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SAH Archipedia Highlights: William Sydney Pittman
May 30, 2023
by
Catherine Boland Erkkila, SAH Archipedia/BUS Managing Editor
William Sidney Pittman (1875–1958) began his architectural studies at Tuskegee Institute, earning a degree in woodwork and architectural-mechanical drawing in 1897. He was the first Black student accepted to what was then called the Drexel Institute of Art, Science and Industry in Philadelphia, where he completed a program in architecture and mechanical drawing in 1900. Pittman returned to Tuskegee that year as head of the department of architectural drawing. While at Tuskegee, he designed several campus buildings and oversaw all campus construction. In 1906 Pittman relocated to Washington, D.C., to establish a practice there—only the second Black architect to do so (Calvin Brent is thought to be the first). One of his most important commissions was the Negro Building (1907) at the Jamestown Ter-Centennial Exposition in Norfolk, Virginia, which provided his practice significant exposure. In 1913, Pittman relocated to Dallas, Texas, with his wife, Portia Washington, who was the daughter of Booker T. Washington, and their three children. There he became the first practicing Black architect in the state, and over the course of his career designed over 50 buildings across the country. Six of these building are included in SAH Archipedia.
Morton Street Church
Photograph by Vyta Pivo
Now part of a condominium development, Morton Street Church originally served as a religious and social anchor for Washington, D.C.’s African American neighborhood of Columbia Heights. Among the neighborhood’s most well-known residents was Duke Ellington, who lived here in the early 1920s. Built for the Trinity African Methodist Episcopal (AME) Zion Church, the structure was William Sidney Pittman’s first commission as a professional architect and the last of his three remaining religious designs in the city. The building took up a small corner of the block and featured two bulky towers with pitched roofs; the central structure in between the towers also fashioned a sloping roof with a set of arched windows. READ MORE
Thurgood Marshall Center for Service and Heritage (Anthony Bowen Branch YMCA)
Photograph courtesy BlackPressUSA
Located in Washington, D.C.’s Shaw neighborhood, near T Street and 12th Street NW, the Anthony Bowen Branch of the Young Men's Christian Association (YMCA) is the earliest surviving YMCA structure built by and for African Americans. In addition to serving as an important Christian anchor for the community and promoting the growth and development of Washington's Black youth, the YMCA presented an exceptionally impressive building. At the time of its completion in 1908, it was the tallest non-residential structure on the block and served as evidence of the strength of the neighboring and national Black community. READ MORE
Milbank Hall (Milbank Agricultural Building), Tuskegee Institute
Photograph by Mark Hilton for hmdb.org
Alumnus Pittman designed Tuskegee Institute’s Milbank Agricultural Building in 1909. Named for Jeremiah Milbank, a founder of the Borden Milk Company, and funded by his daughter, Elizabeth Milbank Anderson, the new agricultural building housed laboratories, offices, and classrooms. The large brick, three-and-a-half-story building has visually thin walls with shallow reveals at the windows. The square-headed window openings lack the variations in shape, size, and rhythm with which his predecessor, Robert Robinson Taylor, typically enlivened walls elsewhere on campus. The building featured roofing slate, a rare material at Tuskegee. The Jacobean curving gables and protruding porch establish a new motif for the school’s expanding agricultural campus. READ MORE
Hume Hall, Kentucky State University
Photograph by Jason Edwards
Hume Hall originally housed the college library, auditorium, and chapel for the Kentucky Normal School for Colored Persons (now Kentucky State University) in Frankfort. Built in 1909 by William Sidney Pittman, this was second building erected for the first state-sponsored institution of higher learning for African Americans in Kentucky. Once commanding the crest of the hill high above downtown Frankfort and the state capitol, the green space around Hume Hall has been diminished by later buildings and roadways. READ MORE
Garfield Elementary Public School
Photograph by Vyta Pivo
Garfield Elementary Public School is located in the Anacostia neighborhood at the intersection of Alabama Avenue and Jasper Street in Southeast Washington, D.C. It was meant to replace the whites-only Hamilton Road School, built in 1887, thus indicating an ongoing demographic shift in the neighborhood. Designed by William Sidney Pittman and constructed in 1910, the project was Pittman's second school in the area; the other being the Fairmount Heights School in Maryland. Though racially segregated, the school nevertheless displays a broader concern on the part of the District's Board of Education to ensure better and safer buildings for its student population. Educational institutions were likewise important sources of revenue for practicing African American architects like Pittman. READ MORE
Joshua Chapel AME Church
Photograph by Renelibrary, CC BY-SA 4.0
First organized in 1876, the congregation was named for its pastor, who founded other African Methodist Episcopal churches in the state. The church’s traditional nave plan was rendered in red brick resting on a raised plaster-covered base. The central entrance is recessed between two square towers of different heights with pyramidal roofs and is fronted by a triple-arched portico. A boldly projecting roof eave continues around the building like a belt course, tying all the parts together. READ MORE
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At the center of SAH Celebrates is the Charnley-Persky House (1891–1892), a National Historic Landmark and a Chicago Landmark designed by Louis Sullivan with assistance from Frank Lloyd Wright, that serves as SAH headquarters. SAH Celebrates highlights the importance of fostering a supportive community whose efforts ensure the stewardship of architectural gems like the Charnley-Persky House.
Proceeds benefit the ongoing maintenance and care of the Charnley-Persky House and SAH's educational programs and publications, including SAH Archipedia and Buildings of the United States.
T. Gunny Harboe, FAIA
Founder, Harboe Architects
Michelangelo Sabatino, PhD
Professor, Director of Ph.D. Program in Architecture, Inaugural John Vinci Distinguished Research Fellow, Illinois Institute of Technology
Founder, Harboe Architects
Michelangelo Sabatino, PhD
Professor, Director of Ph.D. Program in Architecture, Inaugural John Vinci Distinguished Research Fellow, Illinois Institute of Technology
Laurence O. Booth, FAIA
Booth Hansen Architects
Rebekah Coffman
Chicago History Museum
Stuart Cohen, FAIA
Cohen-Hacker Architects
Thomas M. Dietz
Alison Fisher
Art Institute of Chicago
Scott Fortman
Institute of Classical Architecture and Art, Chicago-Midwest Chapter
Keith Goad
The Keith Goad Group, Berkshire Hathaway Home Services Chicago
Chandra Goldsmith
IIT CoA Board of Advisors
Barbara Gordon
Frank Lloyd Wright Building Conservancy
Eleanor Gorski
Chicago Architecture Center
Stuart Graff
Frank Lloyd Wright Foundation
Julie Hacker, FAIA
Cohen-Hacker Architects
Sarah Herda
Graham Foundation
Harry Hunderman, FAIA
Wiss, Janney, Elstner Associates, Inc
Lisa Key
Driehaus Museum
Nancy and Thomas Klein
SAH Chicago Chapter
Thomas Leslie
University of Illinois at Urbana-Champaign
Jen Masengarb
AIA Chicago
Bonnie McDonald
Landmarks Illinois
Justin Miller
Docomomo US/Chicago
Ward Miller
Preservation Chicago
Heather Hyde Minor
University of Notre Dame
Keith N. Morgan, FSAH
SAH Past President
Sarah Rogers Morris
University of Illinois at Chicago
John K. Notz Jr.
SAH Benefactor Member
Keith Olsen
Olsen Vranas Architects
Abby Persky
Chicago, IL
Laurie Petersen
Charnley-Persky House Board Member
Charlie Pipal
School of the Art Institute of Chicago
Deborah Slaton
Wiss, Janney, Elstner Assocites, Inc.
Cynthia Vranas
Mies Van der Rohe Society
Cynthia Weese, FAIA
Weese, Langley, Weese Architects and Charnley-Persky House Board Member
Ernie Wong
Commission on Chicago Landmarks
Booth Hansen Architects
Rebekah Coffman
Chicago History Museum
Stuart Cohen, FAIA
Cohen-Hacker Architects
Thomas M. Dietz
Jaeger Nickola Kuhlman & Associates
Art Institute of Chicago
Scott Fortman
Institute of Classical Architecture and Art, Chicago-Midwest Chapter
Keith Goad
The Keith Goad Group, Berkshire Hathaway Home Services Chicago
Chandra Goldsmith
IIT CoA Board of Advisors
Barbara Gordon
Frank Lloyd Wright Building Conservancy
Eleanor Gorski
Chicago Architecture Center
Stuart Graff
Frank Lloyd Wright Foundation
Julie Hacker, FAIA
Cohen-Hacker Architects
Sarah Herda
Graham Foundation
Harry Hunderman, FAIA
Wiss, Janney, Elstner Associates, Inc
Lisa Key
Driehaus Museum
Nancy and Thomas Klein
SAH Chicago Chapter
Thomas Leslie
University of Illinois at Urbana-Champaign
Jen Masengarb
AIA Chicago
Bonnie McDonald
Landmarks Illinois
Justin Miller
Docomomo US/Chicago
Ward Miller
Preservation Chicago
Heather Hyde Minor
University of Notre Dame
Keith N. Morgan, FSAH
SAH Past President
Sarah Rogers Morris
University of Illinois at Chicago
John K. Notz Jr.
SAH Benefactor Member
Keith Olsen
Olsen Vranas Architects
Abby Persky
Chicago, IL
Laurie Petersen
Charnley-Persky House Board Member
Charlie Pipal
School of the Art Institute of Chicago
Deborah Slaton
Wiss, Janney, Elstner Assocites, Inc.
Chris-Annmarie Spencer, AIA, NOMA
AIA Chicago Foundation
Cynthia Vranas
Mies Van der Rohe Society
Cynthia Weese, FAIA
Weese, Langley, Weese Architects and Charnley-Persky House Board Member
Ernie Wong
Commission on Chicago Landmarks
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A webinar series featuring six acclaimed critics discussing the current state of architectural criticism, and criticism's role in addressing the major crises of our time.
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Visiting Faculty Fellowships in Design for Spatial Justice - University of Oregon
The University of Oregon in Eugene and Portland, Oregon invites applications for Visiting Faculty Fellowships in Design for Spatial Justice at the rank of assistant, associate, full, or professor of practice in the areas of architecture, landscape architecture, interior architecture and historic preservation in the School of Architecture & Environment in the College of Design. The School of Architecture & Environment will award up to six faculty fellowships in design/research and teaching for durations of two terms to three years, to start as early as September 2021. Each fellow will be expected to teach one or two courses per quarter (five courses per year) and to contribute to scholarship and public programming.
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Call for Bibliographic References to Expand "Women in Architecture Bibliography"
The SAH Women in ArchitectureAffiliate Group and SAH WiA AG Registers Committee invite submissions of bibliographic references, new or absent in the initial edition of the SAH Women in Architecture Bibliography. Contributors will be recognized in Acknowledgements. We invite references to expand: – The list of BOOKS authored/edited BY WOMEN, who are architectural and art historians, educators, curators, critics, other protagonists in our profession. – The list of BOOKS ABOUT WOMEN’s CONTRIBUTION to the built environment integrating works in broader diversity, border- and cross-disciplinary studies, covering various geographies, and areas relevant to understanding and teaching the subject. – The list of THESES ABOUT WOMEN’s CONTRIBUTION to the discipline. – The list of BOOKS/THESES, following the same logistics, published in languages other than English. NO DEADLINE! Subject Line: WiA Bibliography 2023; Format: Word doc. / Chicago Manual of Style 17th edition The SAH Women in Architecture Bibliography is a comprehensive project in-progress of the SAH Women in Architecture Affiliate Group, a groundbreaking effort to document and recognize the essential role women have played in the creation of the built environment, from practicing architects, urban, landscape, and interior designers, to artists and craftsmen, to the many scholars who have informed, advocated, and educated through their publications, exhibitions, and numerous public and private programs around women in architecture. While there have been bibliographies and collections developed on the topic, no effort has been made to organize a major inclusive database of books and theses about the contribution of women to the built environment. These efforts of the SAH Women in Architecture Affiliate Group have just launched, and the initial open e-access edition containing c. 1,100 titles has been published online in July and in August 2021. The Society of Architectural Historians and the SAH WiA AG are committed to creating the bibliography that will lead current and future generations of professionals to the core literature of inclusive, powerful writings by and about women in the integral field of architecture.
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SAH Archipedia Highlights: William Sydney Pittman
May 30, 2023
by
Catherine Boland Erkkila, SAH Archipedia/BUS Managing Editor
William Sidney Pittman (1875–1958) began his architectural studies at Tuskegee Institute, earning a degree in woodwork and architectural-mechanical drawing in 1897. He was the first Black student accepted to what was then called the Drexel Institute of Art, Science and Industry in Philadelphia, where he completed a program in architecture and mechanical drawing in 1900. Pittman returned to Tuskegee that year as head of the department of architectural drawing. While at Tuskegee, he designed several campus buildings and oversaw all campus construction. In 1906 Pittman relocated to Washington, D.C., to establish a practice there—only the second Black architect to do so (Calvin Brent is thought to be the first). One of his most important commissions was the Negro Building (1907) at the Jamestown Ter-Centennial Exposition in Norfolk, Virginia, which provided his practice significant exposure. In 1913, Pittman relocated to Dallas, Texas, with his wife, Portia Washington, who was the daughter of Booker T. Washington, and their three children. There he became the first practicing Black architect in the state, and over the course of his career designed over 50 buildings across the country. Six of these building are included in SAH Archipedia.
Morton Street Church
Photograph by Vyta Pivo
Now part of a condominium development, Morton Street Church originally served as a religious and social anchor for Washington, D.C.’s African American neighborhood of Columbia Heights. Among the neighborhood’s most well-known residents was Duke Ellington, who lived here in the early 1920s. Built for the Trinity African Methodist Episcopal (AME) Zion Church, the structure was William Sidney Pittman’s first commission as a professional architect and the last of his three remaining religious designs in the city. The building took up a small corner of the block and featured two bulky towers with pitched roofs; the central structure in between the towers also fashioned a sloping roof with a set of arched windows. READ MORE
Thurgood Marshall Center for Service and Heritage (Anthony Bowen Branch YMCA)
Photograph courtesy BlackPressUSA
Located in Washington, D.C.’s Shaw neighborhood, near T Street and 12th Street NW, the Anthony Bowen Branch of the Young Men's Christian Association (YMCA) is the earliest surviving YMCA structure built by and for African Americans. In addition to serving as an important Christian anchor for the community and promoting the growth and development of Washington's Black youth, the YMCA presented an exceptionally impressive building. At the time of its completion in 1908, it was the tallest non-residential structure on the block and served as evidence of the strength of the neighboring and national Black community. READ MORE
Milbank Hall (Milbank Agricultural Building), Tuskegee Institute
Photograph by Mark Hilton for hmdb.org
Alumnus Pittman designed Tuskegee Institute’s Milbank Agricultural Building in 1909. Named for Jeremiah Milbank, a founder of the Borden Milk Company, and funded by his daughter, Elizabeth Milbank Anderson, the new agricultural building housed laboratories, offices, and classrooms. The large brick, three-and-a-half-story building has visually thin walls with shallow reveals at the windows. The square-headed window openings lack the variations in shape, size, and rhythm with which his predecessor, Robert Robinson Taylor, typically enlivened walls elsewhere on campus. The building featured roofing slate, a rare material at Tuskegee. The Jacobean curving gables and protruding porch establish a new motif for the school’s expanding agricultural campus. READ MORE
Hume Hall, Kentucky State University
Photograph by Jason Edwards
Hume Hall originally housed the college library, auditorium, and chapel for the Kentucky Normal School for Colored Persons (now Kentucky State University) in Frankfort. Built in 1909 by William Sidney Pittman, this was second building erected for the first state-sponsored institution of higher learning for African Americans in Kentucky. Once commanding the crest of the hill high above downtown Frankfort and the state capitol, the green space around Hume Hall has been diminished by later buildings and roadways. READ MORE
Garfield Elementary Public School
Photograph by Vyta Pivo
Garfield Elementary Public School is located in the Anacostia neighborhood at the intersection of Alabama Avenue and Jasper Street in Southeast Washington, D.C. It was meant to replace the whites-only Hamilton Road School, built in 1887, thus indicating an ongoing demographic shift in the neighborhood. Designed by William Sidney Pittman and constructed in 1910, the project was Pittman's second school in the area; the other being the Fairmount Heights School in Maryland. Though racially segregated, the school nevertheless displays a broader concern on the part of the District's Board of Education to ensure better and safer buildings for its student population. Educational institutions were likewise important sources of revenue for practicing African American architects like Pittman. READ MORE
Joshua Chapel AME Church
Photograph by Renelibrary, CC BY-SA 4.0
First organized in 1876, the congregation was named for its pastor, who founded other African Methodist Episcopal churches in the state. The church’s traditional nave plan was rendered in red brick resting on a raised plaster-covered base. The central entrance is recessed between two square towers of different heights with pyramidal roofs and is fronted by a triple-arched portico. A boldly projecting roof eave continues around the building like a belt course, tying all the parts together. READ MORE
News Home Blocks
SAH Archipedia Highlights: William Sydney Pittman
May 30, 2023
by
Catherine Boland Erkkila, SAH Archipedia/BUS Managing Editor
William Sidney Pittman (1875–1958) began his architectural studies at Tuskegee Institute, earning a degree in woodwork and architectural-mechanical drawing in 1897. He was the first Black student accepted to what was then called the Drexel Institute of Art, Science and Industry in Philadelphia, where he completed a program in architecture and mechanical drawing in 1900. Pittman returned to Tuskegee that year as head of the department of architectural drawing. While at Tuskegee, he designed several campus buildings and oversaw all campus construction. In 1906 Pittman relocated to Washington, D.C., to establish a practice there—only the second Black architect to do so (Calvin Brent is thought to be the first). One of his most important commissions was the Negro Building (1907) at the Jamestown Ter-Centennial Exposition in Norfolk, Virginia, which provided his practice significant exposure. In 1913, Pittman relocated to Dallas, Texas, with his wife, Portia Washington, who was the daughter of Booker T. Washington, and their three children. There he became the first practicing Black architect in the state, and over the course of his career designed over 50 buildings across the country. Six of these building are included in SAH Archipedia.
Morton Street Church
Photograph by Vyta Pivo
Now part of a condominium development, Morton Street Church originally served as a religious and social anchor for Washington, D.C.’s African American neighborhood of Columbia Heights. Among the neighborhood’s most well-known residents was Duke Ellington, who lived here in the early 1920s. Built for the Trinity African Methodist Episcopal (AME) Zion Church, the structure was William Sidney Pittman’s first commission as a professional architect and the last of his three remaining religious designs in the city. The building took up a small corner of the block and featured two bulky towers with pitched roofs; the central structure in between the towers also fashioned a sloping roof with a set of arched windows. READ MORE
Thurgood Marshall Center for Service and Heritage (Anthony Bowen Branch YMCA)
Photograph courtesy BlackPressUSA
Located in Washington, D.C.’s Shaw neighborhood, near T Street and 12th Street NW, the Anthony Bowen Branch of the Young Men's Christian Association (YMCA) is the earliest surviving YMCA structure built by and for African Americans. In addition to serving as an important Christian anchor for the community and promoting the growth and development of Washington's Black youth, the YMCA presented an exceptionally impressive building. At the time of its completion in 1908, it was the tallest non-residential structure on the block and served as evidence of the strength of the neighboring and national Black community. READ MORE
Milbank Hall (Milbank Agricultural Building), Tuskegee Institute
Photograph by Mark Hilton for hmdb.org
Alumnus Pittman designed Tuskegee Institute’s Milbank Agricultural Building in 1909. Named for Jeremiah Milbank, a founder of the Borden Milk Company, and funded by his daughter, Elizabeth Milbank Anderson, the new agricultural building housed laboratories, offices, and classrooms. The large brick, three-and-a-half-story building has visually thin walls with shallow reveals at the windows. The square-headed window openings lack the variations in shape, size, and rhythm with which his predecessor, Robert Robinson Taylor, typically enlivened walls elsewhere on campus. The building featured roofing slate, a rare material at Tuskegee. The Jacobean curving gables and protruding porch establish a new motif for the school’s expanding agricultural campus. READ MORE
Hume Hall, Kentucky State University
Photograph by Jason Edwards
Hume Hall originally housed the college library, auditorium, and chapel for the Kentucky Normal School for Colored Persons (now Kentucky State University) in Frankfort. Built in 1909 by William Sidney Pittman, this was second building erected for the first state-sponsored institution of higher learning for African Americans in Kentucky. Once commanding the crest of the hill high above downtown Frankfort and the state capitol, the green space around Hume Hall has been diminished by later buildings and roadways. READ MORE
Garfield Elementary Public School
Photograph by Vyta Pivo
Garfield Elementary Public School is located in the Anacostia neighborhood at the intersection of Alabama Avenue and Jasper Street in Southeast Washington, D.C. It was meant to replace the whites-only Hamilton Road School, built in 1887, thus indicating an ongoing demographic shift in the neighborhood. Designed by William Sidney Pittman and constructed in 1910, the project was Pittman's second school in the area; the other being the Fairmount Heights School in Maryland. Though racially segregated, the school nevertheless displays a broader concern on the part of the District's Board of Education to ensure better and safer buildings for its student population. Educational institutions were likewise important sources of revenue for practicing African American architects like Pittman. READ MORE
Joshua Chapel AME Church
Photograph by Renelibrary, CC BY-SA 4.0
First organized in 1876, the congregation was named for its pastor, who founded other African Methodist Episcopal churches in the state. The church’s traditional nave plan was rendered in red brick resting on a raised plaster-covered base. The central entrance is recessed between two square towers of different heights with pyramidal roofs and is fronted by a triple-arched portico. A boldly projecting roof eave continues around the building like a belt course, tying all the parts together. READ MORE
