Nov 5-8, 2015
The exceptional quality and quantity of noteworthy architecture in Columbus provides the architecture enthusiast a rare opportunity to see much in a relatively short period of time. This program will include: a private tour of the J. Irwin & Xenia Miller House, the jewel in the Columbus architectural crown; multiple guided coach and walking tours with access to numerous interiors, some by special arrangement; an introductory presentation by Anthony J. Costello, FAIA, Irving Distinguished Professor Emeritus of Architecture at Ball State University, and a tour led by T. Kelly Wilson, Director and Associate Professor at the Indiana University Center for Art and Design Columbus (IUCA+D). The trip will conclude with a tour of selected architectural highlights of Indianapolis.
The itinerary is patterned after the successful Arbuckle Architecture Tours 2014 Columbus tour. Once again, the goal has been to create the best, most thorough and enjoyable tour possible for a small group. We will stay at the only boutique hotel in Columbus, the welcoming Hotel Indigo Columbus Architectural Center, centrally located downtown within walking distance of the best restaurants, where we will dine. John S. Arbuckle will lead the group.
Here are comments from participants in the 2014 Columbus tour:
“I was thrilled with the tour. It was all perfect and I don’t know how it could have been better. I am looking forward to the next one.”
Jean-Luc Briguet - New York, NY
“Your tour was terrific. It was all beautifully planned and executed, with everything coming off without a single hitch, which I think is remarkable.”
George Sullivan - Alexandria, VA
“We thought it was great”
George Calderaro & William Megevick - New York, NY
“Very well organized and planned tour!”
Jim Heegeman - Arlington, VA
Full details and registration information:
Registration deadline: October 14, 2015
Nominations for the BxW DC competition are now OPEN! Anyone may submit a BxW DC Nomination by completing the online nomination form
or by downloading the PDF form
. If using the PDF form, please complete and mail with payment (if applicable) to:
Beverly Willis Architecture Foundation
Attn: Erin Sweeney, Program Manager
601 West 26th Street, #325-31
New York, NY 10001
Also, if you wish to submit images along with a printed form, please email them to BxWDC2015@gmail.com
, along with the completed Image Release Form
BxW DC Nominations will be accepted through October 31st, 2015. Our jury of experts will consider all eligible BxW DC Nominations to be honored as competition winners. Winners will be announced in December 2015.
Monuments are deliberate gestures—objects or structures created to commemorate an event, person or era. Their meaning is usually imposed, and they often serve as focal points for aspirational civic and political attributes like valor and sacrifice, or to underscore a foundational political narrative. But their meaning can transform, changing over time as the relevance of their symbolism ebbs and flows due to social and political shifts. Like monuments, architecture and photography are also inflected with a grace of intention, and both have the ability to commemorate or represent a nation, event, time or place. The act of photographing monuments and buildings transforms them, sometimes revealing some of the original qualities and more closely evoking the response that they were originally intended to have. And photographs have an inherent memorial quality. This group exhibition examines the work of international artists, some of whose work addresses actual monuments, some whom look at architecture and its relationship to memory and how its importance and symbolism can shift over time, and others approach the idea of the future monument.
This exhibition is generously supported by the Graham Foundation for Advanced Studies in the Fine Arts.
The 2015-2016 season is sponsored by The Andy Warhol Foundation for the Visual Arts.
Vertical Urban Factory book cover © Courtesy of the author Thursday October 22, 2015. Doors open at 6:00 pm. Lecture starts at 6:30 pm.
$10 suggested donation at the door (includes wine)
Nina Rappaport will lecture about her project Vertical Urban Factory on Thursday, October 22, as part of MAS Context’s 2015 Fall Talks series. The lecture will take place at the Charnley-Persky House, headquarters of the Society of Architectural Historians.
Vertical Urban Factory
, a traveling exhibition and book with Actar publishers, focuses on the spaces of production in cities—both Modernist and contemporary—and incorporates the architectural, technological, and economic factors that shape their design, function, and social impact. In the project, Nina addresses the history of the urban factory in its vertical typology while looking forward, provoking new concepts for the future of urban manufacturing. She underscores the necessity of creating new paradigms for sustainable, hybrid, and transparent urban industries that also take into account the worker in the city and the new economy. For more information about the project, you can visit www.verticalurbanfactory.org
. Nina Rappaport
is an architectural critic, curator, historian, and educator. For eighteen years she has been publications director at Yale School of Architecture, for which she edits the bi-annual magazine Constructs, exhibition catalogs, and the school’s book series. She directs the project Vertical Urban Factory, which includes a traveling exhibition (Detroit, New York, Toronto, London, Lausanne), public programs, and a book published in 2015 by Actar. She curated exhibitions on Ezra Stoller in Washington, D.C., The Swiss Section at the Van Alen Institute, and Saving Corporate Modernism, at Yale. She authored the book Support and Resist: Structural Engineers and Design Innovation (Monacelli Press, 2007) and co-edited the books Ezra Stoller: Photographer (Yale University Press, 2012) and Long Island City: Connecting the Arts (Design Trust for Public Space and Episode Books, 2008). She has taught at Parsons School of Design, Syracuse School of Architecture in New York, and Barnard College, among others. Her projects have received grants from the Graham Foundation for Advanced Studies in the Fine Arts and New York State Council on the Arts. She has written numerous essays on structural design, architecture, and global industrial landscapes. She is a founding board member of Docomomo US and NY/Tri-State. For more information about her, please visit www.ninarappaport.com
. You can also read her article about Vertical Urban Factory
from our Production issue
This talk is organized by MAS Context in collaboration with the Society of Architectural Historians and presented in partnership with the Chicago Architecture Biennial. Funding for this talk is provided by Skidmore, Owings & Merrill LLP.
Left, Carrie Norman drawing on the American Academy in Rome. Right, Thomas Kelley drawing on the Architectural League of New York. © Photos courtesy of NK. Tuesday September 22, 2015. Doors open at 6:00 pm. Lecture starts at 6:30 pm.
RSVP HERE Thomas Kelley, who operates an architecture collaborative with Carrie Norman under the pseudonym Norman Kelley, will lecture about their latest work on Tuesday, September 22, as part of MAS Context’s 2015 Fall Talks series. The lecture will take place at the Charnley-Persky House, headquarters of the Society of Architectural Historians. Norman Kelley
is a draftsman who likes to draw on buildings. Most recently, NK has projected their line work onto the walls of four prestigious institutions: The American Academy in Rome, The Architectural League of New York, the Graham Foundation for Advanced Studies in the Fine Arts, and most recently, the Chicago Architecture Biennial. At each venue, the act of drawing was the event and the drawing itself is the architecture. A closer look reveals NK’s interest in context – the drawing a visual essay on the history of the site. Like a Bridget Riley painting, the drawings are designed to mask their precise beginnings and confound the observer into collapsing the gap between the analog and the digital. Thomas Kelley
(M. Arch Princeton University, B.Arch University of Virginia) was raised in Canberra, Berlin, Warsaw, Tegucigalpa, Oxford, Lima, and Washington D.C. Thomas is the recipient of the Peter Reyner Banham Fellowship from SUNY Buffalo and the Rome Prize in Architecture from the American Academy in Rome. He is currently a Clinical Assistant Professor at the UIC School of Architecture and operates an architecture collaborative with Carrie Norman under the pseudonym Norman Kelley. The practice has been awarded the 2014 Young Architect’s Prize by the Architectural League of New York and their design work is currently represented by Volume Gallery in Chicago. For more information about Thomas Kelley, you can visit www.normankelley.us/
. You can also read his article about Wrong Chairs
from our Ordinary issue
This talk is organized by MAS Context in collaboration with the Society of Architectural Historians and presented in partnership with the Chicago Architecture Biennial.
Thursday, September 10
Emil Bach House After Hours
5:30 to 8 pm
Emil Bach House
7415 N. Sheridan Road, Chicago
Experience Frank Lloyd Wright's Emil Bach House in the evening. Watch this beautifully restored home come to life at sundown as you enjoy live music, drinks and snacks.
Trust Members: $10
Architect John Ronan, the 2015 Thinking Into the Future speaker, will discuss his views on Chicago architecture and practicing within its building culture in Transcending Pragmatism: Searching for a New Chicago.
Ronan's presentation will take place during the Chicago Architecture Biennial opening weekend.
Program partners: UChicagoArts, AIA Chicago and Chicago Architecture Biennial.
FREE Admission. Reservations required.
Reserve a seat at flwright.org or call 312.994.4000.
Lecture and reception featuring celebrated author and curator Giles Waterfield.
CREAte, the research centre for architecture and the humanities at the Kent School of University, University of Kent, is holding a conference in collaboration with the Architectural Review which will bring together quite different traditions of writing about historic buildings. The special character of this conference is that speakers will be drawn from both academic and non-academic fields, and from a range of disciplines that touch on architectural experience and history. In this way we aim to offer a new experience for writers on architecture, interior design and urban space.
We are inviting papers from those in Architecture, English, History, Sociology, Film and Drama, Landscape Studies and related disciplines with a specialist interest in writing about buildings and urban spaces or experiences across different time periods. The common theme of the papers will be the uses of a variety of voices in creating architecture culture.
Writing Buildings will be a two-day conference on the subject of alternative ways of writing architectural history which will encourage experimentation in criticism through breaking disciplinary barriers. The programme will include papers from both academic disciplines and non-academic professions which engage with the built environment, for example, journalism, interior design and construction. We will organise at least one project-based writing event outside the conference hall. We are currently planning to hold this in collaboration with Turner Contemporary as part of their innovative Waste Land project. We will update news about the conference, including information about events, talks and activities on this website:
Dr Timothy Brittain-Catlin, Kent School of Architecture, University of Kent
Dr Catherine Richardson, School of English, University of Kent
Tom Wilkinson, History Editor, The Architectural Review.
2015 DESIGN MATTERS CONFERENCE: Activate Your Design Community
Presented by Association of Architecture Organizations (AAO)
Dates: November 4-7, 2015
Location: Chicago Cultural Center and Chicago Architecture Foundation, Chicago, IL
Annual meeting of not-for-profit professionals, volunteers, and content area experts interested in the creation and management of cultural programs and exhibitions that spur broader public interest in architecture and design.
With this year’s theme, “Activate Your Design Community,” we’ll take a close look at how architectural organizations can mobilize general audiences and professional designers alike. Expertly crafted programs can transform public audiences from passive receptors to active ambassadors for quality urban design; and transform designers from private practitioners into compelling, visible champions of civic outreach. The Conference will explore how to make the most of collaborations and create programs that animate public sentiment about the value of design.
The inaugural Chicago Architectural Biennial, billed as North America’s largest international survey of contemporary architecture, serves as the Conference Local Host along with the Chicago Architecture Foundation.
Additional events include a pre-Conference Workshop on teaching architecture to K-12 students and post-conference tours to Frank Lloyd Wright's SC Johnson campus and Mies van der Rohe's Farnsworth House.
Register today! aaonetwork.org/2015-conference
This event benefits the School's Campaign for Independence. The Campaign for Independence of the Frank Lloyd Wright School of Architecture seeks to ensure the institution’s future as the oldest and most experimental independent graduate program in architecture. Announcing a panel presentation hosted by the Frank Lloyd Wright School of Architecture on the exciting new frontier of what neuroscience and architecture can learn from each other.
All proceeds benefit the Frank Lloyd Wright School of Architecture.
Juhani Pallasmaa, architectural writer and practitioner, is an Honorary Member of SAFA Society of Finnish Architects, AIA American Institute of Architects, and RIBA Royal British Institute of Architects. He has received numerous Honorary Doctorates in Architecture, Technology and the Arts. The former director of both the Finnish Museum of Architecture and the department of architecture at Helsinki University of Technology, he has authored over 30 books including, The Eyes of the Skin: Architecture and the Senses, which is considered required reading for architecture students worldwide, The Thinking Hand, The Embodied Image and most recently, Mind in Architecture.
Alberto Pérez-Gómez, received his undergraduate degree in architecture and engineering in Mexico City, did postgraduate work at Cornell University, and completed his M.A. and Ph.D. at the University of Essex in England. The Saidye Rosner Bronfman Professor of Architectural History at McGill University, he is the author of numerous books and articles including Architecture and the Crisis of Modern Science and Built upon Love.
Harry Mallgrave, an honorary fellow of RIBA, is emeritus director of the PhD program in Architecture at IIT. For nearly two decades Dr. Mallgrave served as the Editor of Architecture and Aesthetics for the “Text and Documents Series” of the Getty Research Institute. As the author of The Architect’s Brain: Neuroscience, Creativity and Architecture and Architecture and Embodiment: The Implications of the New Sciences and Humanities for Design, he is the leading thinker and pioneer in the dialogue between architecture and neuroscience.
Sarah Robinson, is a practicing architect who studied Philosophy at the University of Wisconsin-Madison and the University of Fribourg in Switzerland before joining attending the Frank Lloyd Wright School of Architecture, where she earned her M.Arch and later served as the founding chair of the Board of Governors. She is the author of Nesting: Body, Dwelling, Mind, and most recently, Mind in Architecture. She lives in Pavia, Italy.
On September 12, 2015 select area cultural civic organizations and historic buildings are opening their doors to the public for free. At varied time slots throughout the day, area buildings, attractions and cultural institutions will have free tours, performances, and docents available to give our community the inside scoop. Area attractions such as the Frank Lloyd Wright Home and Studio, Pleasant Home, Hemingway’s Birth Home and the Oak Park Art League’s historic gallery space are just a few of the locations participating in the 2015 Open House Oak Park & River Forest.
Open House Oak Park & River Forest is currently seeking volunteers to direct area visitors on September 12 and to help spread the word before this inaugural event. Interested volunteers can sign up at the website: OpenHouseOPRF.com.
Through Dominican Business School’s Community Leadership program Oak Parker’s Heidi Ruehle May of Pleasant Home, Tom Gull with Frank Lloyd Wright Trust and Sarah Corbin of the Oak Park River Forest Chamber of Commerce have developed this project in fulfillment of course responsibilities and to help promote area cultural experiences.
“With the support of the Oak Park-River Forest Community Foundation and the Communityworks partnership, Dominican University’s Brennan School of Business offers a Community Leadership Program (CLP) that targets the professional and personal development of emerging and existing leaders in the Oak Park and River Forest area. Over a nine-month period, program participants work with Brennan facilitators and dozens of experts in various venues to discuss and enhance their skills in various leadership areas. In addition to building a network of contacts within the communities, the participants also form teams to work on developing projects that will benefit the communities.”
For a full listing of locations please visit OpenHouseOPRF.com.
The Vernacular Architecture Forum (www.vafweb.org) invites paper proposals and applications for the Pamela H. Simpson Presenter’s Fellowships for its 35th Annual Conference in Durham, North Carolina, June 1-4, 2016.
Papers may address vernacular and everyday buildings, sites, or cultural landscapes worldwide. Submissions on all relevant topics are welcome but we encourage papers exploring African-American life, including slavery, the rise of a black middle class, the Civil Rights movement, and the relationship of race and the built environment; the transformation and industrialization of agricultural landscapes; and the architecture of institutions, including churches, schools, and hospitals.
SUBMITTING AN ABSTRACT
Papers should be analytical rather than descriptive, and no more than twenty minutes in length. Proposals for complete sessions, roundtable discussions or other innovative means that facilitate scholarly discourse are especially encouraged. Proposals should clearly state the argument of the paper and explain the methodology and content in fewer than 400 words. Please include the paper title, author’s name, and email address, along with a one-page c.v.. You may include up to two images with your submission. Note that presenters must deliver their papers in person and be VAF members at the time of the conference. Speakers who do not register for the conference by March 1, 2016, will be withdrawn. Please do not submit an abstract if you are not committed to attending the papers session on Saturday, June 4th.
THE DEADLINE FOR PROPOSALS IS OCTOBER 30, 2015. Abstracts should be emailed to the VAF Papers Committee Chair, Annmarie Adams, at firstname.lastname@example.org. For general information about the Durham conference, please visit the conference website at www.vafweb.org/Durham-2016 or contact Claudia Brown at email@example.com.
Pamela H. Simpson Presenter’s Fellowships:
VAF’s Pamela H. Simpson Presenter’s Fellowships offer a limited amount of financial assistance to students and young professionals presenting papers at VAF’s annual conference. Awards are intended to offset travel and registration costs for students, and to attract developing scholars to the organization. Any person presenting a paper who is currently enrolled in a degree-granting program, or who has received a degree within one year of the annual conference is eligible to apply. Awards cannot exceed $500. Previous awardees are ineligible, even if their status has changed. Recipients are expected to participate fully in the conference, including tours and workshops.
To apply, submit with your abstract a one-page attachment with "Simpson Presenter’s Fellowship" at the top and the following information: 1) name, 2) institution or former institution, 3) degree program, 4) date of degree (received or anticipated), 5) mailing address, 6) permanent email address, 7) telephone number, and 8) paper title.
The Association of Architecture School Librarians (AASL) Programming Committee is now accepting proposals for the 2016 AASL Annual Conference, which will be held in Seattle March 11-13, 2016. This conference is an exciting opportunity, as it will include programming cross-listed with the 2016 ARLIS/NA + VRA Joint Conference.
Conference programming will include lightning talks, conference papers, and tours. Lightning talks are 6 minutes with a maximum of 12 slides; papers,15-20 minutes.
At this time, we are issuing a call for both the lightning talks and conference papers. Through a survey issued at the end of the 2015 conference, members of AASL identified important issues for the professional practice. Building upon this survey, the committee is soliciting proposals for papers and talks that address one of the following topics while tying the discussion back to the ARLIS/NA+VRA Joint Conference theme, Natural Connections.
Renovation - Embedded Librarians – Maker Spaces – Library as Learning Lab – Closing Branches & Sharing Resources
Architecture School Collections
Documenting Student Work – Institutional Repositories – Born-Digital Architectural Records – Special Collections & Archives
Digital Humanities – Student Work – Exhibits & Projects – Digital Repositories, Asset Management, & Metadata
Outreach & Collaboration
Grants – Interdisciplinary Opportunities – Partnerships –Community Engagement
Information Literacies – Research Assistance – Curriculum Development & Mapping – Supporting Traveling Studios
Accreditation + Assessment
Tenure & Promotion – Alt-metrics – Measuring Impact – Alternative Skills for Librarians
Additionally, the Programming Committee seeks proposals that celebrate Seattle’s built environment.
Proposals for either presentation format should not exceed 250 words.
The submission deadline is September 15, 2015. Please use this Google Form to submit your proposals: http://goo.gl/forms/UeUOVSF8l6.
If you have any questions regarding submission, please contact the 2016 Programming Committee at: firstname.lastname@example.org
We hope you take this unique opportunity to present at the 2016 AASL Conference. Remember, the selected proposals will be part of sessions cross-listed with the ARLIS/NA + VRA joint conference. We look forward to reading your proposals and seeing you at the conference!
The 2016 AASL Conference Programming Committee
Jessica Aberle, University of Texas at Austin
Beth Dodd, University of Texas at Austin
Mar González Palacios, Conference Chair, Canadian Centre for Architecture
Katie Pierce Meyer, University of Texas at Austin
Society for History in the Federal Government
Invites Nominations For the
2016 John Wesley Powell Prize
(Historic Preservation Projects)
The Powell Prize commemorates the explorer and federal administrator whose work demonstrated early recognition of the importance of historic preservation and historical display.
The John Wesley Powell Prize alternates annually in recognizing excellence in the fields of historic preservation and historical displays. In 2016, the prize will be awarded to either an individual or to principal collaborators for a single major historic preservation project completed in 2014 or 2015. The award for historic preservation is given for achievement in preservation of records, artifacts, buildings, historical sites, and other historical entities. The winner will be announced in the spring of 2016 at the annual meeting of the SHFG.
Criteria for Evaluation
- Any agency or unit of the federal government
- Nongovernmental organizations, including federal contractors, for eligible activities on behalf of a unit of the federal government
- Members of the Society for History in the Federal Government
- Exemplary practices that serve as models for future federal activity
- Significant value in furthering history in and of the federal government
- A high level of technical expertise in the field of historic preservation
- Excellence and thoroughness of historical research
- Appropriate application of historical research to historic preservation
- Innovative strategies or techniques
- Successful application of appropriate preservation standards, such as the Secretary of the Interior’s Standards for the Treatment of Historic Properties or other appropriate standards.
The award is made solely on the basis of the materials submitted to the Powell Prize Committee. All nominations must be submitted in electronic format, using MS Word or PDF format that can be viewed on standard equipment. Supplemental hard copies are acceptable. Applications may be submitted via CD/DVD or thumb drive.
All submissions must include the following information:
- Name of the nominated project or activity
- Project contact person(s) name, address, telephone number, and e-mail
- Name of the nominator, if different from the contact person, and the nominator's address, telephone number, and e-mail
- A description of the project or activity, including discussion of its scope and purpose and the names of any co-sponsors (one thousand words or less)
- A discussion of how the project addresses the evaluation criteria.
- Supporting visual materials of key aspects of the activity or project, appropriately labeled. These materials may include:
- CDs, DVDs
- Photographs (digital or supplemental hard copies);
- Other media such as plans, elevations, brochures, or news clips.
- All submitted material becomes the property of SHFG.
Submission of Entries and Deadline
Please send a complete copy of each nomination to each of the committee members below postmarked no later than November 30, 2015.
Materials should be mailed via FedEX or similar courier so that submissions can be tracked by the sender and recipient if necessary. Applicants may email questions to committee members but must not email application materials.
1. Liz Petrella, National Park Service, Technical Preservation Services, 1201 Eye Street, NW, 6th floor, Washington, DC 20005, or email@example.com
2. Lou Ann Speulda-Drews, U.S. Fish and Wildlife Service, 1340 Financial Blvd, Suite 234, Reno, NV 89502 firstname.lastname@example.org
3. Virginia Parks, Cultural Resources Team, U.S. Fish and Wildlife Service, 20555 SW Gerda Lane, Sherwood, OR 97140 or Virginia_parks@fws.gov
Further information on awards presented by the Society for History in the Federal Government is available athttp://shfg.org/shfg/awards/awards-requirements/
European Architectural History Network, Dublin, June 2016
In line with the current discussions of the "digital humanities", and in the context of political critiques of big data urbanism as potentially undemocratic, this session aims at rethinking, discussing and developing architectural research based on large data sets. We encourage submissions of papers which address both historical examples of the use of large data sets for architectural production since the late 19th century and in a global perspective as well as contemporary scholarly uses of “big data” for analysis of historical and contemporary built environments.
The SAH 2016 Annual International Conference will engage participants from around the world with the rich, evolving legacy of the Pasadena/Los Angeles region’s built environment. With the scheduled completion of the Metro Expo Light-Rail Line west to Santa Monica in early 2016, Pasadena will be connected to Downtown LA and the rest of Los Angeles County. This infrastructure, building on historic right-of-ways, will provide new ways to see the broad range of the region’s architecture and urbanism.
Featured speakers include UCLA professors Eric Avila, specialist in racial identity, urban space, and cultural representation, and Dana Cuff, author of Architecture: The Story of Practice, and regional paper sessions including “Los Angeles Infrastucture: Design, Aesthetics, Publics,” “Styles, Revival Styles, California Styles,” and “Reappraising California Counterculture.”
The SAH Los Angeles Seminar will bring together constituencies of historic conservation, design professionals, and the community at large to examine SurveyLA/HistoricPlacesLA (the online comprehensive citywide historic resource developed by the City of Los Angeles together with the Getty Conservation Institute) and contemplate its local/global implications and possibilities.
Conference Chair: Ken Tadashi Oshima, SAH 1st Vice President, University of Washington
Local Co-Chairs: Linda Hart, Independent Scholar and Kevin McMahon, Southern California Institute of Architecture
Visit the website for more information.
Join us for a lecture led by Stuart Cohen FAIA, a practicing architect and author of Inventing the New American House: Howard Van Doren Shaw.
Howard Van Doren Shaw designed stately country houses in and around Chicago—from affluent Lake Forest, Illinois, and Lake Geneva, Wisconsin, to Iowa, Minnesota, Ohio, and Indiana—between 1894 to 1926, a period in American architecture that spanned the Gilded Age, the adoption of Beaux-Arts classicism as the ideal for civic architecture, the invention of the skyscraper, and the beginning of modernism.
Tickets: $15 for ICAA members; $25 for general public
World Symposium on Sustainable Development at Universities: WSSD-U-2016
14-16 September 2016
Massachussets Institute of Technology (MIT), Cambridge, MA, USA
The 3rd World Symposium on Sustainable Development at Universities (WSSD-U-2016) will be held at the Massachussets Institute of Technology (MIT), Cambridge, MA, USA, on 14-16 September 2016. The theme of the event is: "Designing Tomorrow?s Campus: Resiliency, Vulnerability, and Adaptation". As usual, the wide spectrum of sustainability will be covered at the event, whose co-hosts are Dr Julie Newman (MIT Office of Sustainability) and Prof. Walter Leal (HAW Hamburg and Manchester Metropolitan University).
The World Symposium on Sustainability in Higher Education series, started at the UN Conference on Sustainable Development in Rio de Janeiro in 2012, is the world?s leading series of events specifically focusing on sustainability in a higher education context.
The event, held bi-annually, aims to offer a platform via which academic, technical and support staff concerned with sustainability issues at universities may meet, interact and exchanges ideas and information. The event is also aimed at promoting innovative approaches, methods and projects, thus furthering the cause of sustainability at universities. It encompasses, teaching, research, campus greening and extension. WSSD-U-2016 is expected to have up to 250 participants from over 30 countries.
Papers on issues related to citizenship are especially welcome.
The deadlines are as follows:
* Deadline for the submission of abstracts: 30th September 2015
* Deadline for the submission of papers: 30th January 2016
* Deadline for the submission of revised papers: 30th March 2016
All papers will be peer-reviewed. The accepted ones will be published either at IJSHE (special issue) http://www.emeraldgrouppublishing.com/products/journals/journals.htm?id=ijshe
or in books, as part of the World Sustainability Series, published by Springer, one of the world?s top 5 scientific publishers. Books published as part of the series (http://www.springer.com/series/13384) are peer-reviewed, and fully indexed. They have already provided a valuable addition to efforts towards career development and tenure, serving both young academics and well-established researchers, from across the world.
Expressions of interest to attend WSSD-U-2016, intially consisting of a 200 words abstract with all contact details from the authors, should be sent to the Symposium?s team by the 30th September 2016 at: email@example.com<mailto:firstname.lastname@example.org>. Only 250 delegates will have access to WSSD-U-2016, and selection will be made on a "first come first served" basis.
Further details can be seen at: http://www.haw-hamburg.de/en/wssd-u-2016.html (the site will be constantly upgraded, as the =organisation of the event develops).
RADICAL HERITAGE, ART AND CULTURE
a strand of
RADICAL HISTORIES/HISTORIES OF RADICALISM A MAJOR CONFERENCE AND PUBLIC HISTORY FESTIVAL
1-3 July 2016
Queen Mary University of London, UK
This international event will explore radical approaches to the past and histories of radical ideas and action through workshops, lectures, panels, performances, screenings, workshops and exhibitions.
For this strand (D) we are particularly interested in cultural initiatives that are wholly or partly situated outside of established heritage organisations, that offer alternative or counter narratives, or that experiment with new forms of producing and articulating history. We invite academics, activists, artists, and practitioners of all kinds to contribute proposals for short papers, workshops, walks, displays, and performances that critically reflect on themes including but not limited to those listed below:
Radical forms of heritage
Uses of the past
Radical and alternative forms of classification
DIY heritage projects: who, how and why?
Walks as public history
Mainstreaming radical histories
Art and activism
Democratisation of heritage
If you would need more information or would like to informally discuss proposals for the strand, please contact Kathleen McIlvenna email@example.com
Please send a 250 - 500 word proposal, marked Strand D and including a description of the format and content of the proposed paper, session, workshop, meeting, screening, or performance to Katy Pettit, Raphael Samuel History Centre administrator (firstname.lastname@example.org<mailto:email@example.com>) by Monday September 14th. Proposers will be notified by November 30th.