CALL FOR PAPERS
40TH ANNUAL MEETING OF THE SOCIAL SCIENCE HISTORY ASSOCIATION
The Culture Network invites you to submit panels, papers, and book sessions proposals for the 41st annual meeting of the Social Science History Association , November 17-20, 2016 in Chicago. For more information on the meeting as well as the call for proposals, please refer to the SSHA website: www.ssha.org . The deadline for submissions is February 20, 2016 .
The theme for this year's conference is Beyond Social Science History: Knowledge in an Interdisciplinary World
We welcome proposals on this theme and on the broader research network’s continuing interests in culture and its relationship to historical processes and phenomena around the globe. In addition to single papers, we also welcome full panel proposals, which should include at least 1) four papers , a 2) discussant , and a 3) chair . Book panel ("Author meets Critics") proposals are also warmly welcomed.
CALL FOR PAPERS
40TH ANNUAL MEETING OF THE SOCIAL SCIENCE HISTORY ASSOCIATION
Thanks to generous continued funding from the Elios Charitable Foundation and additional funding from the Tsakopoulos Hellenic Foundation, the University Library at California State University, Sacramento is pleased to announce the continuation of the Library Research Fellowship Program to support the use of the Tsakopoulos Hellenic Collection by fellows for scholarly research in Hellenic studies while in residence in Sacramento. The Program provides a limited number of fellowships ranging from $1,000 to $4,000 to help offset transportation and living expenses incurred during the tenure of the awards and is open to external researchers anywhere in the world at the doctoral through senior scholar levels (including independent scholars) working in fields encompassed by the Collection’s strengths who reside outside a 75-mile radius of Sacramento. The term of fellowships can vary between two weeks and three months, depending on the nature of the research, and for the current cycle will be tenable from July 1, 2016-June 30, 2017. The fellowship application deadline is February 26, 2016. No late applications will be considered.
Consisting of the holdings of the former Speros Basil Vryonis Center for the Study of Hellenism, the Tsakopoulos Hellenic Collection is the premier Hellenic collection in the western United States and one of the largest of its kind in the country, currently numbering approximately 75,000 volumes. It comprises a large circulating book collection, journal holdings, electronic resources, non-print media materials, rare books, archival materials, art and artifacts. With its focus on the Hellenic world, the Collection contains early through contemporary materials across the social sciences and humanities relating to Greece, the Balkans, the Ottoman Empire and modern Turkey, and the surrounding region, with particular strengths in Byzantine, post-Byzantine, and Modern Greek studies, including the Greek diaspora. There is a broad representation of over 20 languages in the Collection, with a rich assortment of primary source materials. Since 2009 the collection has experienced particularly dramatic growth through two major gift acquisitions. For further information about the Tsakopoulos Hellenic Collection, visit http://library.csus.edu/tsakopoulos.
For the full Library Research Fellowship Program description and application instructions, see: http://library.csus.edu/tsakopoulos/lrfp.asp.html. Questions about the Program can be directed to George I. Paganelis, Curator, Tsakopoulos Hellenic Collection (firstname.lastname@example.org).
Proposals for individual papers or panels on any aspect of Illinois’ history, culture, politics, geography, literature, and archaeology are requested for the Conference on Illinois History. The Conference especially welcomes submissions exploring the upcoming bicentennial of statehood. We encourage submissions from professional and avocational historians, graduate students, and those engaged in the study of Illinois history at libraries, historic sites, museums, and historical societies.
Proposals for teacher workshops. Are you a teacher who has created an innovative, comprehensive, or timely curriculum on some aspect of Illinois’ history, culture, politics, geography, literature, or archaeology? Share your expertise with other teachers at the Conference on Illinois History.
The deadline for proposals is May 1, 2016.
To submit your proposal for a paper, panel, or teacher workshop, send:
1. A one page summary of the topic, including a description of the major primary and secondary sources used.
2. A one-page resume of participant(s).
In pursuit of the mission of DOCOMOMO, as updated in the Eindhoven-Seoul Statement 2014, the theme of the 14th International DOCOMOMO Conference will be Adaptive Reuse. The Modern Movement Towards the Future. The aim is to promote the conservation and (re)use of buildings and sites of the Modern Movement, to foster and disseminate the development of appropriate techniques and methods of conservation and (re)use, and to explore and develop new ideas for the future of a sustainable built environment, based on the past experiences of the Modern Movement.
The Modern Movement has demonstrated its long term legitimacy, as a concept endowed with an extraordinary longevity. Relating technology, form and social commitment to one another, through an optimistic faith in progress, modern architects sought to attain new heights of functionality and flexibility in use. The challenge for today is how to deal with this modern legacy in relation to the continuously changing context of the current times, including physical, economic and functional changes, as well as fast-moving socio-cultural, political and scientific contextual values.
Preserving the architectural heritage of the 20th century requires us to take account both of the opportunity and the duty to reuse buildings which have lost their original function, which are physically and/or technically obsolete, and which no longer meet today’s ever-more demanding standards. Such matters as the demand for material and technology reuse and for spatial and functional transformations, and the updating of regulations concerning fire, seismic stability, user safety, energy efficiency and environmental comfort legislation, are all part of the contemporary agenda. This inevitably highlights the question of the value of the existing built fabric, which can be a strong resource that calls for our attention in terms of social, economic and environmental sustainability.
In its pursuit of the task of conserving and rebuilding, DOCOMOMO must itself be modern and sustainable in order to continue to fulfill the Modern Movement’s social and collective project, as modernity and sustainability are part of the primary nature of Modern Movement project itself. In our view, the Modern Movement still carries on today and into the future, as an ever-present social, spatial and technological project engaged with the community, constantly engaging with the challenge of creating a better place to live.
Contributions are invited to put together under discussion themes such as the interrelationship of modernity and modern heritage, economy and energy saving, the social mission of architecture and the responsibility of architects towards the future. These themes are intended to be discussed both as MoMo concepts, to be analysed chiefly through documentation, and as contemporary modern interventions, to be debated in accordance with the needs and conditions of today. As a multidisciplinary platform, this conference aims to investigate a cross-section of subjects that are raised by the challenge of preserving, renovating and transforming the Modern Movement legacy worldwide, alongside with the complex background of today’s changing times. In the end, the goal is to achieve a pluricultural comparison of standards and practices for intervention on 20th century heritage.
In pursuit of a holistic approach, the general theme of the conference will be elaborated through eight sub-themes: 1) Landscapes, 2) Cities, 3) Public Spaces, 4) Complexes, 5) Buildings, 6) Construction and Technology, 7) Interior Design and Furniture and 8) Theory.
Keynote Speakers: Álvaro Siza Vieira; Anne Lacaton & Jean Philippe Vassal; Caruso St John Architects; Joan Busquets; Juhani Pallaasma; Winfried Brenne
Program, Subthemes & Sessions:
AIA New York is currently rallying for applicants for the Arnold W. Brunner Grant.This prestigious award is designed for mid-level architects to pursue architectural investigations that will effectively contribute to the knowledge, teaching, or practice of the art and science of architecture. The project must engage in contemporary architectural issues within a local and global context. The sole recipient will be awarded up to $15,000. Deadline: February 1, 2016.
The VAF announces 2 awards to support attendance at its annual meeting, which will take place this year in Durham, N.C., June 1-4: the Access Award for first-time attendees, and the Ambassador Award for groups of students. For more information about the conference visit vafweb.org
In an effort to bring fresh voices to the study of vernacular buildings and landscapes the Access Award supports first-time attendance by scholars and students with limited professional exposure to the fields of architectural history and vernacular studies, as well as by practitioners and independent scholars in the field.
There is no geographic restriction on the award and local practitioners, scholars, and students may apply. Winners are not required to give a paper at the meeting, although they may. The award will cover the cost of registration for the conference including tours. Winners who live more than 50 miles from the conference site will also receive a stipend of $300 for travel and lodging, to be presented at the conference. Winners, including those giving papers at the meeting, are required to write an article to be published in the VAF’s newsletter, VAN, discussing what they learned as first-time attendees.
Applications are due February 1, 2016. For instructions and more information visit vafweb.org/Access-Award.
The VAF Ambassadors Awards provide funding for student groups (undergraduate and graduate) from North American institutions, with a faculty sponsor, to attend VAF's annual conference. We hope through this program to enhance the VAF's recruitment of students, to diversify the membership and interest in the work of the VAF, to provide support to programs that teach vernacular architecture, and to increase the VAF's visibility on campuses.
During the conference, Award recipients are encouraged to use social media to communicate with a broader audience about their experiences as a participant in the conference. Following conference attendance, Award recipients are expected to act as "ambassadors" for the VAF, working to promote the study, documentation, and preservation of ordinary buildings and landscapes. Each group of Ambassadors must also submit a written summary of its experiences to the fellowship chair. The summary, as well as a group photograph, will be published in the Vernacular Architecture Forum’s newsletter, VAN.
Applications are due February 1, 2016. For instructions and more information visit vafweb.org/Ambassadors-Awards.
How do we manage information overload and make sense of the world? Early attempts are found in commonplace books sketchbooks and scrapbooks. Explore this topic at an NEH Summer Seminar for College and University Teachers in Asheville NC.
CENDARI (Collaborative European Digital Archive Infrastructure) is a powerful new tool to transform how historians research and write history. It is a leading European research project that showcases half a million resources on Medieval and World War I history from more than 1,200 institutions across the globe.
International Conference inter≈ photography and architecture
Museo Universidad de Navarra, 2-4 November 2016
CFP Deadline February, 15th
Symposium associated with the exhibition “The Missing: Rebuilding the Past”
Anya and Andrew Shiva Gallery at the John Jay College of Criminal Justice City University of New York
This symposium offers a roundtable conversation among scholars, artists, and technological pioneers working at the leading edge of digital cultural heritage. They will discuss the promises and perils of new technologies – what will we gain? what might we lose? – as well as explain their visions for the most crucial projects and the most interesting technologies and strategies. Audience participation is expected and encouraged.
The National Park Service, National Capital Region (NPS-NCR) is pleased to announce its selection as a host organization for the American Council of Learned Societies (ACLS) Public Fellows Program, a career-building fellowship designed to expand the reach of doctoral education in the humanities. In 2016, the Public Fellows Program will place up to 21 recent PhDs from the humanities and humanistic social sciences in two-year staff positions at partnering organizations in government and the nonprofit sector. Fellows will participate in the substantive work of these organizations and will receive professional mentoring, an annual stipend of $65,000, and health insurance.
The NPS fellow will serve as the "Cultural Resources Public Outreach Coordinator" in the Cultural Resources Division of the Office of Resource Stewardship & Science at the headquarters of the National Capital Region in Washington, DC.
The fellowship competition will begin accepting applications on January 14. The application deadline is March 24, 2016 (8pm EDT). For more information, please visit http://www.acls.org/programs/publicfellowscomp/.
ACLS Public Fellows is a fellowship program offered by the American Council of Learned Societies with generous funding from The Andrew W. Mellon Foundation. Please direct all inquiries about the fellowship program to ACLS.
Is architecture art?
This is an Australian Research Council funded Discovery Project led by Prof John Macarthur, Dr Susan Holden, and Prof Wouter Davidts who will supervise the successful applicants. The project would suit applicants with degrees in architecture, art history, philosophy or cultural studies.
The ROB | ARCH2016 conference offers a unique and dynamic hands-on experience of cutting-edge robotic technologies with application for the design, architectural and creative industries. In a series of workshops, you can engage with live robots and observe robots working with each other. It will bring together architects, artists, designers, fabricators and industry leaders and act as a platform for researchers and industry to exchange expertise, explore methods, compare techniques and forge new connections.
The American Social History Project/Center for Media and Learning at the City University of New York Graduate Center will host a two-week NEH Summer Institute for college and university teachers in July 2016 on the Visual Culture of the American Civil War and its Aftermath. Applications to participate will be accepted via mail, e-mail, and our online application system until March 1, 2016.
The Institute will focus on the era's array of visual media--including the fine arts, ephemera, and photography--to examine how information and opinion about the war were recorded and disseminated, and the ways visual media expressed and shaped Americans' understanding on both sides of the conflict. Guided by a team of four faculty that represents the range of work in the field, Institute participants will hear daily lectures and presentations by noted historians, art historians, and archivists; take part in hands-on sessions in significant museums and collections; and attend new media lab workshops. These Institute activities will introduce participants to the rich body of scholarship that addresses or incorporates Civil War era visual culture, encourage them to explore avenues for further research in the field, and assist them in developing their own research and/or teaching projects. Reading assignments preceding and during the Institute will prepare participants for full engagement in the Institute¹s discussions and activities. And time will be provided to prepare individual projects, undertake research at local archives, and meet with the four principal institute faculty members as well as guest speakers.
Current issue of Kunstiteaduslikke Uurimusi / Studies on Art and Architecture 2015, vol. 24, no. 3/4.
Text in English, German and Estonian. All articles are accompanied with a lengthy summary of ca. 4 pp.
SPACES (Saving and Preserving Arts and Cultural Environments:
spacesarchives.org) is a California-based non-profit archive established in 1978 to identify, document, and advocate for the preservation of large-scale art environments, and self-taught art.
SPACES recently launched a beautiful digital archive of more than 1,400 art environments around the world, and the organization is regularly digitizing archival holdings, soliciting new documentation and writing about the sites, and sharing resources and updates on the preservation and conservation of threatened vernacular art sites, such as Rev.
Howard Finster's Paradise Gardens, Leonard Knight's Salvation Mountain, or Simon Rodia's Watts Towers.
The PhD Program's Spring 2016 Research in Progress speakers series has been announced. The series brings to IIT Architecture the latest research by faculty, PhD candidates, visiting scholars and scholars from throughout Chicago and around the world.
Modern architecture cannot be altogether understood without the dissemination of its images. The blending between photography and architecture proved to be particularly fruitful in constructing the modern visual discourse. Architects became conscious of the full potential of photography beyond its documentary value, and photographers of architecture —architects themselves occasionally—, shortly became important composers and broadcasters of that narrative.
Simultaneously, the discourse around photography has become more and more complex, expanding its scope and surpassing a more traditional approach. XIXth century photographic documentation gradually gave in its way to new forms of exploration of reality, opening a wide range of possibilities and raising photographic and visual culture to a different level.
Photographers do not develop their work in a documentary sense as much as they seek to build a new reality perceived in subjective terms. They are involved in creating a new way of understanding the world. There is some consensus —as well as a subtler criticism— on the overflowing of their disciplinary boundaries. Those boundaries seem to be blurred bringing photography closer and closer to visual arts, claiming this way that same autonomy and their own place in the construction of contemporary discourse. The question arises as to whether the relationship between photography and architecture provides new creative processes, not just simple combinations, and whether they affect and experience each other in such a way they bring to light new ways of understanding both fields.
The committee encourages experienced and junior scholars to send abstracts, Spanish and English, exploring any of the above-mentioned topics. Selected authors will have the opportunity to present their contributions during the Conference. Accepted papers will appear in the conference proceedings publication that will be indexed in major international databases. Authors could be also awarded and invited to submit an extended version to be published as a chapter in a future publication edited by the organization. Please send a 400-word abstract along with a short CV by the on-line platform at the Conference website. Info by e-mail: email@example.com
Abstracts deadline submission: February 15th, 2016.
Notification: March 14th, 2016
Paper submission deadline: September 1st, 2016
Sessions will take place at Museo Universidad de Navarra
Iñaki Bergera, Universidad de Zaragoza, Proyecto FAME
Maristella Casciato, Getty Research Institute
Valeria Carullo, RIBA Library Photographs Collection
Horacio Fernández, Universidad de Castilla-La Mancha
Manolo Laguillo, Universidad de Barcelona
Pedro Leâo Neto, Universidade do Porto
Rafael Llano, Museo Universidad de Navarra
Alberto Martín, Universidad de Salamanca
Martino Stierli, MoMA Chief Curator of Architecture and Design
Rennes 2 University (France). Department of Art History / Archives de la critique d’art, Rennes
Architectural Criticism between Public Debate and Autonomous Discipline
First International Workshop of the Research Project Mapping.Crit.Arch: Architectural criticism XXth and XXIst centuries, a cartography/ La Critique architecturale, XXe et XXIe siècles: une cartographie
Monday, January 18th, 2016, Université Rennes 2, B 332, 9.30-18.00
9.45 Introduction (Hélène Jannière, Université Rennes 2, Coordinator of the Mapping.Crit.Arch ANR Research Project)
Emerging Forms of Criticism
10.00 Carlo MENON, The Bartlett School of Architecture, London, Four magazines on Architectural Criticism 2005-2010: a Perspective from 2015
10.30 Marcela Garcia MARTINEZ, University of Geneva, Architectural centers: Mediation is the new Criticism
11.00 Coffee break
Boundaries of Criticism
11.15 Dirk VAN DE VIJVER, Associate professor, Department of History of Art, Utrecht University, Mapping the reception of Victor Horta: the blurring boundaries of architectural criticism, theory and history
11.45 Rute FIGUEIREDO, gta/D-ARCH/ETH Zurich, Director of the Site of Discourse Research Project (Lisbon University), Fixing boundaries. Architecture and criticism at the onset of the 20th century
Architectural Journalism and Campaigns
14.30 Jim Njoo, Associate Professor, École d'architecture de Paris-La Villette, TU Delft Department of Architecture, Dialogic Criticism Cedric Price's Design Columns 1975-1999
15.00 Erdem ERTEN, Associate Professor, Izmir Institute of Technology Department of Architecture, Mobilizing the Nation via Architectural Criticism : The Architectural Review "Outrage" and "Counterattack"
15.30 Coffee break
Controversies and Public Debate: Mobilizing the Public
15.45 Leah HSIAO, Department of Art History, University of York, The Battle of the Pyramid: architectural criticism on I.M Pei's Louvre Pyramid
16.15 Kristen GAGNON, Azrieli School of Architecture & Urbanism, Carleton University, Architecture Criticism vs. the Public : ‘Mirvish+Gehry Toronto' A Case Study
17.30 Rute FIGUEIREDO, Presentation of the Site of Discourse Research Project (Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, Instituto de História da Arte).
Tuesday, January 19th, 2016, Archives de la critique d’art, Rennes
Twentieth Century American Art and Architecture Criticism. New Paradigms and Cultural Transfers.
Terra Foundation for American Art
9.30 Presentation of Les Archives de la Critique d’art by Jean-Marc Poinsot (President) and Nathalie Boulouch (Director)
10.30 Lecture: Martin HARTUNG, gta/D-ARCH/ETH Zurich, Columbia University, Architectural Criticism on the Art Market: An American Debate, 1975-1985.
11.15 Coffee Break
11.30 Lecture: Louis MARTIN, Professor, Department of Art History, Université du Québec à Montréal, Uqam. American Debates around the Autonomy of Critique in Architecture, 1990-2004
Scientific Committee Mapping.Crit.Arch
Nathalie Boulouch (Université Rennes 2 and Archives de la critique d’art),
Anne Hultzsch (Bartlett School London and OCCAS, Oslo University),
Hélène Jannière (Université Rennes 2).
Giovanni Leoni (Università di Bologna)
Paolo Scrivano (Xi’an Jiaotong-Liverpool University),
Laurent Stalder (ETH Zurich),
Suzanne Stephens (Barnard College, Columbia University),
Alice Thomine-Berrada (Musée d’Orsay, Paris)
EA 1279, Histoire et critique des arts
Hélène Jannière, Professeur, Université Rennes 2: firstname.lastname@example.org
Eléonore Muhidine email@example.com
Monday, January 18th, 2016
Université Rennes 2, Campus Villejean, B 332, 3rd floor.
Tuesday, January 19th, 2016
Archives de la critique d’art
4 allée Marie Berhaut, Bât. B
35000 Rennes, France