / $8 for museum members

    Reservations requested to 312.326.1480

    The period from 1860 to the early 1890s witnessed the flourishing of the Aesthetic Movement, a cult of beauty that emphasized art in the production of ceramics, furniture, textiles, wallpaper, and other furnishings.  Magazines, exhibitions and new retail venues, including department stores, spread Aesthetic Movement ideas and furnishings to a wide public in both Britain and the United States.  This presentation, by independent scholar and design historian Joan Maria Hansen, will explore the activities of the prominent London emporium Howell & James, which played a vital role in spreading Aesthetic Movement ideals, particularly by extensively marketing art pottery and through their classes and exhibitions of china painting.  Although the Glessners did not shop at the Howell & James store, they were vitally interested in ceramics.  After the lecture, Ms. Hansen will take attendees through the museum to look at some pieces that the Glessners collected during the period that reflect this surge of interest in the creation and collection of ceramic objects.

  • Smart Growth: Reconsidering Ian McHarg: The Future of Urban Ecology

    Washington | Dates: 17 Jul, 2014

    Ian McHarg advanced the integration of ecology into land planning and design, a matter that is all the more pressing in today’s densifying urban world. A principal in the firm McHarg founded, Ignacio Bunster-Ossa discusses the precepts of a new urban ecology, one involving the integration of green infrastructure, localism, and public art as a way to render compact development the environments of choice. Bunster-Ossa signs copies of his book, Reconsidering Ian McHarg: The Future of Urban Ecology, after the talk.

    1.0 LU HSW-SD (AIA) / 1.0 CM (AICP) / 1.0 PDH (LA CES)

    FREE. Pre-Registration required. Walk in registration based on availability.

    Tickets are non-refundable and non-transferable. Registration is for event planning purposes only and does not guarantee a seat. Online registration for Museum programs closes at midnight the day before the scheduled program.

    The Museum's award-winning Shop and Firehook Café are open for one hour prior to the start of the program. Shop and Café hours are subject to change.

    Smart Growth is generously supported by the National Association of Realtors. Additional support is provided by Smart Growth America.

    Photo: Philadelphia has adopted the comprehensive application of green infrastructure in pursuit of ‘triple bottom line’ sustainability objectives—both on private and public lands. Such integration is key towards a healthy urban ecology.  Image courtesy of Wallace Roberts & Todd.

    Date: Thursday, July 17, 2014 
    Time: 12:30 PM - 1:30 PM

  • YARCH014 X-CHANGE

    Pafos | Dates: 27 Jul – 10 Aug, 2014

    YARCH-WORKSHOP is in the delightful position to invite architects, students, designers and artists from around the world to take part in the YARCH 2014 X-Change Competition. The annual YArch competition recognizes outstanding ideas that redefine architectural design and construction through the implementation of new technologies, construction techniques, materials, programs, aesthetics, and spatial organizations along with studies on globalization and adaptability. It is a forum that examines the relationship between architecture and the city, the built-environment and the un-built-environment, and the new-city and the old-city.

    The participants should take into consideration the advances in materials and construction techniques, and the establishment of new urban and architectural methods to solve economic, social, and cultural problems of the contemporary city.The competition is an investigation on the cultural exchange within a space and the role of the individual and the community in the creation of a dynamic and adaptive city.

    There are no restrictions in regards to site, program or size. The objective is to provide freedom to the participants to engage the project with the only constraints of the structure to be able to be constructed in the duration of two-weeks. What is a spatial cultural exchange? What are the historical, contextual, social, urban, and environmental responsibilities of these structures?

    YARCH-WORKSHOP is committed to continue stimulating the imagination of Young Architects around the world – thinkers that initiate a new architectural discourse of economic, environmental, intellectual, and perceptual responsibility that could ultimately modify what we understand as a spatial cultural exchange, furthermore its impact on urban planning and on the improvement of our way of life.

    http://yarchworkshop.com/upcoming/

    Supported by: Cyprus Architects Assiociation

    For more information: http://yarchworkshop.com/upcoming/

  • CFP: ´Wilderness´: Creativity and Disorientation in Renaissance Landscape Representations

    Berlin | Dates: 10 Jun, 2014

    Call for Papers RSA Conference (Berlin, 26-28 Mar 15)

    61st Annual Meeting of the Renaissance Society of America (RSA), Berlin, March 26-28, 2015

    Call for Papers for the sessions:

    Simone Westerman, simone.westermann@uzh.ch

    Subject: CFP: ´Wilderness´: Creativity and Disorientation in Renaissance Landscape Representations

    Deadline: June 10, 2014

    This panel seeks a more subtle understanding of artistic creation in relation to landscape and wilderness depictions in Late Medieval and Early Modern art (1300-1600). As in Dante’s "Divine Comedy", where the protagonist’s miraculous journey finds a starting point in a dark, disorientating forest (selva oscura), artistic creation often commences from undefined and disharmonic matter that gives rise to and finds its form within the artistic process. Leonardo’s "macchia" (stain,

    undergrowth) is the epitome of such a concept of creation and creativity, where a metamorphic mass not only inspires the vision of “un bel paese”, but also embodies creative invention itself – the potentiality for form and content. Moving beyond the concept of wilderness as an antipode to the idea of a civilized environment, this panel welcomes contributions that investigate landscape or wilderness depictions and descriptions that invite psychological and phenomenological modes of analysis.

    We are looking for art historical as well as interdisciplinary contributions that may relate to, but can go beyond the following

    topics:

    - The interrelation between landscape and human creativity might call for an ecocritical approach: How does the wilderness relate to the human and how human is wilderness (anthropomorphic, living, even fleshy)?

    - Is a depicted wilderness an atemporal place or does it constitute a concrete place and time in human history?

    - What spiritual and imaginative powers lie in forest and landscape depictions?

    - To what extent do art-theoretical works reflect contemporary and local concepts of wilderness or landscape?

    - How might notions of forests or plants from non-European countries have inspired the production and the perception of landscape painting in the Renaissance?

    - What role do the natural properties of materials, color, and texture play in furthering the significance of landscape and wilderness?

    Please send a 150-word abstract of your paper, a brief curriculum vitae and full contact information to Filine Wagner (filine.wagner@uzh.ch) and Simone Westermann (simone.westermann@uzh.ch) by Tuesday, June 10th 2014.  

  • Matthew Brandt exhibition: 'Lakes and Reservoirs'

    Savannah | Dates: 04 Feb – 20 Jul, 2014

    "Lakes and Reservoirs," an exhibition of photographs by Los Angeles-based photographer Matthew Brandt, is the artist’s first solo show in the Southeast. Influenced largely by generations of landscape photographers before him, Brandt’s process of exploration and experimentation takes the tradition one step further.

    Using his surroundings as an additive medium, Brandt’s printed photographs are bathed in a mixture of water collected from the site in which the composition was derived. Through this experimental process, the artist becomes closer to his specific subjects and gains a better understanding of his surroundings as a whole. This controlled technique mirrors the chemical composite of the photographed landscape and therefore symbolizes today’s ecological concerns about the deterioration of our natural world. 

    Presented as part of the 2014 deFINE ART program, Feb. 18-21

    Reception: Tuesday, Feb. 18, 6-7:30 p.m.

    Museum hours:

    • Sunday, noon to 5 p.m.
    • Monday, closed
    • Tuesday, 10 a.m. to 5 p.m.
    • Wednesday, 10 a.m. to 5 p.m.
    • Thursday, 10 a.m. to 8 p.m.
    • Friday, 10 a.m. to 5 p.m.
    • Saturday, noon to 5 p.m.

    All deFINE ART lectures, receptions and events are free and open to the public.

    The exhibition is free for all SCAD students, faculty, staff and museum members and open to the public with the cost of museum admission

  • The Roof Garden Commission: Dan Graham with Günther Vogt

    New York | Dates: 29 Apr – 02 Nov, 2014

    This installation by Dan Graham (born 1942, Urbana, Illinois) is the second in a new series of site-specific commissions for the Museum's Roof Garden. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham's structure is part garden maze, part modernist skyscraper facade. Viewers who enter the work are transformed into performers; in glimpsing their own reflections, they are also made acutely aware of the act of looking.

    For the past fifty years Graham has engaged his interest in architecture and the way it structures public space through a multidisciplinary practice encompassing writing, photography, video, performance, and—beginning in the 1970s—sculptural environments of mirrored glass and metal. He calls these hybrid structures "pavilions" after the ornamental buildings that decorate seventeenth- and eighteenth-century formal gardens—architectural fantasies inspired by the ruins of classical antiquity. Graham's pavilions similarly invite romance or play, but their forms and materials have a more contemporary source: the gleaming glass facades of modern office towers. For the artist, the mirrored cladding of a corporate headquarters symbolizes economic power and sleek efficiency and also provides camouflage, reflecting the world around it as it shields what happens inside from prying eyes.

    The artist's pavilions likewise respond to their specific sites. The Roof Garden, where the idyllic expanse of Central Park confronts the tall buildings of midtown Manhattan, is both of the city and at a certain remove from it. The evergreen plantings that edge the parapets also remind Graham of the shrubbery that often demarcates property lines in the New Jersey suburbs of his youth. His Hedge Two-Way Mirror Walkabout, set within a specially engineered terrain designed in collaboration with the Swiss landscape architect Günther Vogt (born 1957, Balzers, Liechtenstein), employs these multilayered references—palace gardens, public parks, contemporary corporate architecture, and the suburban lawn—as it engages the viewer in a historic and complex mirror play.

  • LEGO® Build

    Washington | Dates: 01 Jun, 2014

    Join the museum and staff from Play-Well Teknologies for an exciting LEGO® Build to construct a giant bridge! Build your own LEGO® car to race across the bridge! Cost per child: $25 Non-member, $20 Member

    Ages 6 and up.

    Prepaid registration required. Tickets must be purchased by the end of the day Thursday, May 29, 2014. Adults are FREE, but must be accompanied by a child. 

    Date: Sunday, June 1, 2014 
    Time: 2:00 PM - 4:00 PM

  • M+ / DESIGN TRUST FELLOWSHIP 2014–2015

    Dates: 15 May – 30 Jun, 2014

    The M+ / Design Trust Fellowship programme aims to support an original research project investigating issues relating to design and architecture in the Greater Pearl River Delta region. Apart from expanding the current body of knowledge in these areas, it is hoped that the findings from the fellowship will also inform future acquisitions and other programmes at M+.

    Applicants should engage in advanced historical research on either a single discipline, such as architecture, graphic design, industrial design and urbanism, or cross-disciplinary developments, taking into consideration the region’s cultural, social, economic and political milieus as well as its international and cross-cultural networks. Although post-1949 topics are preferred, exceptional proposals focusing on issues related to the beginning of the twentieth century will also be considered.

    The successful applicant will be attached to M+ for three to six months between September 2014 and September 2015, conducting independent research on a full-time basis. The fellow is encouraged to engage in intellectual exchanges with the museum’s curatorial staff and participate in its programmes. While outcomes may vary, the fellowship should at the minimum result in a paper (5,000 words or more) disseminated digitally or in print through Design Trust and M+’s platforms, as well as a talk as part of the museum’s public programme.

    Eligibility

    Applications are welcome from individuals of all nationalities whose areas of research are in design, architecture or a related field. If necessary, Design Trust will endeavour to aid the successful candidate in obtaining a visa. However, the provision of the fellowship will ultimately depend on the result of the visa application.

    Applicants should either hold a post-graduate degree in a relevant discipline or an undergraduate degree with minimum 3 years relevant professional work or academic research experience. Proficiency in spoken and written English is also required.

     

    Stipend

    The M+ / Design Trust Fellow will be provided a monthly lump-sum stipend of $40,000 HKD (equivalent to around $5,150 USD) for three to six months to cover research-related and living costs. An overseas fellow may request a one-time travel subsidy of up to $10,000 HKD (equivalent to around $1,290 USD), covering the transportation to and from the place of origin and Hong Kong.

    Deadline: June 30 2014

    For more information and application instructions, please visit: http://www.westkowloon.hk/designfellow

    For enquiries, please contact: designfellow@wkcda.hk

    About M+

    M+ is the new museum for visual culture in Hong Kong, as part of the West Kowloon Cultural District, encompassing 20th and 21st century art, design and architecture and the moving image from Hong Kong, China, Asia and beyond.  From its vantage point in one of the world's most dynamic regions, M+ seeks, through its exhibitions, programming and permanent collection, to document the past, inform the present and contribute to the future of visual culture within an ever more interconnected global landscape.

    About Design Trust

    Design Trust is a network of individuals passionate about design and its powerful role in societal's transformation. The Trust supports creative projects that promote design talent, research initiatives and content related to Hong Kong and the Greater Pearl River Delta Region.  Across a multiplicity of design disciplines from graphics, media, fashion to the built environment, the Trust aims to actively accelerate the creative design and development of meaningful projects.

  • Panel Talk: Rebuild by Design

    Washington | Dates: 24 Jun, 2014

    Rebuild by Design (RBD) is a unique competition that responds to Hurricane Sandy by asking the world’s most talented design professionals to envision solutions that increase resilience across the Sandy-affected region. Representatives from two of the winning design teams present their innovative design solutions followed by a panel discussion with RBD jurors.This program complements the exhibition Designing for Disaster, which is open to attendees before the discussion.

    Scott Davis, senior policy advisor, U.S. Department of Housing and Urban Development (moderator)
    Nancy Kete, managing director, Rockefeller Foundation (invited)
    Harriet Tregoning, director of the Office of Economic Resilience, U.S. Department of Housing and Urban Development (invited)

    Continuing education credits pending.

    $12 Members; $12 Students; $20 Non-members. Prepaid registration required. Walk-in registration based on availability.

    This program is generously sponsored by Rebuild by Design.

    Tickets are non-refundable and non-transferable. Registration is for event planning purposes only and does not guarantee a seat. Online registration for Museum programs closes at midnight the day before the scheduled program.

    The Museum's award-winning Shop and Firehook Café are open for one hour prior to the start of the program. Shop and Café hours are subject to change.

    Photo: People engaged in the Rebuild by Design process. Photo by Cameron Blaylock.

    Date: Tuesday, June 24, 2014 
    Time: 7:00 PM - 8:30 PM

  • CFP: Images of the Other: Istanbul, Vienna, Venice (Istanbul, 2-4 Sep 2014)

    Istanbul | Dates: 14 May – 20 Jun, 2014

    Call for Papers: Images of the Other: Istanbul, Vienna, Venice (Istanbul, 2-4 Sep 2014)

    Deadline: Jun 20, 2014

    IMAGES IV – Images of the Other: Istanbul – Vienna – Venice A 2-3-days international and interdisciplinary conference

    Call for Papers

    After the conferences IMAGES (I) – Films as Spaces of Cultural Encounters (2011), IMAGES (II) – Images of the Poor (2012) and IMAGES

    (III) – Images of the City (2013), the IMAGES project is planning to focus on Images of the Other as documented in the images/ representations of Istanbul, Vienna and Venice in its 2014 conference.

    Starting from the Middle Ages all three cities have been (culturally) mythologized as points of cultural intersection in works of literature, arts and film; be it as the spaces where East meets West, where lines blur between the conscious and the subconscious, between life and death, between the visible/ the seen and the invisible/ the unseen, or as spaces identified with the evil, as the Moloch luring – all these mythologizations being part both of the self-perception documented in the native cultural production and of the perception from the (cultural) “outside”.

    Regarding this fact the IMAGES project has decided to discuss the (historically) changing representation and perception of the three cities in its 2014 conference IMAGES (IV) – Images of the Other:

    Istanbul – Vienna – Venice; the representations being seen as documentations of cultural approaches and also of cultural concepts.

    Hence, the historically grown mythologizations of the three cities create a sheer unlimited number of potential cases of both cultural encounters and conflicts, including most of the socially relevant fields in the academic discourse on the topic, like politics, communication, culture, and migration.

    In order to discuss issues like the above mentioned IMAGES (IV) – Images of the Other: Istanbul – Vienna - Venice invites scholars, but also architects, photographers, writers, artists and filmmakers to propose papers in the following fields of research and interest:

    •    The Making of a Myth (theoretical approaches with special reference to the three cities Istanbul, Vienna, Venice)

    •    The psychology of feeling Istanbulite, Viennese and Venetian

    •    The psychology of attraction (theoretical approaches with special

    reference to the three cities Istanbul, Vienna, Venice)

    •    Istanbul’s, Vienna’s, Venice’s cityscape as a (mythologized) statement

    •    The impact of the media (news, internet, daily soaps) on the perception of Istanbul, Vienna, Venice

    •    Images of Istanbul, Vienna, Venice in feature films (present and past)

    •    Images of Istanbul, Vienna, Venice in the Arts (present and past)

    •    Images of Istanbul, Vienna, Venice as seen by photographers (present and past)

    •    Images of Istanbul, Vienna, Venice in literature (present and past)

    The conference IMAGES (IV) – Images of the Other: Istanbul – Vienna - Venice is planned as a 2-3 days interdisciplinary international conference.

    It will bring together senior scholars with PhD students, postdoctoral academics, and members of the artistic community without following the classical keynote speaker pattern but rather inviting all speakers either to present their research findings in 20 minute (paper) presentations plus 10 minutes for discussion or in 120-150 minute panels (4-5 panelists).

    There will be no parallel sessions. All sessions will be plenary sessions.

    The conference language is English.

    Selected articles of each session/ field of research will be published as a volume of conference proceedings. Münster, Berlin, Vienna and New York based LIT Verlag has already declared strong interest in publishing the conference proceedings. The publication will provide

    (limited) space for black-and-white illustrations.

    Conference site and date:

    Istanbul, Austrian Cultural Forum, 02-04 September 2014

    Deadline for paper proposals:

    20 June 2014 (24.00 MET)

    Please, send paper proposals to images-1@gmx.at and cc them to veronika.bernard@uibk.ac.at and otuzun@hotmail.com and gonul.ucele@bahcesehir.edu.tr

    Deadline for paper submission (for publication in conference

    proceedings):

    1 month after conference

    Planned date of publication of conference proceedings: July 2015

    IMAGES project director: Assoc. Prof. Dr. Veronika Bernard (University of Innsbruck)