Recent Opportunities

  • Giuliano da Sangallo 1516-2016

    Florence | Dates: 17 – 18 Nov, 2016
    Giuliano da Sangallo 1516-2016 Study Day Kunsthistorisches Institut in Florenz – Max-Planck-Institut and École Pratique des Hautes Études (Sorbonne) in collaboration with the Gabinetto dei Disegni e delle Stampe delle Gallerie degli Uffizi The 500th anniversary of the death of Giuliano da Sangallo offers the opportunity to examine the ambivalent reception of the artist's work. Indeed, although he was a crucial figure in the architectural panorama of his time, Giuliano's output and personality remain elusive. His fragmentary and sometimes misunderstood oeuvre has often been described as caught between two styles and two eras, the Florentine Quattrocento and the Roman High Renaissance. Only recently have almost all his architectural works been examined in their complexity and completeness as the subject of a monograph (FROMMEL 2014), a publication that provides a stimulus for further research on the under-examined aspects of his multifaceted production. Giuliano's training as legnaiuolo, for example, sheds light both on the specificity of Florentine architectural culture and on this artist's own design methods, in which architectural models played an important role. Similarly, his corpus of drawings and the technical characteristics of their execution offer an alternative understanding of the "evolution" of representational conventions over the course of the Renaissance, one which challenges the traditional history of an improbable linear progress in this field. Furthermore, Giuliano da Sangallo's interactions with and responses to his contemporaries are still to be explored. The overlaps and continuities within his large family of sculptors and architects – starting with his brother Antonio the Elder and ending with his son, Francesco, in Florence, and his nephew Antonio the Younger in Rome – also invite further research. In particular, the techniques, morphologies, and evolution of the fortifications that have been attributed to Giuliano and Antonio the Elder offer a wealth of possibilities for further study. Their catalogue of military architecture is as broad as it is unexplored, and spans a time frame of almost half a century. Moreover, the drawing practices of the workshop strongly attest to the artists' interweaving of figurative imagery and architectural inventions. The variety of genres explored by this polymorphic workshop has not yet been investigated from a broad perspective, one that considers sculpture alongside painting and decorative arts alongside large-scale architecture. The study day, organized by Sabine Frommel, Dario Donetti and Alessandro Nova, to be held 17-18 November 2016 at the Kunsthistorisches Institut in Florenz – Max-Planck-Institut, will present innovative and unpublished contributions on Giuliano da Sangallo, thus offering a new perspective on both Tuscan and Roman architecture between the fifteenth and sixteenth centuries. PROGRAM giovedì 17 novembre 14.30 Dario Donetti introduzione Il disegno e l'antico presiede Cammy Brothers 14.50 Christof Thoenes La Basilica Vaticana nei disegni degli Uffizi: qualche precisazione 15.20 Francesco Benelli «Nomi e vochabolj dj vetruvjo»: studi su Vitruvio (e su Alberti) di Giuliano da Sangallo 16.20 Chloé Démonet «Misurato a punto»: rilievo architettonico e disegno in scala nel corpus di Giuliano da Sangallo 16.50 Huberthus Günther Gli studi di Giuliano da Sangallo per l'architettura antica 17.20 pausa Architettura militare presiede Dario Donetti 17.30 Marco Frati «necessario […] alla sicurtà»: le mura sangallesche di Empoli, Poggio Imperiale e Firenzuola 18.00 Maria Teresa Pepe Giuliano da Sangallo ad Arezzo e nell'aretino: un sistema difensivo territoriale 18.30 Giovanni Santucci «Giuliano […] architetto, persona non molto intendente di fortezze»: la Cittadella Nuova di Pisa venerdì 18 novembre Documenti e biografia presiede Berthold Hub 9.00 Doris Carl Francesco di Bartolo Giamberti. Neue Forschungen zu seinem professionellen Profil und seinem sozialen Umfeld 9.30 Alexander Röstel Giuliano da Sangallo at the Innocenti 10.00 Christoph L. Frommel La calligrafia nei disegni di Giuliano da Sangallo 10.30 pausa Nuove attribuzioni presiede Alessandro Nova 10.40 Francesco Caglioti Un Crocifisso di Giuliano da Sangallo a Roma 11.10 Carla D'Arista The Archaeology of a Legacy: the Pucci Villa in Scandicci 11.40 pausa Ricezione presiede Sabine Frommel 11.50 Costantino Ceccanti Ventura Vitoni a Pistoia 12.20 Flaminia Bardati Giuliano da Sangallo e Domenico da Cortona 12.50 Sabine Frommel e Alessandro Nova considerazioni finali riservata ai relatori e ai moderatori: 15.00 visita al Gabinetto dei Disegni e delle Stampe delle Gallerie degli Uffizi saluti e benvenuto di Marzia Faietti Luogo della manifestazione Kunsthistorisches Institut in Florenz Max-Planck-Institut Palazzo Grifoni Budini Gattai Via dei Servi 51 50122 Firenze ingresso libero fino all'esaurimento dei posti contatto:
  • The Arts of Spinoza + Pacific Spinoza

    Auckland | Dates: 26 – 31 May, 2017
    Interstices Under Construction symposium, 26-28 May 2017
    Auckland University of Technology and University of Auckland, New Zealand œ
    Plenaries / keynotes include:
    Moira Gatens Challis Professor of Philosophy, University of Sydney
    Michael LeBuffe Baier Chair, Early Modern Philosophy, University of Otago
    Susan Ruddick Professor, Geography & Planning, University of Toronto
    Anthony Uhlmann Professor, Writing and Society, University of Western Sydney Plenary panel
    Jacob Culbertson Visiting Assistant Professor, Anthropology, Haverford College
    Albert Refiti Senior Lecturer, Spatial, Auckland University of Technology
    Carl Te Hira Mika Tuhourangi, Ngati Whanaunga Senior Lecturer, Education, University of Waikato
    By Skype
    Beth Lord Reader, Philosophy, University of Aberdeen
    Peg Rawes Professor, Architecture, Bartlett, University College London 

    We invite scholarly submissions on the philosophy of Benedict de Spinoza (1632-1677), for a special issue of Interstices journal and the annual Interstices symposium to be held in Auckland, New Zealand, 26-28 May 2017. The intent is to further consolidate the recent revival of interest in Spinoza’s thought, and to reaffirm his status as an enormously powerful thinker of contemporary relevance. Papers on any aspect of Spinoza studies are thus welcomed. But the more specific aim of the symposium and journal issue is twofold: firstly, to extend the burgeoning scholarship on Spinoza into the domains of study parsed by Interstices, namely arts and architecture, and secondly, to situate Spinoza’s philosophy within the particular locus of New Zealand, Australasia, the South Pacific, and the Pacific Rim more broadly. Each of these aspects will be tackled in separate sessions or separate days of the symposium.

    With regard to the first aim, we welcome submissions that put Spinoza’s philosophy in productive proximity with a particular artform or an individual work of art, whether literature, painting, sculpture, architecture, film, music, dance, performance, etc. — or that have an especial focus on any of the numerous artistic and literary figures who are known to have read Spinoza appreciatively and in whose works Spinozist shadings might be discerned (Goethe, Coleridge, George Eliot, Thomas Hirschhorn, etc.). Contributors might like to think of this event and journal issue as extending, in the direction of arts and architecture, the very fine work done by the anthology Spinoza Beyond Philosophy (2012, ed. Beth Lord).

    Since Interstices’s particular interest is in architectural studies, we would be keen to see contributions that consider Spinoza as helpful for thinking any of the design and spatial disciplines (architecture, urban design, landscape, geography, interior design, and so on). Contributors might also choose to take ‘architecture’ in the sense of ‘structure’, in which case not only would built environments and tectonics be the subject of analysis, but also the very structure of Spinoza’s texts, the extraordinary way in which his texts are wrought (the famous geometric architecture of the Ethics, for example).

    We also invite submissions that don’t necessarily fall under any of the artistic disciplines listed above, and that interpret “arts” in the broadest possible sense. Spinoza’s philosophy predates the modern idea of a differentiated domain of the arts, and so the Latin word that Spinoza uses — ars — has the older and broader sense of skill or craft or ability or proficiency.[1] We thus welcome submissions that are about ‘arts’ in this more general sense — for example, about what Spinoza teaches us about the arts of living (ars vivendi) or the arts of constructing a liberal polity (ars politica, government, statecraft).

    With regard to the second aim, we invite submissions on any aspects of Spinoza studies that have a connection to New Zealand, Australia, the South Pacific, or Asia-Pacific and the Pacific Rim more broadly. Such papers might, for example, examine the historical reception and interpretation of Spinoza in New Zealand, Australia, the Oceanic “sea of islands”, or any proximate sister region.[2] The idea is to give geographic concreteness and local specificity to the interpretation of Spinoza — to see how Spinoza might be or has been read in New Zealand and the Pacific, and inversely to see how our ways of thinking about New Zealand and the Pacific might be productively inflected by reading Spinoza.

    A fuller Call for Papers / Discussion Document is attached as a PDF file, or available online at 

    Abstracts of 300 words, along with a short biographical statement of 100 words, to be sent to, by midnight nzst, 30th January 2017. For purposes of peer review, the abstract should be sent in a separate self-contained file with no identifying information in it. Please send Microsoft Word files only (doc or docx). Abstracts will be vetted through a process of blind peer review.

    Selected papers from the symposium will be invited for revision, peer review, and publication in the subsequent issue of Interstices. If you are unable to attend the symposium in New Zealand, but wish to submit a paper for the journal issue, please send the full and completed paper to by 31st May 2017.

    Further inquiries can be directed to the convenor Eu Jin Chua,, Farzaneh Haghighi,, or to Susan Hedges, the Coordinating Editor of Interstices, [1] See Moira Gatens, “Spinoza on Goodness and Beauty and the Prophet and the Artist”, European Journal of Philosophy 23, no. 1 (2015), p. 3. [2] The reference is to Epeli Hau’ofa’s “Our Sea of Islands”, The Contemporary Pacific 6, no. 1 (1994), 147–161.
  • Decor and Architecture in the 17th & 18th centuries

    Lausanne | Dates: 24 – 25 Nov, 2016
    University of Lausanne, November 24 - 25, 2016

    During the Early Modern Period, décor was considered to be one of the 
    most fundamental elements of architecture. Thanks to décor, 
    architecture could elevate itself beyond simple masonry and claim a 
    superior status. Décor was thus defined as a necessary prerequisite for 
    architecture, rather than a marginal component. However, despite its 
    privileged status, many authors mistrusted it, fearing the harmful 
    effect which an uncontrollable proliferation of ornament would surely 
    have on architecture. This conference aims to question how the 
    relations between décor and architecture were defined and implemented 
    in Europe in the 17th and 18th centuries.

    Our perception of these relations has often been informed by 
    teleological approaches: indeed, the radical ideas conveyed by certain 
    20th-century texts, which define décor as an unnecessary bi-product of 
    architecture, have acted as a distorting prism. History of art, for its 
    part, has often separated décor-related studies from 
    architecture-related ones, suggesting a de facto rupture between these 
    fields and potentially biasing our understanding of the artistic 
    production of the Early Modern Period by reducing its scope. As various 
    case studies have shown, the conditions to which the invention of a 
    décor was subjected varied greatly from one building to another. The 
    architects’ prerogatives differed according to the circumstances and 
    constraints imposed on them: while some were largely involved in the 
    invention of the décor, others delegated its conception to artists or 

    Scientific organisers:

    Matthieu LETT (université de Lausanne, université Paris Ouest Nanterre 
    La Défense)
    Carl MAGNUSSON (The Courtauld Institute of Art, université de Lausanne)
    Léonie MARQUAILLE (Université de Lausanne)

    Scientific committee:

    Marianne COJANNOT-LE BLANC (université Paris Ouest Nanterre La Défense)
    Alexandre GADY (université Paris-Sorbonne)
    Dave LÜTHI (université de Lausanne)
    Christian MICHEL (université de Lausanne)
    Werner OECHSLIN (Eidgenössische Technische Hochschule Zürich)
    Antoine PICON (Harvard University)
    Katie SCOTT (The Courtauld Institute of Art)

    Program :

    Thursday 24th Novembre 2016

    9h30 : Accueil des participants

    9h45-10h15 : Matthieu LETT, Carl MAGNUSSON, Léonie MARQUAILLE 

    1. Les artistes au service de l’architecte ? (Président : Christian 
    Michel, Université de Lausanne)

    10h15-11h : Sébastien BONTEMPS (Bibliothèque nationale de France)
    ––– Invention, fonction(s) et exécution du décor architectural : 
    Paul-Ambroise Slodtz et
    l’embellissement du chœur de l’église Saint-Merry à Paris.

    11h : Pause

    11h30-12h15 : Hermann DEN OTTER (University of Amsterdam)
    ––– Changes in the role of the joiner in 18th century Paris

    12h15-13h : Sandra BAZIN-HENRY (Université Paris IV Sorbonne)
    ––– Le langage architectural des glaces. La part de l’architecte et du 
    miroitier dans l’invention des décors.


    2. Le rôle de l’architecte (Président : Alexandre Gady, Université 
    Paris IV Sorbonne)

    14h30-15h15 : Léonie MARQUAILLE (Université de Lausanne)
    ––– Jacob van Campen, architecte et peintre de la Salle d’Orange à la 
    Huis ten Bosch.

    15h15-16h : Alexia LEBEURRE (Université Bordeaux Montaigne)
    ––– « Tout est de son ressort » : l’architecte et la décoration 
    intérieure dans la seconde moitié du XVIIIe siècle.

    16h : Pause

    16h30-17h15 : Matthieu LETT (Université de Lausanne)
    ––– La question de la répartition de l’invention sur le chantier du 
    nouveau palais royal de Madrid (1735-1790).

    17h15-18h : Adrian Fernandez ALMOGUERA (Université Paris IV Sorbonne)
    ––– De Versailles à Pompéi. Continuités, transformations et 
    hybridations dans le décor architectural espagnol à la fin du XVIIIe 

    Friday 25th November 2016

    1. La question de la décoration intérieure (Président : Carl Magnusson, 
    The Courtauld Institute, Université de Lausanne)

    9h30-10h15 : Hendrik ZIEGLER (Université de Reims Champagne-Ardenne)
    –––La place de la décoration intérieure française dans les récits de 
    voyage d’architectes allemands 1685-1723.

    10h15-11h : Jason NGUYEN (Harvard University)
    ––– Smoke and Mirrors: Architectural Decoration and the Physics of 
    Fire, circa 1700.

    11h : Pause

    11h30-12h15 : Thomas WILKE
    –––Jacques-François Blondel and the rules of interior decoration.

    12h15-13h : Paolo CORNAGLIA (Politecnico di Torino)
    ––– Leonardo Marini, Giuseppe Battista Piacenza and Carlo Randoni: 
    Neoclassical Interior Decoration at the Turin Court (1775-1793).


    2. Les programmes d’embellissement : une nécessaire adaptation du décor 
    à l’architecture ? (Présidente : Marie Theres Stauffer, Université de 

    14h30-15h15 : Emmanuelle BORDURE (Université Paris IV Sorbonne)
    ––– Architecture religieuse et décor sculpté dans le dernier quart du 
    XVIIIe siècle : étude comparative de quatre cas d’églises paroissiales 
    en Ile-de-France.

    15h15-16h : Léonore LOSSERAND et Alexandra MICHAUD (Université Paris IV 
    ––– Les embellissements du chœur de Saint-Germain-l’Auxerrois : entre 
    architecture et sculpture, 1755-1762.

    16h : Pause

    16h30-17h15 : Tomas MACSOTAY (Universitat Pompeu Fabra)
    ––– The rise and fall of the décor economy in ecclesiastical interiors 
    in Murcia, Valencia and the Balearic Islands.

    17h15-17h45 : Christian MICHEL (Université de Lausanne)
    ––– Conclusion.

    Université de Lausanne, Quartier Centre, 
    Bâtiment Unithèque (Bibliothèque cantonale et universitaire), salle 511
    The conference is open to all, within the limit of the number of places 
  • Architectural dialogues: Italy and Croatia in the Interwar Period

    Zagreb | Dates: 28 Oct – 08 Dec, 2016
    Zagreb, Oris - Kuča arhitekture, Ul. kralja Držislava 3, October 
    27 - December 8, 2016

    Conference series Architectural dialogues: Italy and Croatia in the 
    interwar period

    Italian cultural institute, Zagreb, House of architecture Oris
    Organized by Giuseppe Bonaccorso (University of Camerino) and Jasenka 
    Gudelj (University of Zagreb)
    October-December 2016

    After the treatise of Rapallo (1921), Istra, Rijeka, part of the 
    Kvarner area and Zadar with its archipelago become parts of Italian 
    kingdom. Moreover, between 1941 and 1943 Italian forces occupied 
    territories of Split and Kotor forming the Governorate of Dalmatia. The 
    Italian administration of parts of present-day Croatia coincided with 
    the rise and fall of fascism and left visible traces in form of 
    architectures, projects, texts and exhibitions, analyzed so far in 
    piecemeal fashion by Croatian and Italian researchers. The conference 
    series, which includes lectures by Croatian, Italian and Swiss 
    researchers, aims to open a more articulate and comprehensive 
    discussion on the subject, confronting the historiographies often 
    separated by language barrier. The series covers different and evolving 
    aspect of subject area: interpretations the historical heritage (27 
    October 2016); urban scale interventions and planning (24 November 
    2016) and analysis of important buildings in Croatia designed by 
    protagonist of the Italian interwar architectural scene (8 December 

    The conference series will take place at House of architecture Oris, 
    Kralja Držislava 3, Zagreb, Croatia.


    1. INTERPRETING THE HERITAGE: 27 October 2016, 17:00h
    Guido Zucconi: Interpreting the heritage of the East Adriatic coast in 
    the interwar Italy 
    Marko Špikič: Restoration in Zadar, Split and Pula between the Rapallo 
    and Paris Treaties
    Marija Tonkovič: Portraying the heritage: Dalmatian photo albums of 
    Luciano Morpurgo 
    Jasenka Gudelj: Croatian heritage in Italy: the architecture of 
    institutions of St. Jerome in Rome

    Ferruccio Canali: Urban planning and interventions in the East Adriatic 
    Julija Lozzi Barkovič: Rijeka: plans, architectures, designers
    Dražen Arbutina: Zadar: plans, architectures, designers
    Sanja Cvetko Jerkovič: Planned towns: case study Raša

    3.  BUILDINGS AND ARCHITECTS: 8 December 2016, 16:00h
    Giuseppe Bonaccorso: Marcello Piacentini and Assicurazioni Generali: 
    case study Zagreb
    Katrin Albrecht: Angiolo Mazzoni and Post office in Pula
    Tamara Bjažič: Fairs and conflicts? Italy-Croatia before and after 1945
    Giuseppe Bonaccorso, Jasenka Gudelj: Architectural dialogues - 
    protagonists, conclusions and new beginnings
  • CFP: Architecture & the Modern Subject (Los Angeles, 21-22 Apr 16)

    Los Angeles | Dates: 28 Oct – 15 Dec, 2016
    Los Angeles, April 21 - 22, 2017
    Deadline: Dec 15, 2016

    University of California, Los Angeles
    Department of Architecture and Urban Design

    The Body’s Politic: Architecture and the Modern Subject
    Organized by students of the doctoral program in Critical Studies
    April 2017

    Architecture has long been viewed as a civilizing mechanism: museums 
    make publics, boulevards make populations, housing makes citizens. 
    Under modernity, architecture has assumed an important place in the 
    pantheon of power’s tools, explicitly deployed to create subjects. But 
    this historical perspective quarantines political readings of 
    architecture to the conservative, stationary, or merely incidental. How 
    has the apparatus of architectural form, space, and representation 
    worked in ways unseen by its contingent actors, and how has this 
    apparatus biased contemporary scholarship? Imagining architecture as a 
    Foucauldian dispositif, inscribing itself upon bodies and peripheral to 
    larger spheres of social and political practice, how might focused 
    studies of architecture’s professional, cultural and tectonic 
    configurations provide new ways of considering the modern subject 
    today? Looking through identity formation to the effects of political, 
    legal, and techno-scientific systems, how have architectural objects 
    not only constructed singular subjects but proven intrinsic to 
    variegated subjectivities and contemporary politics of the body? How 
    have the kinds and natures of these subjects varied through time, from 
    the individual to the collective, the human to the nonhuman, the 
    embodied to the metaphysical? And, unlike the reformers and statists of 
    past historical tellings, how could architecture itself be considered a 
    primary historical agent in these machinations?

    We invite abstracts presenting research that historically locates the 
    politics of subject-making as well as those that propose new methods 
    for its transhistorical reading and analysis. Submissions are 
    encouraged from PhD students, researchers, and graduate students in all 
    fields, especially from architecture, art history, visual studies, the 
    history of science and technology, the history of planning and public 
    policy, political economy, cultural theory, gender and queer studies, 
    anthropology, legal studies, and the history of business. Paper 
    sessions will be guided and moderated by established international 

    Deadline for submissions: December 15, 2016

    Please submit abstracts of no more than 500 words, along with a brief 
    bio and cv to: Limited funding for graduate 
    student travel stipends are available; for consideration, please 
    include a brief note detailing the circumstances of your request. 
    Accepted submissions to be notified by the end of January 2017.
  • Friends of the Princeton University Library Research Grants

    Princeton | Dates: 28 Oct, 2016 – 31 Jan, 2017
    Each year, the Friends of the Princeton University Library offers short-term Library Research Grants to promote scholarly use of the Library’s special collections. The award is $1,000 per week (up to four weeks) plus transportation costs. Applications will be considered for scholarly use of archives, manuscripts, rare books, and other rare and unique holdings of the Department of Rare Books and Special Collections, including the Seeley G. Mudd Library; as well as rare books in Marquand Library of Art and Archaeology, and in the East Asian Library (Gest Collection).  Special grants are awarded in several areas: the Seeger Center for Hellenic Studies supports a limited number of library fellowships in Hellenic Studies, and the Cotsen Children’s Library supports research in its collection on aspects of children’s literature. The Maxwell Fund supports research on materials dealing with Portuguese-speaking cultures. The Sid Lapidus '59 Research Fund for Studies of the Age of Revolution and the Enlightenment in the Atlantic World supports relevant special collections research. For more information, or to apply, please go to The deadline to apply is January 31, 2017.  Grants are tenable from May 1, 2017 to April 30, 2018.
  • Architecture_MPS

    Dates: 28 Oct – 31 Dec, 2016

    The book has been produced in conjunction with the scholarly journal Architecture_MPS who are preparing a special Issue on the themes of the book for late 2017. Articles should in some way respond to one of the features and /or themes of the book (see below). If you are interested in submitting an article send an initial enquiry to<>


    The book contains the first ever extended comments on architecture by Noam Chomsky.

    Other architects included are Daniel Libeskind, Kenneth Frampton, Michael Sorkin and others.

    It takes on the critical issues of the day of architectural design and practice from a social and political perspective.

    It presents a new genre in academic writing, the ?interview-article?.


    The book is by Dr. Graham Cairns, Bartlett School of Architecture, University College London. He is the author of eight books.

    Routledge information:

    Reflections on Architecture, Society and Politics - Social and Cultural Tectonics in the 21st Century

    This book brings together a series of thirteen interview-articles by Graham Cairns in collaboration with some of the most prominent polemic thinkers and critical practitioners from the fields of architecture and the social sciences, including Noam Chomsky, Peggy Deamer, Robert A.M. Stern, Daniel Libeskind and Kenneth Frampton. Each chapter explores the relationship between architecture and socio-political issues through discussion of architectural theories and projects, citing specific issues and themes that have led to, and will shape, the various aspects of the current and future built environment. Ranging from Chomsky?s examination of the US?Mexico border as the architecture of oppression to Robert A.M. Stern?s defence of projects for the Disney corporation and George W. Bush, this book places politics at the center of issues within contemporary architecture.

    The ?interview-article? is a variation on the interview format that deepens the scholarly potential of that particular mode of dialogue. Extensive notation - often narrative in tone - is interwoven within the text to offer supplemental information and alternative argumentation and in this regard it represents a continuation of the evolving scholarly tradition of the footnote as academic tool laid out by Anthony Grafton. In addition to these narrative commentaries, these interview-articles are accompanied by full bibliographies and specific references entwined within the text. Contributors are also encouraged to develop discursive answers to questions that they are subsequently given the opportunity to mould into more considered essay type responses.
  • Environmental and Social Justice with Kurt Culbertson, FASLA, FAICP

    Chicago | Dates: 03 – 03 Nov, 2016
    The Illinois chapter of the American Society of Landscape Architects (ILASLA) presents its second Ignite! lecture and reception, starting at 5:30 pm. Free - reservations required.

    Kurt Culbertson, FASLA, FAICP, will explore the juncture of history, planning, and landscape architecture as a basis for crafting an ecology of the city.  He is chairman and CEO of Design Workshop, an urban design, land planning, and landscape architecture firm with offices in Aspen and nine other cities.  He has received 35 national and state awards for his work, including the Pierre L’Enfant Award for International Planning from the American Planning Association and the 2013 Award of Excellence in Planning from the American Society of Landscape Architects. In 2016, he was awarded the ASLA Medal.
  • Vernacular Architecture Forum 2017 Annual Meeting in Salt Lake City, Utah, May 31-June 3, 2017

    Savannah | Dates: 21 – 30 Oct, 2016
    The Vernacular Architecture Forum ( invites paper proposals for its 36th Annual Conference in Salt Lake City, Utah, May 31-June 3, 2017. Papers may address vernacular and everyday buildings, sites, or cultural landscapes worldwide. Submissions on all relevant topics are welcome but we encourage papers exploring western American themes, including ethnic settlement, landscapes of ranching, mining, and agriculture, urbanization, religious expression, Native American identity, and the creation of vacation and recreation landscapes. Additionally, the VAF is launching a multi-year program of inquiry into the distinctiveness of the VAF and the vernacular architecture movement. To this end, we encourage papers that consider this field over time. How does the wide range of VAF projects (tours, guidebooks, book and article awards, field schools, annual conference papers, publications, etc.) demonstrate how our questions, concerns, and methods have changed and evolved? Where do we see evidence of that history in our current work, and what might our future look like? Proposals might focus on a particular building type (i.e. houses, barns), a research strategy (fieldwork), political or theoretical convictions (Gender, Marxism, the Everyday, etc), or particular approaches to presenting our work and engaging colleagues and the public. Students and young professionals may also apply for the Pamela H. Simpson Presenter’s Fellowships offering support of up to $500 to presenting papers at VAF’s annual conference. SUBMITTING AN ABSTRACT Papers should be analytical rather than descriptive, and no more than twenty minutes in length. Proposals for complete sessions, roundtable discussions or other innovative means that facilitate scholarly discourse are especially encouraged. At least one session will be devoted to Field Notes – shorter papers (five to eight minutes in length) that introduce new techniques, innovations, and discoveries in documenting vernacular buildings and landscapes. Proposals should clearly state the argument of the paper and explain the methodology and content in fewer than 400 words. Make sure to indicate if it is a regular paper proposal or a shorter fieldwork proposal. Please include the paper title, author’s name, email address, a one-page c.v. You may include up to two images with your submission. Note that presenters must deliver their papers in person and be VAF members at the time of the conference. Speakers who do not register for the conference by March 1, 2017, will be withdrawn. Please do not submit an abstract if you are not committed to attending the papers session on Saturday, June 3rd. THE DEADLINE FOR PROPOSALS IS OCTOBER 30, 2016. The abstracts and c.v. should be emailed as a PDF attachment to the VAF Papers Committee Chair, Daves Rossell, at For general information about the Salt Lake City conference, please visit the conference website at the or contact Alison Flanders at Pamela H. Simpson Presenter’s Fellowships: VAF’s Pamela H. Simpson Presenter’s Fellowships offer a limited amount of financial assistance to students and young professionals presenting papers at VAF’s annual conference. Awards are intended to offset travel and registration costs for students, and to attract developing scholars to the organization. Any person presenting a paper who is currently enrolled in a degree-granting program, or who has received a degree within one year of the annual conference is eligible to apply. Awards cannot exceed $500. Previous awardees are ineligible, even if their status has changed. Recipients are expected to participate fully in the conference, including tours and workshops. To apply, submit with your abstract a one-page attachment with "Simpson Presenter’s Fellowship" at the top and the following information: 1) name, 2) institution or former institution, 3) degree program, 4) date of degree (received or anticipated), 5) mailing address, 6) permanent email address, 7) telephone number, and 8) paper title.
  • Latrobe Chapter Annual Conference Fellowship

    Dates: 01 – 01 Jan, 2017
    The Latrobe Chapter Annual Conference Fellowship helps a graduate student or emerging professional in architectural history, landscape history, urban studies, or historic preservation attend the Annual International Conference of the Society of Architectural Historians, which in 2017 will be held in Glasgow, Scotland, June 7-11. The Fellowship includes an award of up to $1000 to support travel and attendance at the Conference. Preference will be given to an applicant whose work is centered around Washington, D.C. Persons not presenting a paper at the Conference are encouraged to apply. The description of sessions of the SAH 2017 Annual International Conference is available on the SAH website, Reports of recent recipients of this award may be seen at the Latrobe Chapter SAH website, The fellowship applications of graduate students and emerging professionals who are presenting papers at the 2017 Conference (already submitted to SAH) will be forwarded to the Latrobe Chapter by SAH. Persons not presenting a paper should apply directly to the Latrobe Chapter by submitting the following materials: (1) a statement (not to exceed two pages, typed and double-spaced) explaining how their studies or professional work will be enhanced by attendance at the Conference and indicating the source and amount of any other funding they might receive; (2) a curriculum vitae; and (3) the name, e-mail, and telephone number of their faculty advisor or principal professor (for graduate students) or other reference (for emerging professionals). Applications may be submitted by e-mail attachment to Patricia Waddy,, no later than January 1, 2017.
  • The Body’s Politic: Architecture and the Modern Subject

    Dates: 25 Oct – 15 Dec, 2016
    Architecture has long been viewed as a civilizing mechanism: museums make publics, boulevards make populations, housing makes citizens. Under modernity, architecture has assumed an important place in the pantheon of power’s tools, explicitly deployed to create subjects. But this historical perspective quarantines political readings of architecture to the conservative, stationary, or merely incidental. How has the apparatus of architectural form, space, and representation worked in ways unseen by its contingent actors, and how has this apparatus biased contemporary scholarship? Imagining architecture as a Foucauldian dispositif, inscribing itself upon bodies and peripheral to larger spheres of social and political practice, how might focused studies of architecture’s professional, cultural and tectonic configurations provide new ways of considering the modern subject today? Looking through identity formation to the effects of political, legal, and techno-scientific systems, how have architectural objects not only constructed singular subjects but proven intrinsic to variegated subjectivities and contemporary politics of the body? How have the kinds and natures of these subjects varied through time, from the individual to the collective, the human to the nonhuman, the embodied to the metaphysical? And, unlike the reformers and statists of past historical tellings, how could architecture itself be considered a primary historical agent in these machinations? UCLA Architecture and Urban Design's doctoral program in Critical Studies invites abstracts of papers for its 2017 graduate symposium. We seek abstracts presenting research that historically locates the politics of subject-making as well as those that propose new methods for its transhistorical reading and analysis. Submissions are encouraged from PhD students, researchers, and graduate students in all fields, especially from architecture, art history, visual studies, the history of science and technology, the history of planning and public policy, political economy, cultural theory, gender and queer studies, anthropology, legal studies, and the history of business. Paper sessions will be guided and moderated by established international scholars. Please submit abstracts of no more than 500 words, along with a brief bio and cv to: Limited funding for graduate student travel stipends are available; for consideration, please include a brief note detailing the circumstances of your request. Accepted submissions to be notified by the end of January 2017; symposium to be held in April 2017.
  • Fifth Annual HGSCEA Emerging Scholars Essay Prize

    Dates: 25 Oct – 19 Dec, 2016
    Submissions are now being accepted for the fifth annual HGSCEA Emerging Scholars Publication Prize, an award of $500 given to the author of a distinguished essay published the preceding year on any topic in the history of German, Central European, or Scandinavian art, architecture, design, or visual culture. Submissions, which must be in English and may be from electronic or print publications, must have a publication date of 2016; authors must be either current Ph.D. students or have earned a PhD in or after 2012 and must be members of HGSCEA at the time of submission. The recipient of the Prize and one honorable mention will be chosen by the members of the HGSCEA Board and announced at the HGSCEA dinner reception during the College Art Association annual conference. Nominations and self-nominations are welcome; submissions should include a copy of the publication and a CV and should be sent by electronic attachment to the HGSCEA president, Marsha Morton ( before December 19, 2016.
  • Architecture and Design College Fair

    New York | Dates: 04 – 04 Nov, 2016
    The Architecture and College Fair is a free event for high school students (and parents) interested in attending a design or architecture school. The event is free and we ask attendees to rsvp. Center for Architecture 536 LaGuardia Place new York, NY 10012 Friday, November 4th, 2016 4:00pm-8:00pm Representatives from the following architecture and design schools will be taking part in the evening: Boston Architectural College City College of New York – Spitzer School of Architecture College for Creative Studies The Cooper Union Drexel University - Westphal College of Media Arts & Design Fashion Institute of Technology IIT College of Architecture Kean University The Michael Graves College NYC College of Technology, CUNY New York Institute of Technology New Jersey Institute of Technology Northeastern University Norwich University Pratt Institute School of Architecture Rensselaer Polytechnic Institute Roger Williams University Southern California Institute of Architecture Syracuse University Tulane School of Architecture UIC School of Architecture University of Arkansas - Fay Jones School of Architecture and Design University of Illinois at Urbana-Champaign University of Miami School of Architecture University of Michigan - Taubman College of Architecture and Urban Planning Wentworth Institute of Technology
  • Preservation Pioneer: The Life and Legacy of Charles E. Peterson

    Philadelphia | Dates: 24 Oct – 30 Dec, 2016
    The Athenaeum of Philadelphia is pleased to celebrate the 100th anniversary of the National Park Service and the 50th anniversary of the National Historic Preservation Act of 1966, with an exhibition, Preservation Pioneer: The Life and Legacy of Charles E. Peterson. In a career that spanned seven decades, Peterson founded the Historic American Buildings Survey, authored America’s first historic structures report, oversaw the creation of Independence National Historical Park, and created significant endowments that encourage building scholarship, documentation, and publication. 

    Walker Johnson, FAIA, JLK Architects commented,  “Charles Peterson was the most effective NPS bureaucrat, afraid of no one, always spoke his mind, and was very inventive. The HABS Survey, which he invented, kept a lot of architects from starving to death during the Great Depression.  No wonder the SAH migrated to Philadelphia shortly after its founding. If anyone plans to be in Philadelphia this exhibit would make it a worthwhile trip.” 

    Exhibition Dates: October 3 - December 30, 2016
    Free Admission
  • Walter Burley Griffin and Australia’s Lost Capitol

    Oak Park | Dates: 03 – 03 Nov, 2016
    In 1911, the fledgling Commonwealth of Australia—then only a decade old—self-confidently launched an international design competition for its federal capital, afterward named Canberra. Chicagoans Walter Burley Griffin and Marion Mahony Griffin famously won the contest the next year (no doubt to the consternation of their former employer, Frank Lloyd Wright). In 1914, the couple arrived at Australia to begin implementing their prizewinning plan.

    Christopher VernonIn his illustrated lecture, Christopher Vernon will survey the couple’s unrealized Capitol building, envisaged as Canberra’s—and Australia’s—cultural epicenter. He will also reconstruct the disappointing saga as to why the edifice was never constructed.

    Christopher Vernon teaches design and the history and theory of landscape architecture at the University of Western Australia. He is a leading authority on the lives and works of Walter Burley Griffin and Marion Mahony Griffin, widely lecturing and publishing on the subject. More broadly, his research focuses upon architecture and landscape as collective expressions of identity, especially within the context of designed national capitals such as Canberra, New Delhi and Brasília.

    Date: Thursday, November 3, 2016
    Time: 6:30 pm – 7:30 pm
    Location: Oak Park Public Library, 834 Lake Street, Oak Park, 60302
    Admission: Free, registration required
  • "The Structure: Works of Mahendra Raj" Book Launch

    New York | Dates: 26 – 26 Oct, 2016
    Please join Martino Stierli, the Department of Architecture and Design, and MoMA's C-MAP Asia Group in welcoming the prominent structural engineer Mahendra Raj to The Museum of Modern Art to celebrate the new publication, The Structure: Works of Mahendra Raj, edited by Vandini Mehta, Rohit Raj Mehndiratta, and Ariel Huber. 

    Mahendra Raj will lead a discussion on his body of work in India and early projects in the United States. Books will be available for signing and purchase.
    Wednesday, October 26
    6:30 - 8:00 PM
    Museum of Modern Art Library
    Cullman Education and Research Building
    4 West 54th Street

    Please RSVP to and see publication details below.

    The Structure (Park Books, 2016) explores the work of Mahendra Raj, India’s most significant structural engineer. Examining Raj’s sixty prolific years of practice, this volume looks at his unusually inventive and intuitive work and how he has offered pioneering engineering solutions for buildings in exposed concrete. As this book shows, many of his structures can be seen as monuments narrating the history of architecture in post-independence India.

    The Structure features twenty-eight of Mahendra Raj’s buildings in detail through rich photographs and color reproductions of archival plans. Essays are contributed by Raj himself and by the architects Neelkanth Chhaya and Jaimini Mehta. Also included are interviews with Raj by the architect Sanjay Prakash and curator Hans Ulrich Obrist, a conversation with the architect BV Doshi, as well as an illustrated complete list of Raj’s works.

    Mahendra Raj (b. 1924 in Lahore, India) received his degree in Lahore and worked as a junior engineer for the Punjab Public Works Department, where he helped realize two of Le Corbusier’s central buildings in Chandigarh, the Secretariat and the High Court. After completing his Master of Engineering at the University of Minnesota, he worked in the office of Ammann & Whitney in New York, assisting with a portfolio of cutting-edge structures like Eero Saarinen’s TWA Building. In 1960, Raj returned to India and started his own practice, where he collaborated with some of the finest architects working in India at the time – Charles Correa, Balkrishna Doshi, Raj Rewal, Achyut Kanvinde, Joseph Allen Stein, and Louis Kahn – and completed an oeuvre of structures that helped define the architectural language of modern India.
  • CFP: A Panel on Inter and Transdisciplinary Relationships in Architecture (Athens, 3-6 Jul 17)

    Athens | Dates: 21 Oct – 05 Dec, 2016
    A Panel on Inter and Transdisciplinary Relationships in Architecture
    as part of the 7th Annual International Conference on Architecture
    3-6 July 2017, Athens, Greece
    sponsored by the Athens Journal of Architecture

    The Architecture Research Unit of the Athens Institute for Education and Research (ATINER) organizes A Panel on Inter and Transdisciplinary Relationships in Architecture, 3-6 July, 2017 as part of  the 7th Annual International Conference on Architecture sponsored by the Athens Journal of Architecture.

    The aim of the conference is to bring together academics and researchers from all areas of Architecture’s Inter And Trans Interdisciplinary Relationships, Architecture and Music, Architecture and Mathematics, Architecture and the Arts, Architecture and Cinema, Architecture and Cosmology, Architecture and Science, Architecture and Philosophy, Harmony in Architecture, Harmonic Proportion, Architectural Concepts such us: Space, Time, Harmony, Proportion, Notation, Representation, Presentation, Perception, Rhythm, Design, Composition.

    Special arrangements will be made with a local hotel for a limited number of rooms at a special conference rate. In addition, a number of social events will be organized: A Greek night of entertainment with dinner, a special one-day cruise to selected Greek islands, an archaeological tour of Athens and a one-day visit to Delphi. Details of the social program are available here.

    Fee structure information is available on

    Please submit a 300-word abstract before 5 December 2016, by email, to, Dr. Clara Germana Gonçalves, Academic Member, ATINER, Researcher at CITAD, Lusíada University, Lisbon, Portugal and Assistant Professor at Faculty of Architecture, University of Lisbon. Please include: Title of Paper, Full Name (s), Current Position, Institutional Affiliation, an email address and at least 3 keywords that best describe the subject of your submission. Decisions will be reached within four weeks of your submission. Please use the abstract submitting form.

    If your submission is accepted, you will receive information on registration deadlines and paper submission requirements. Should you wish to participate in the Conference without presenting a paper, for example, to chair a session, to evaluate papers which are to be included in the conference proceedings or books, to contribute to the editing of a book, or any other contribution, please send an email to Dr. Gregory T. Papanikos, President, ATINER & Honorary Professor, University of Stirling, UK (

    The Athens Institute for Education and Research (ATINER) was established in 1995 as an independent world association of Academics and Researchers. Its mission is to act as a forum where Academics and Researchers from all over the world can meet in Athens, in order to exchange ideas on their research, and to discuss future developments in their disciplines.

    The organizing and hosting of International Conferences and Symposiums, the carrying out of Research, and the production of Publications are the basic activities of ATINER.  Since 1995, ATINER has organized more than 400 International Conferences and other events, and has published close to 200 books. In 2012, the Association launched a series of conference paper publications (click here), and at the beginning of 2014, it introduced its own series of Journals (click here).

    Academically, the Association is organized into seven Research Divisions and thirty-nine Research Units.  Each Research Unit organizes at least an Annual International Conference, and may also undertake various small and large research projects.

    Academics and Researchers are more than welcome to become members and to contribute to ATINER’s objectives. If you would like to become a member, please download the relevant form (membership form). For more information on how to become a member, please send an email to:
  • Spiros Zournazis Memorial Fellowship

    Canberra | Dates: 21 Oct – 11 Dec, 2016
    The Spiros Zournazis Memorial Fellowship supports research into the Australian War Memorial’s extensive art collection by early career scholars. The Fellowship is open to honours or postgraduate students undertaking a thesis as part of their degree, or those who have completed a PhD, Mphil or MA since January 2014. Fellows are free to determine their own course of research provided it focuses primarily on the Memorial’s art collection. Scholars working in the fields of art history, cultural studies, museology, sociology and related disciplines may apply. Research projects that demonstrate methodological innovation will be considered favourably.

    The Fellowship is four weeks in duration and the recipient will be awarded return airfares to Canberra (from within Australia), accommodation in a studio apartment at the Gorman Arts Centre and a stipend of $2000 to cover other expenses. The Fellowship also includes a study space with desk, phone and computer facilities within the Memorial’s Art department and full access to the art collection and archive. Fellows will be supported by Memorial curators and the Head of Art, and will have the opportunity to consult with Dr. Mary Zournazi, Senior Lecturer in Sociology at the University of NSW, filmmaker and a specialist in global war and peace studies, during the Fellowship period.

    The Fellowship is funded through a generous bequest to the Australian War Memorial by Spiros Zournazis.
  • CFP: Fabrications: JSAHANZ, "Way Out Down Under"

    Dates: 21 Oct, 2016 – 14 Mar, 2017
    Fabrications: JSAHANZ invites papers for the forthcoming issue (Vol.27, No.3), titled ?Way Out Down Under?, guest edited by Lee Stickells. Papers are due by 14 March 2017.

    Historical understanding of the complexities and legacies of the 1960s and 1970s counterculture has been significantly enriched in the last decade or so. Familiar narratives of the birth, flourishing and decline of a na?ve, failed, utopian hippie ?dream? have been rethought. Instead, the counterculture?s longer influence on the development of contemporary environmentalism, lifestyle branding, business thinking and cyberculture has been recognised. A more detailed picture of an international, or transnational, counterculture that extended to South America, Asia and Eastern Europe, with distinctive manifestations, has also emerged.

    The expanded countercultural history of the last two decades has also reconsidered the intertwining of architecture and the counterculture. While visions of psychedelically painted geodesic domes are imprinted on popular memory, the substance behind that clich?d image is that new modes of building and dwelling were understood as critical to materialising alternative social forms. There is a growing body of scholarship in architectural history that has sought more nuanced understandings of the ways in which countercultural challenges to existing society affected the discipline?s knowledge base, pedagogical structures, and its representational and practice forms.

    This issue of Fabrications invites contributions that add to the scholarship on countercultural ideals and practices explored outside their traditional geographic imaginary, particularly in Australia, New Zealand, the South Pacific and South-East Asian regions. It anticipates papers that extend historical understanding of the diverse set of experimental and subversive architectural projects, conceptual work, pedagogical initiatives, exhibitions and publications that can be connected to the countercultural radicalism of the 1960s and 1970s. While American, particularly West Coast, spatial practices were highly influential, they were never absorbed wholesale, but rather as a mediation between the local and the global. For this issue, we welcome submissions that explore the translation of concepts, attitudes and practices ? the sustained experimentation in new temporal localities, and local adaption.

    Questions to be explored might include: How did local cultural legacies inform countercultural architecture? What was the role of countercultural experimentation in defining and popularizing ecological ideals in architecture? How was fascination with South and East Asian spirituality manifested in counterculture environments? What were the dynamics of cultural transfer between radical and mainstream architecture practices? What role did alternative publishing networks play? How was spatial production important to an urban politics of occupation and creative transformation? How might methodological and disciplinary innovations reconfigure narratives about countercultural architecture, its heritage structures, and its cultural outcomes?

    Guidelines for Authors

    Papers should be submitted online at<> by the due date identified above.

    The Editors consider essays of 6000 to 9000 words (including endnotes). Papers should be submitted as Word documents with an abstract (200 words) at the beginning of the paper.  Abstracts are published at the beginning of papers. Please provide images and image captions with the paper.

    All papers published in Fabrications are blind peer-refereed by two readers.

    Instructions for authors can be found on the journal homepage<>.

    Proposals for reports or for reviews of books, exhibitions and other events of interest to the membership of SAHANZ can be made to the editors, Stuart King [<>] and Anoma Pieris [<>].
  • Saving a Legacy: Minoru Yamasaki

    Bloomfield Hills | Dates: 23 – 23 Oct, 2016
    Michigan Modern will present an afternoon of lectures at the Cranbrook Art Museum on Minoru Yamasaki's architecture and its preservation as part of the Preserving Michigan Modern series. Speakers lineup: Dale Allen Gyure, Professor of Architecture, Lawrence Technological University -- "Serenity and Delight: The Architectural Humanism of Yamasaki." Mark Harvey, State Archivist, Archives of Michigan -- "Preserving the Yamasaki & Associates Office Records." Richard Hess, Senior Associate, Quinn Evans Architects -- "Restoring the Yamasaki Pools, McGregor Memorial Conference Center, Wayne State University."

SAH thanks The Richard H. Driehaus Foundation Fund at The Chicago Community Foundation for its operating support.
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