Recent Opportunities

  • CFP: On the Meaning of "Europe" in Architectural History

    Dates: 03 Nov – 31 Dec, 2016
    Call for Papers: Special Collection of Architectural Histories

    On the occasion of the 10th Anniversary of the EAHN, we invite scholars to join us in rethinking some of our founding questions: how might the inextricable ties between knowledge and geopolitics be interpreted? And how can we unpack the significance of “Europe” for our scholarly domain today?

    Within architectural history we have witnessed Europe cede its position as intellectual hub to North America.  But in an increasingly global world, we ask how new distributions of power are currently affecting the production of architectural knowledge.

    For this anniversary special collection of our journal Architectural Histories, we invite position papers of up to 3000 words (footnotes and references included) that address these historiographical questions.

    Details of the call, and the remit of papers invited, can be found HERE.

    Please send abstracts (500 words) to the Editor in Chief by 31 December 2016.
     
  • NHC Summer Institute on Objects, Places and the Digital Humanities June 19-23, 2017 & June 2018

    Research Triangle Park | Dates: 03 Nov, 2016 – 21 Feb, 2017
    The Summer Institute on Objects, Places, and the Digital Humanities at the National Humanities Center in Research Triangle Park, North Carolina will focus on the theory and practice of digital work for topics in art, architectural, urban history or material culture.  The two-year Institute will provide “hands-on” training with tools for geospatial mapping, 3D modeling, photogrammetry, and data collection and visualization. 
     
    Participants will develop a digital component to a research project related to the lives of things as interrogations of meaning, circulation, and change over the long life of places and objects. Participants will examine how modeling, database and mapping tools can move research in new directions, reframing evidence towards new questions and expanding scholarship into new arenas of research and public outreach. 
     
    The workshop is intended for mid-career scholars engaged in research that can be expanded to include a digital dimension.  No previous experience in digital scholarship required.  The Institute will be led by Caroline Bruzelius and Mark Olson, both in the Department Art, Art History &Visual Studies and co-founders of the Wired! lab at Duke University. Application may be made until midnight February 21, 2015. Instructions are available via http://nationalhumanitiescenter.org/sidh/index.htm
  • Historic House Tour Dec 3, 2016, Coral Gables, Florida

    Coral Gables | Dates: 03 – 03 Dec, 2016
    The Villagers’ Annual House Tour will take place from 10 AM until 3 PM, Saturday, December 3 in Coral Gables. This year’s tour “Finding Fink” is a carefully curated architectural journey featuring the work of Coral Gables visionary, George Fink. A first cousin of Coral Gables founder George Merrick, Fink was instrumental in the Old Spanish design implemented throughout the city’s early homes and buildings. His architectural work continued in the area to include modern homes in the post-war period. Members of The Villagers will be on-hand giving guided tours through the homes pointing out significant features of these very special structures. A gift boutique, quilt raffle and holiday treats will also be available. Visitors walk and drive in their own vehicles between the properties. The venues cannot accommodate wheelchairs or strollers, and high heels, photography and video are not permitted. Tickets are $35 and are available on-line at www.thevillagersinc.org. All proceeds support the preservation and protection of historic sites in Miami-Dade County, FL. The Villagers, Inc. is Florida’s oldest historic preservation organization. Founded in 1966, the all-volunteer organization is a not-for-profit 501(c)3.
  • Latrobe and Philadelphia: The Waln House and Furniture Revealed and Reconsidered

    Philadelphia | Dates: 04 – 04 Nov, 2016
    Architect Benjamin Henry Latrobe assembled a team of artisans in 1808 to execute his designs for the house and furniture of Philadelphia merchant William Waln and his wife Mary. The result was one of Chestnut Street's most conspicuous landmarks: a large house on a prominent corner lot with two small pavilions in front. Inside, drawing rooms painted in "flat Etruscan color, giving only outline on a rich ground" and a set of sumptuously painted and gilded furniture. Join an exciting roster of speakers who will share new scholarship and insights on Latrobe's design for the Walns' house and furniture, outlining its profound impact American on classical architecture and furniture.
  • Emeritus Fellowships

    Dates: 03 Nov, 2016 – 02 Feb, 2017
    The Leverhulme Trust is currently inviting applications for Emeritus Fellowships, which enable retired academics from UK institutions to complete a body of research for publication. Up to £22,000 is available for research costs directly related to the project. Fellowships are offered for periods of 3 to 24 months, and must begin between 1 August 2017 and 1 July 2018. Approximately 35 fellowships are available in 2017. Applicants must have retired by the time of taking up the Fellowship and no longer have a normal contract of employment, but they may hold a part-time position of up to 0.5 FTE. The closing date for the submission of applications is 2 February at 4pm. Please see www.leverhulme.ac.uk/funding/grant-schemes/emeritus-fellowships for further details.
  • Giuliano da Sangallo 1516-2016

    Florence | Dates: 17 – 18 Nov, 2016
    Giuliano da Sangallo 1516-2016 Study Day Kunsthistorisches Institut in Florenz – Max-Planck-Institut and École Pratique des Hautes Études (Sorbonne) in collaboration with the Gabinetto dei Disegni e delle Stampe delle Gallerie degli Uffizi The 500th anniversary of the death of Giuliano da Sangallo offers the opportunity to examine the ambivalent reception of the artist's work. Indeed, although he was a crucial figure in the architectural panorama of his time, Giuliano's output and personality remain elusive. His fragmentary and sometimes misunderstood oeuvre has often been described as caught between two styles and two eras, the Florentine Quattrocento and the Roman High Renaissance. Only recently have almost all his architectural works been examined in their complexity and completeness as the subject of a monograph (FROMMEL 2014), a publication that provides a stimulus for further research on the under-examined aspects of his multifaceted production. Giuliano's training as legnaiuolo, for example, sheds light both on the specificity of Florentine architectural culture and on this artist's own design methods, in which architectural models played an important role. Similarly, his corpus of drawings and the technical characteristics of their execution offer an alternative understanding of the "evolution" of representational conventions over the course of the Renaissance, one which challenges the traditional history of an improbable linear progress in this field. Furthermore, Giuliano da Sangallo's interactions with and responses to his contemporaries are still to be explored. The overlaps and continuities within his large family of sculptors and architects – starting with his brother Antonio the Elder and ending with his son, Francesco, in Florence, and his nephew Antonio the Younger in Rome – also invite further research. In particular, the techniques, morphologies, and evolution of the fortifications that have been attributed to Giuliano and Antonio the Elder offer a wealth of possibilities for further study. Their catalogue of military architecture is as broad as it is unexplored, and spans a time frame of almost half a century. Moreover, the drawing practices of the workshop strongly attest to the artists' interweaving of figurative imagery and architectural inventions. The variety of genres explored by this polymorphic workshop has not yet been investigated from a broad perspective, one that considers sculpture alongside painting and decorative arts alongside large-scale architecture. The study day, organized by Sabine Frommel, Dario Donetti and Alessandro Nova, to be held 17-18 November 2016 at the Kunsthistorisches Institut in Florenz – Max-Planck-Institut, will present innovative and unpublished contributions on Giuliano da Sangallo, thus offering a new perspective on both Tuscan and Roman architecture between the fifteenth and sixteenth centuries. PROGRAM giovedì 17 novembre 14.30 Dario Donetti introduzione Il disegno e l'antico presiede Cammy Brothers 14.50 Christof Thoenes La Basilica Vaticana nei disegni degli Uffizi: qualche precisazione 15.20 Francesco Benelli «Nomi e vochabolj dj vetruvjo»: studi su Vitruvio (e su Alberti) di Giuliano da Sangallo 16.20 Chloé Démonet «Misurato a punto»: rilievo architettonico e disegno in scala nel corpus di Giuliano da Sangallo 16.50 Huberthus Günther Gli studi di Giuliano da Sangallo per l'architettura antica 17.20 pausa Architettura militare presiede Dario Donetti 17.30 Marco Frati «necessario […] alla sicurtà»: le mura sangallesche di Empoli, Poggio Imperiale e Firenzuola 18.00 Maria Teresa Pepe Giuliano da Sangallo ad Arezzo e nell'aretino: un sistema difensivo territoriale 18.30 Giovanni Santucci «Giuliano […] architetto, persona non molto intendente di fortezze»: la Cittadella Nuova di Pisa venerdì 18 novembre Documenti e biografia presiede Berthold Hub 9.00 Doris Carl Francesco di Bartolo Giamberti. Neue Forschungen zu seinem professionellen Profil und seinem sozialen Umfeld 9.30 Alexander Röstel Giuliano da Sangallo at the Innocenti 10.00 Christoph L. Frommel La calligrafia nei disegni di Giuliano da Sangallo 10.30 pausa Nuove attribuzioni presiede Alessandro Nova 10.40 Francesco Caglioti Un Crocifisso di Giuliano da Sangallo a Roma 11.10 Carla D'Arista The Archaeology of a Legacy: the Pucci Villa in Scandicci 11.40 pausa Ricezione presiede Sabine Frommel 11.50 Costantino Ceccanti Ventura Vitoni a Pistoia 12.20 Flaminia Bardati Giuliano da Sangallo e Domenico da Cortona 12.50 Sabine Frommel e Alessandro Nova considerazioni finali riservata ai relatori e ai moderatori: 15.00 visita al Gabinetto dei Disegni e delle Stampe delle Gallerie degli Uffizi saluti e benvenuto di Marzia Faietti Luogo della manifestazione Kunsthistorisches Institut in Florenz Max-Planck-Institut Palazzo Grifoni Budini Gattai Via dei Servi 51 50122 Firenze ingresso libero fino all'esaurimento dei posti contatto: dirnova@khi.fi.it
  • The Arts of Spinoza + Pacific Spinoza

    Auckland | Dates: 26 – 31 May, 2017
    Interstices Under Construction symposium, 26-28 May 2017
    Auckland University of Technology and University of Auckland, New Zealand
    www.interstices.ac.nz œ
     
    Plenaries / keynotes include:
    Moira Gatens Challis Professor of Philosophy, University of Sydney
    Michael LeBuffe Baier Chair, Early Modern Philosophy, University of Otago
    Susan Ruddick Professor, Geography & Planning, University of Toronto
    Anthony Uhlmann Professor, Writing and Society, University of Western Sydney Plenary panel
    Jacob Culbertson Visiting Assistant Professor, Anthropology, Haverford College
    Albert Refiti Senior Lecturer, Spatial, Auckland University of Technology
    Carl Te Hira Mika Tuhourangi, Ngati Whanaunga Senior Lecturer, Education, University of Waikato
    By Skype
    Beth Lord Reader, Philosophy, University of Aberdeen
    Peg Rawes Professor, Architecture, Bartlett, University College London 

    We invite scholarly submissions on the philosophy of Benedict de Spinoza (1632-1677), for a special issue of Interstices journal and the annual Interstices symposium to be held in Auckland, New Zealand, 26-28 May 2017. The intent is to further consolidate the recent revival of interest in Spinoza’s thought, and to reaffirm his status as an enormously powerful thinker of contemporary relevance. Papers on any aspect of Spinoza studies are thus welcomed. But the more specific aim of the symposium and journal issue is twofold: firstly, to extend the burgeoning scholarship on Spinoza into the domains of study parsed by Interstices, namely arts and architecture, and secondly, to situate Spinoza’s philosophy within the particular locus of New Zealand, Australasia, the South Pacific, and the Pacific Rim more broadly. Each of these aspects will be tackled in separate sessions or separate days of the symposium.

    With regard to the first aim, we welcome submissions that put Spinoza’s philosophy in productive proximity with a particular artform or an individual work of art, whether literature, painting, sculpture, architecture, film, music, dance, performance, etc. — or that have an especial focus on any of the numerous artistic and literary figures who are known to have read Spinoza appreciatively and in whose works Spinozist shadings might be discerned (Goethe, Coleridge, George Eliot, Thomas Hirschhorn, etc.). Contributors might like to think of this event and journal issue as extending, in the direction of arts and architecture, the very fine work done by the anthology Spinoza Beyond Philosophy (2012, ed. Beth Lord).

    Since Interstices’s particular interest is in architectural studies, we would be keen to see contributions that consider Spinoza as helpful for thinking any of the design and spatial disciplines (architecture, urban design, landscape, geography, interior design, and so on). Contributors might also choose to take ‘architecture’ in the sense of ‘structure’, in which case not only would built environments and tectonics be the subject of analysis, but also the very structure of Spinoza’s texts, the extraordinary way in which his texts are wrought (the famous geometric architecture of the Ethics, for example).

    We also invite submissions that don’t necessarily fall under any of the artistic disciplines listed above, and that interpret “arts” in the broadest possible sense. Spinoza’s philosophy predates the modern idea of a differentiated domain of the arts, and so the Latin word that Spinoza uses — ars — has the older and broader sense of skill or craft or ability or proficiency.[1] We thus welcome submissions that are about ‘arts’ in this more general sense — for example, about what Spinoza teaches us about the arts of living (ars vivendi) or the arts of constructing a liberal polity (ars politica, government, statecraft).

    With regard to the second aim, we invite submissions on any aspects of Spinoza studies that have a connection to New Zealand, Australia, the South Pacific, or Asia-Pacific and the Pacific Rim more broadly. Such papers might, for example, examine the historical reception and interpretation of Spinoza in New Zealand, Australia, the Oceanic “sea of islands”, or any proximate sister region.[2] The idea is to give geographic concreteness and local specificity to the interpretation of Spinoza — to see how Spinoza might be or has been read in New Zealand and the Pacific, and inversely to see how our ways of thinking about New Zealand and the Pacific might be productively inflected by reading Spinoza.

    A fuller Call for Papers / Discussion Document is attached as a PDF file, or available online at www.interstices.ac.nz/news-events/ 

    Abstracts of 300 words, along with a short biographical statement of 100 words, to be sent to pacificspinoza@gmail.com, by midnight nzst, 30th January 2017. For purposes of peer review, the abstract should be sent in a separate self-contained file with no identifying information in it. Please send Microsoft Word files only (doc or docx). Abstracts will be vetted through a process of blind peer review.

    Selected papers from the symposium will be invited for revision, peer review, and publication in the subsequent issue of Interstices. If you are unable to attend the symposium in New Zealand, but wish to submit a paper for the journal issue, please send the full and completed paper to pacificspinoza@gmail.com by 31st May 2017.

    Further inquiries can be directed to the convenor Eu Jin Chua, echua@aut.ac.nz, Farzaneh Haghighi, F.Haghighi@auckland.ac.nz, or to Susan Hedges, the Coordinating Editor of Interstices, shedges@aut.ac.nz. www.interstices.ac.nz [1] See Moira Gatens, “Spinoza on Goodness and Beauty and the Prophet and the Artist”, European Journal of Philosophy 23, no. 1 (2015), p. 3. [2] The reference is to Epeli Hau’ofa’s “Our Sea of Islands”, The Contemporary Pacific 6, no. 1 (1994), 147–161.
  • Decor and Architecture in the 17th & 18th centuries

    Lausanne | Dates: 24 – 25 Nov, 2016
    University of Lausanne, November 24 - 25, 2016

    During the Early Modern Period, décor was considered to be one of the 
    most fundamental elements of architecture. Thanks to décor, 
    architecture could elevate itself beyond simple masonry and claim a 
    superior status. Décor was thus defined as a necessary prerequisite for 
    architecture, rather than a marginal component. However, despite its 
    privileged status, many authors mistrusted it, fearing the harmful 
    effect which an uncontrollable proliferation of ornament would surely 
    have on architecture. This conference aims to question how the 
    relations between décor and architecture were defined and implemented 
    in Europe in the 17th and 18th centuries.

    Our perception of these relations has often been informed by 
    teleological approaches: indeed, the radical ideas conveyed by certain 
    20th-century texts, which define décor as an unnecessary bi-product of 
    architecture, have acted as a distorting prism. History of art, for its 
    part, has often separated décor-related studies from 
    architecture-related ones, suggesting a de facto rupture between these 
    fields and potentially biasing our understanding of the artistic 
    production of the Early Modern Period by reducing its scope. As various 
    case studies have shown, the conditions to which the invention of a 
    décor was subjected varied greatly from one building to another. The 
    architects’ prerogatives differed according to the circumstances and 
    constraints imposed on them: while some were largely involved in the 
    invention of the décor, others delegated its conception to artists or 
    workmen.

    Scientific organisers:

    Matthieu LETT (université de Lausanne, université Paris Ouest Nanterre 
    La Défense)
    Carl MAGNUSSON (The Courtauld Institute of Art, université de Lausanne)
    Léonie MARQUAILLE (Université de Lausanne)

    Scientific committee:

    Marianne COJANNOT-LE BLANC (université Paris Ouest Nanterre La Défense)
    Alexandre GADY (université Paris-Sorbonne)
    Dave LÜTHI (université de Lausanne)
    Christian MICHEL (université de Lausanne)
    Werner OECHSLIN (Eidgenössische Technische Hochschule Zürich)
    Antoine PICON (Harvard University)
    Katie SCOTT (The Courtauld Institute of Art)

    Program :

    Thursday 24th Novembre 2016

    9h30 : Accueil des participants

    9h45-10h15 : Matthieu LETT, Carl MAGNUSSON, Léonie MARQUAILLE 
    –––Introduction

    1. Les artistes au service de l’architecte ? (Président : Christian 
    Michel, Université de Lausanne)

    10h15-11h : Sébastien BONTEMPS (Bibliothèque nationale de France)
    ––– Invention, fonction(s) et exécution du décor architectural : 
    Paul-Ambroise Slodtz et
    l’embellissement du chœur de l’église Saint-Merry à Paris.

    11h : Pause

    11h30-12h15 : Hermann DEN OTTER (University of Amsterdam)
    ––– Changes in the role of the joiner in 18th century Paris

    12h15-13h : Sandra BAZIN-HENRY (Université Paris IV Sorbonne)
    ––– Le langage architectural des glaces. La part de l’architecte et du 
    miroitier dans l’invention des décors.

    Déjeuner

    2. Le rôle de l’architecte (Président : Alexandre Gady, Université 
    Paris IV Sorbonne)

    14h30-15h15 : Léonie MARQUAILLE (Université de Lausanne)
    ––– Jacob van Campen, architecte et peintre de la Salle d’Orange à la 
    Huis ten Bosch.

    15h15-16h : Alexia LEBEURRE (Université Bordeaux Montaigne)
    ––– « Tout est de son ressort » : l’architecte et la décoration 
    intérieure dans la seconde moitié du XVIIIe siècle.

    16h : Pause

    16h30-17h15 : Matthieu LETT (Université de Lausanne)
    ––– La question de la répartition de l’invention sur le chantier du 
    nouveau palais royal de Madrid (1735-1790).

    17h15-18h : Adrian Fernandez ALMOGUERA (Université Paris IV Sorbonne)
    ––– De Versailles à Pompéi. Continuités, transformations et 
    hybridations dans le décor architectural espagnol à la fin du XVIIIe 
    siècle.

    Friday 25th November 2016

    1. La question de la décoration intérieure (Président : Carl Magnusson, 
    The Courtauld Institute, Université de Lausanne)

    9h30-10h15 : Hendrik ZIEGLER (Université de Reims Champagne-Ardenne)
    –––La place de la décoration intérieure française dans les récits de 
    voyage d’architectes allemands 1685-1723.

    10h15-11h : Jason NGUYEN (Harvard University)
    ––– Smoke and Mirrors: Architectural Decoration and the Physics of 
    Fire, circa 1700.

    11h : Pause

    11h30-12h15 : Thomas WILKE
    –––Jacques-François Blondel and the rules of interior decoration.

    12h15-13h : Paolo CORNAGLIA (Politecnico di Torino)
    ––– Leonardo Marini, Giuseppe Battista Piacenza and Carlo Randoni: 
    Neoclassical Interior Decoration at the Turin Court (1775-1793).

    Déjeuner

    2. Les programmes d’embellissement : une nécessaire adaptation du décor 
    à l’architecture ? (Présidente : Marie Theres Stauffer, Université de 
    Genève)

    14h30-15h15 : Emmanuelle BORDURE (Université Paris IV Sorbonne)
    ––– Architecture religieuse et décor sculpté dans le dernier quart du 
    XVIIIe siècle : étude comparative de quatre cas d’églises paroissiales 
    en Ile-de-France.

    15h15-16h : Léonore LOSSERAND et Alexandra MICHAUD (Université Paris IV 
    Sorbonne)
    ––– Les embellissements du chœur de Saint-Germain-l’Auxerrois : entre 
    architecture et sculpture, 1755-1762.

    16h : Pause

    16h30-17h15 : Tomas MACSOTAY (Universitat Pompeu Fabra)
    ––– The rise and fall of the décor economy in ecclesiastical interiors 
    in Murcia, Valencia and the Balearic Islands.

    17h15-17h45 : Christian MICHEL (Université de Lausanne)
    ––– Conclusion.

    Université de Lausanne, Quartier Centre, 
    Bâtiment Unithèque (Bibliothèque cantonale et universitaire), salle 511
    The conference is open to all, within the limit of the number of places 
    available.
     
  • Architectural dialogues: Italy and Croatia in the Interwar Period

    Zagreb | Dates: 28 Oct – 08 Dec, 2016
    Zagreb, Oris - Kuča arhitekture, Ul. kralja Držislava 3, October 
    27 - December 8, 2016

    Conference series Architectural dialogues: Italy and Croatia in the 
    interwar period

    Italian cultural institute, Zagreb, House of architecture Oris
    Organized by Giuseppe Bonaccorso (University of Camerino) and Jasenka 
    Gudelj (University of Zagreb)
    October-December 2016

    After the treatise of Rapallo (1921), Istra, Rijeka, part of the 
    Kvarner area and Zadar with its archipelago become parts of Italian 
    kingdom. Moreover, between 1941 and 1943 Italian forces occupied 
    territories of Split and Kotor forming the Governorate of Dalmatia. The 
    Italian administration of parts of present-day Croatia coincided with 
    the rise and fall of fascism and left visible traces in form of 
    architectures, projects, texts and exhibitions, analyzed so far in 
    piecemeal fashion by Croatian and Italian researchers. The conference 
    series, which includes lectures by Croatian, Italian and Swiss 
    researchers, aims to open a more articulate and comprehensive 
    discussion on the subject, confronting the historiographies often 
    separated by language barrier. The series covers different and evolving 
    aspect of subject area: interpretations the historical heritage (27 
    October 2016); urban scale interventions and planning (24 November 
    2016) and analysis of important buildings in Croatia designed by 
    protagonist of the Italian interwar architectural scene (8 December 
    2016).

    The conference series will take place at House of architecture Oris, 
    Kralja Držislava 3, Zagreb, Croatia.

    PROGRAME

    1. INTERPRETING THE HERITAGE: 27 October 2016, 17:00h
    Guido Zucconi: Interpreting the heritage of the East Adriatic coast in 
    the interwar Italy 
    Marko Špikič: Restoration in Zadar, Split and Pula between the Rapallo 
    and Paris Treaties
    Marija Tonkovič: Portraying the heritage: Dalmatian photo albums of 
    Luciano Morpurgo 
    Jasenka Gudelj: Croatian heritage in Italy: the architecture of 
    institutions of St. Jerome in Rome

    2. CITIES: ORGANISMS, URBAN PLANS, INTERVENTIONS: 24 November 2016, 
    17:00h
    Ferruccio Canali: Urban planning and interventions in the East Adriatic 
    towns 
    Julija Lozzi Barkovič: Rijeka: plans, architectures, designers
    Dražen Arbutina: Zadar: plans, architectures, designers
    Sanja Cvetko Jerkovič: Planned towns: case study Raša

    3.  BUILDINGS AND ARCHITECTS: 8 December 2016, 16:00h
    Giuseppe Bonaccorso: Marcello Piacentini and Assicurazioni Generali: 
    case study Zagreb
    Katrin Albrecht: Angiolo Mazzoni and Post office in Pula
    Tamara Bjažič: Fairs and conflicts? Italy-Croatia before and after 1945
    Giuseppe Bonaccorso, Jasenka Gudelj: Architectural dialogues - 
    protagonists, conclusions and new beginnings
     
  • CFP: Architecture & the Modern Subject (Los Angeles, 21-22 Apr 16)

    Los Angeles | Dates: 28 Oct – 15 Dec, 2016
    Los Angeles, April 21 - 22, 2017
    Deadline: Dec 15, 2016

    University of California, Los Angeles
    Department of Architecture and Urban Design

    The Body’s Politic: Architecture and the Modern Subject
    Organized by students of the doctoral program in Critical Studies
    April 2017

    Architecture has long been viewed as a civilizing mechanism: museums 
    make publics, boulevards make populations, housing makes citizens. 
    Under modernity, architecture has assumed an important place in the 
    pantheon of power’s tools, explicitly deployed to create subjects. But 
    this historical perspective quarantines political readings of 
    architecture to the conservative, stationary, or merely incidental. How 
    has the apparatus of architectural form, space, and representation 
    worked in ways unseen by its contingent actors, and how has this 
    apparatus biased contemporary scholarship? Imagining architecture as a 
    Foucauldian dispositif, inscribing itself upon bodies and peripheral to 
    larger spheres of social and political practice, how might focused 
    studies of architecture’s professional, cultural and tectonic 
    configurations provide new ways of considering the modern subject 
    today? Looking through identity formation to the effects of political, 
    legal, and techno-scientific systems, how have architectural objects 
    not only constructed singular subjects but proven intrinsic to 
    variegated subjectivities and contemporary politics of the body? How 
    have the kinds and natures of these subjects varied through time, from 
    the individual to the collective, the human to the nonhuman, the 
    embodied to the metaphysical? And, unlike the reformers and statists of 
    past historical tellings, how could architecture itself be considered a 
    primary historical agent in these machinations?

    We invite abstracts presenting research that historically locates the 
    politics of subject-making as well as those that propose new methods 
    for its transhistorical reading and analysis. Submissions are 
    encouraged from PhD students, researchers, and graduate students in all 
    fields, especially from architecture, art history, visual studies, the 
    history of science and technology, the history of planning and public 
    policy, political economy, cultural theory, gender and queer studies, 
    anthropology, legal studies, and the history of business. Paper 
    sessions will be guided and moderated by established international 
    scholars.

    Deadline for submissions: December 15, 2016

    Please submit abstracts of no more than 500 words, along with a brief 
    bio and cv to: thebodyspolitic@gmail.com. Limited funding for graduate 
    student travel stipends are available; for consideration, please 
    include a brief note detailing the circumstances of your request. 
    Accepted submissions to be notified by the end of January 2017.
     
  • Friends of the Princeton University Library Research Grants

    Princeton | Dates: 28 Oct, 2016 – 31 Jan, 2017
    Each year, the Friends of the Princeton University Library offers short-term Library Research Grants to promote scholarly use of the Library’s special collections. The award is $1,000 per week (up to four weeks) plus transportation costs. Applications will be considered for scholarly use of archives, manuscripts, rare books, and other rare and unique holdings of the Department of Rare Books and Special Collections, including the Seeley G. Mudd Library; as well as rare books in Marquand Library of Art and Archaeology, and in the East Asian Library (Gest Collection).  Special grants are awarded in several areas: the Seeger Center for Hellenic Studies supports a limited number of library fellowships in Hellenic Studies, and the Cotsen Children’s Library supports research in its collection on aspects of children’s literature. The Maxwell Fund supports research on materials dealing with Portuguese-speaking cultures. The Sid Lapidus '59 Research Fund for Studies of the Age of Revolution and the Enlightenment in the Atlantic World supports relevant special collections research. For more information, or to apply, please go to http://rbsc.princeton.edu/friends-princeton-university-library-research-grants The deadline to apply is January 31, 2017.  Grants are tenable from May 1, 2017 to April 30, 2018.
  • Architecture_MPS

    Dates: 28 Oct – 31 Dec, 2016
    PUBLICATION CALL:

    The book has been produced in conjunction with the scholarly journal Architecture_MPS who are preparing a special Issue on the themes of the book for late 2017. Articles should in some way respond to one of the features and /or themes of the book (see below). If you are interested in submitting an article send an initial enquiry to info@architecturemps.com<mailto:info@architecturemps.com>

    Visit: http://architecturemps.com/


    The book contains the first ever extended comments on architecture by Noam Chomsky.

    Other architects included are Daniel Libeskind, Kenneth Frampton, Michael Sorkin and others.

    It takes on the critical issues of the day of architectural design and practice from a social and political perspective.

    It presents a new genre in academic writing, the ?interview-article?.

    -

    The book is by Dr. Graham Cairns, Bartlett School of Architecture, University College London. He is the author of eight books.

    Routledge information: https://www.routledge.com/Reflections-on-Architecture-Society-and-Politics-Social-and-Cultural/Cairns/p/book/9781472456083


    Reflections on Architecture, Society and Politics - Social and Cultural Tectonics in the 21st Century

    This book brings together a series of thirteen interview-articles by Graham Cairns in collaboration with some of the most prominent polemic thinkers and critical practitioners from the fields of architecture and the social sciences, including Noam Chomsky, Peggy Deamer, Robert A.M. Stern, Daniel Libeskind and Kenneth Frampton. Each chapter explores the relationship between architecture and socio-political issues through discussion of architectural theories and projects, citing specific issues and themes that have led to, and will shape, the various aspects of the current and future built environment. Ranging from Chomsky?s examination of the US?Mexico border as the architecture of oppression to Robert A.M. Stern?s defence of projects for the Disney corporation and George W. Bush, this book places politics at the center of issues within contemporary architecture.

    The ?interview-article? is a variation on the interview format that deepens the scholarly potential of that particular mode of dialogue. Extensive notation - often narrative in tone - is interwoven within the text to offer supplemental information and alternative argumentation and in this regard it represents a continuation of the evolving scholarly tradition of the footnote as academic tool laid out by Anthony Grafton. In addition to these narrative commentaries, these interview-articles are accompanied by full bibliographies and specific references entwined within the text. Contributors are also encouraged to develop discursive answers to questions that they are subsequently given the opportunity to mould into more considered essay type responses.
     
  • Environmental and Social Justice with Kurt Culbertson, FASLA, FAICP

    Chicago | Dates: 03 – 03 Nov, 2016
    The Illinois chapter of the American Society of Landscape Architects (ILASLA) presents its second Ignite! lecture and reception, starting at 5:30 pm. Free - reservations required.

    Kurt Culbertson, FASLA, FAICP, will explore the juncture of history, planning, and landscape architecture as a basis for crafting an ecology of the city.  He is chairman and CEO of Design Workshop, an urban design, land planning, and landscape architecture firm with offices in Aspen and nine other cities.  He has received 35 national and state awards for his work, including the Pierre L’Enfant Award for International Planning from the American Planning Association and the 2013 Award of Excellence in Planning from the American Society of Landscape Architects. In 2016, he was awarded the ASLA Medal.
  • Vernacular Architecture Forum 2017 Annual Meeting in Salt Lake City, Utah, May 31-June 3, 2017

    Savannah | Dates: 21 – 30 Oct, 2016
    The Vernacular Architecture Forum (www.vafweb.org) invites paper proposals for its 36th Annual Conference in Salt Lake City, Utah, May 31-June 3, 2017. Papers may address vernacular and everyday buildings, sites, or cultural landscapes worldwide. Submissions on all relevant topics are welcome but we encourage papers exploring western American themes, including ethnic settlement, landscapes of ranching, mining, and agriculture, urbanization, religious expression, Native American identity, and the creation of vacation and recreation landscapes. Additionally, the VAF is launching a multi-year program of inquiry into the distinctiveness of the VAF and the vernacular architecture movement. To this end, we encourage papers that consider this field over time. How does the wide range of VAF projects (tours, guidebooks, book and article awards, field schools, annual conference papers, publications, etc.) demonstrate how our questions, concerns, and methods have changed and evolved? Where do we see evidence of that history in our current work, and what might our future look like? Proposals might focus on a particular building type (i.e. houses, barns), a research strategy (fieldwork), political or theoretical convictions (Gender, Marxism, the Everyday, etc), or particular approaches to presenting our work and engaging colleagues and the public. Students and young professionals may also apply for the Pamela H. Simpson Presenter’s Fellowships offering support of up to $500 to presenting papers at VAF’s annual conference. SUBMITTING AN ABSTRACT Papers should be analytical rather than descriptive, and no more than twenty minutes in length. Proposals for complete sessions, roundtable discussions or other innovative means that facilitate scholarly discourse are especially encouraged. At least one session will be devoted to Field Notes – shorter papers (five to eight minutes in length) that introduce new techniques, innovations, and discoveries in documenting vernacular buildings and landscapes. Proposals should clearly state the argument of the paper and explain the methodology and content in fewer than 400 words. Make sure to indicate if it is a regular paper proposal or a shorter fieldwork proposal. Please include the paper title, author’s name, email address, a one-page c.v. You may include up to two images with your submission. Note that presenters must deliver their papers in person and be VAF members at the time of the conference. Speakers who do not register for the conference by March 1, 2017, will be withdrawn. Please do not submit an abstract if you are not committed to attending the papers session on Saturday, June 3rd. THE DEADLINE FOR PROPOSALS IS OCTOBER 30, 2016. The abstracts and c.v. should be emailed as a PDF attachment to the VAF Papers Committee Chair, Daves Rossell, at papers@vafweb.org. For general information about the Salt Lake City conference, please visit the conference website at the www.vafweb.org/saltlakecity-2017 or contact Alison Flanders at saltlakecity@vafweb.org. Pamela H. Simpson Presenter’s Fellowships: VAF’s Pamela H. Simpson Presenter’s Fellowships offer a limited amount of financial assistance to students and young professionals presenting papers at VAF’s annual conference. Awards are intended to offset travel and registration costs for students, and to attract developing scholars to the organization. Any person presenting a paper who is currently enrolled in a degree-granting program, or who has received a degree within one year of the annual conference is eligible to apply. Awards cannot exceed $500. Previous awardees are ineligible, even if their status has changed. Recipients are expected to participate fully in the conference, including tours and workshops. To apply, submit with your abstract a one-page attachment with "Simpson Presenter’s Fellowship" at the top and the following information: 1) name, 2) institution or former institution, 3) degree program, 4) date of degree (received or anticipated), 5) mailing address, 6) permanent email address, 7) telephone number, and 8) paper title.
  • Latrobe Chapter Annual Conference Fellowship

    Dates: 01 – 01 Jan, 2017
    The Latrobe Chapter Annual Conference Fellowship helps a graduate student or emerging professional in architectural history, landscape history, urban studies, or historic preservation attend the Annual International Conference of the Society of Architectural Historians, which in 2017 will be held in Glasgow, Scotland, June 7-11. The Fellowship includes an award of up to $1000 to support travel and attendance at the Conference. Preference will be given to an applicant whose work is centered around Washington, D.C. Persons not presenting a paper at the Conference are encouraged to apply. The description of sessions of the SAH 2017 Annual International Conference is available on the SAH website, www.sah.org/2017. Reports of recent recipients of this award may be seen at the Latrobe Chapter SAH website, www.latrobechaptersah.org. The fellowship applications of graduate students and emerging professionals who are presenting papers at the 2017 Conference (already submitted to SAH) will be forwarded to the Latrobe Chapter by SAH. Persons not presenting a paper should apply directly to the Latrobe Chapter by submitting the following materials: (1) a statement (not to exceed two pages, typed and double-spaced) explaining how their studies or professional work will be enhanced by attendance at the Conference and indicating the source and amount of any other funding they might receive; (2) a curriculum vitae; and (3) the name, e-mail, and telephone number of their faculty advisor or principal professor (for graduate students) or other reference (for emerging professionals). Applications may be submitted by e-mail attachment to Patricia Waddy, pwaddy@syr.edu, no later than January 1, 2017.
  • The Body’s Politic: Architecture and the Modern Subject

    Dates: 25 Oct – 15 Dec, 2016
    Architecture has long been viewed as a civilizing mechanism: museums make publics, boulevards make populations, housing makes citizens. Under modernity, architecture has assumed an important place in the pantheon of power’s tools, explicitly deployed to create subjects. But this historical perspective quarantines political readings of architecture to the conservative, stationary, or merely incidental. How has the apparatus of architectural form, space, and representation worked in ways unseen by its contingent actors, and how has this apparatus biased contemporary scholarship? Imagining architecture as a Foucauldian dispositif, inscribing itself upon bodies and peripheral to larger spheres of social and political practice, how might focused studies of architecture’s professional, cultural and tectonic configurations provide new ways of considering the modern subject today? Looking through identity formation to the effects of political, legal, and techno-scientific systems, how have architectural objects not only constructed singular subjects but proven intrinsic to variegated subjectivities and contemporary politics of the body? How have the kinds and natures of these subjects varied through time, from the individual to the collective, the human to the nonhuman, the embodied to the metaphysical? And, unlike the reformers and statists of past historical tellings, how could architecture itself be considered a primary historical agent in these machinations? UCLA Architecture and Urban Design's doctoral program in Critical Studies invites abstracts of papers for its 2017 graduate symposium. We seek abstracts presenting research that historically locates the politics of subject-making as well as those that propose new methods for its transhistorical reading and analysis. Submissions are encouraged from PhD students, researchers, and graduate students in all fields, especially from architecture, art history, visual studies, the history of science and technology, the history of planning and public policy, political economy, cultural theory, gender and queer studies, anthropology, legal studies, and the history of business. Paper sessions will be guided and moderated by established international scholars. Please submit abstracts of no more than 500 words, along with a brief bio and cv to: thebodyspolitic@gmail.com. Limited funding for graduate student travel stipends are available; for consideration, please include a brief note detailing the circumstances of your request. Accepted submissions to be notified by the end of January 2017; symposium to be held in April 2017.
  • Fifth Annual HGSCEA Emerging Scholars Essay Prize

    Dates: 25 Oct – 19 Dec, 2016
    Submissions are now being accepted for the fifth annual HGSCEA Emerging Scholars Publication Prize, an award of $500 given to the author of a distinguished essay published the preceding year on any topic in the history of German, Central European, or Scandinavian art, architecture, design, or visual culture. Submissions, which must be in English and may be from electronic or print publications, must have a publication date of 2016; authors must be either current Ph.D. students or have earned a PhD in or after 2012 and must be members of HGSCEA at the time of submission. The recipient of the Prize and one honorable mention will be chosen by the members of the HGSCEA Board and announced at the HGSCEA dinner reception during the College Art Association annual conference. Nominations and self-nominations are welcome; submissions should include a copy of the publication and a CV and should be sent by electronic attachment to the HGSCEA president, Marsha Morton (mortonmarsha10@gmail.com) before December 19, 2016.
  • Architecture and Design College Fair

    New York | Dates: 04 – 04 Nov, 2016
    The Architecture and College Fair is a free event for high school students (and parents) interested in attending a design or architecture school. The event is free and we ask attendees to rsvp. Center for Architecture 536 LaGuardia Place new York, NY 10012 Friday, November 4th, 2016 4:00pm-8:00pm Representatives from the following architecture and design schools will be taking part in the evening: Boston Architectural College City College of New York – Spitzer School of Architecture College for Creative Studies The Cooper Union Drexel University - Westphal College of Media Arts & Design Fashion Institute of Technology IIT College of Architecture Kean University The Michael Graves College NYC College of Technology, CUNY New York Institute of Technology New Jersey Institute of Technology Northeastern University Norwich University Pratt Institute School of Architecture Rensselaer Polytechnic Institute Roger Williams University Southern California Institute of Architecture Syracuse University Tulane School of Architecture UIC School of Architecture University of Arkansas - Fay Jones School of Architecture and Design University of Illinois at Urbana-Champaign University of Miami School of Architecture University of Michigan - Taubman College of Architecture and Urban Planning Wentworth Institute of Technology
  • Preservation Pioneer: The Life and Legacy of Charles E. Peterson

    Philadelphia | Dates: 24 Oct – 30 Dec, 2016
    The Athenaeum of Philadelphia is pleased to celebrate the 100th anniversary of the National Park Service and the 50th anniversary of the National Historic Preservation Act of 1966, with an exhibition, Preservation Pioneer: The Life and Legacy of Charles E. Peterson. In a career that spanned seven decades, Peterson founded the Historic American Buildings Survey, authored America’s first historic structures report, oversaw the creation of Independence National Historical Park, and created significant endowments that encourage building scholarship, documentation, and publication. 

    Walker Johnson, FAIA, JLK Architects commented,  “Charles Peterson was the most effective NPS bureaucrat, afraid of no one, always spoke his mind, and was very inventive. The HABS Survey, which he invented, kept a lot of architects from starving to death during the Great Depression.  No wonder the SAH migrated to Philadelphia shortly after its founding. If anyone plans to be in Philadelphia this exhibit would make it a worthwhile trip.” 

    Exhibition Dates: October 3 - December 30, 2016
    Free Admission
     
  • Walter Burley Griffin and Australia’s Lost Capitol

    Oak Park | Dates: 03 – 03 Nov, 2016
    In 1911, the fledgling Commonwealth of Australia—then only a decade old—self-confidently launched an international design competition for its federal capital, afterward named Canberra. Chicagoans Walter Burley Griffin and Marion Mahony Griffin famously won the contest the next year (no doubt to the consternation of their former employer, Frank Lloyd Wright). In 1914, the couple arrived at Australia to begin implementing their prizewinning plan.

    Christopher VernonIn his illustrated lecture, Christopher Vernon will survey the couple’s unrealized Capitol building, envisaged as Canberra’s—and Australia’s—cultural epicenter. He will also reconstruct the disappointing saga as to why the edifice was never constructed.

    Christopher Vernon teaches design and the history and theory of landscape architecture at the University of Western Australia. He is a leading authority on the lives and works of Walter Burley Griffin and Marion Mahony Griffin, widely lecturing and publishing on the subject. More broadly, his research focuses upon architecture and landscape as collective expressions of identity, especially within the context of designed national capitals such as Canberra, New Delhi and Brasília.

    Date: Thursday, November 3, 2016
    Time: 6:30 pm – 7:30 pm
    Location: Oak Park Public Library, 834 Lake Street, Oak Park, 60302
    Admission: Free, registration required
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